Sydney Levine

IFP Announces Titles for Project Forum - The Centerpiece of Independent Film Week

  • By Sydney Levine
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  • September 18, 2011 6:30 AM
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150 New Films in Development from Emerging & Established Filmmakers

International Sales Agents of the Day: Elle Driver and The Wild Bunch in Toronto

  • By Sydney Levine
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  • September 15, 2011 11:00 AM
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Wild Bunch and Elle Driver are in Toronto with films by such illuminaries as Fernando Meirelles (City of God, The Constant Gardener), Cedric Kahn, Goro Miyazaki (Tales from Earthsea), Emanuele Crialese (Respiro, The Golden Door), Kore-eda (Nobody Knows), Lou Ye (Summer Palace), Nacho Vigalondo(Timecrimes) and Marco van Geffen. Handling their publicity is Martin Marquet, one of the bright lights in our universe. You can find the team at the Hyatt Regency on King Street West. Check out their films below the jump.

Los Angeles Latino International Film Festival Celebrates its Quinceanera

  • By Sydney Levine
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  • July 15, 2011 2:04 AM
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Fifteen years old! Under Marlene Dermer's leadership, with her founding partner, Eddie Olmos, LALIFF shows the best of Latino films.76 films, including 42 feature films (29 narrative and 13 documentaries) and 34 short films from 14 different countries. The feature films selected include 2 World Premieres, 6 USA Premieres, 5 West Coast Premieres and 11 Los Angeles Premieres. This year's program offers a balanced selection of new voices and voices that we have heard before. Together and individually they go beyond telling Latino stories; they narrate in film the human experience. LALIFF is one of few film festivals in the world recognized by the Academy of Motion Pictures Arts and Science as a qualifying festival, making the winner of its Short Film Category eligible for Oscar® consideration. In the spirit of celebration, this year LA Times / Hoy launches the first ever Best Short Audience Award at LALIFF. Please check out this year's Shorts' trailers at www.vivelohoy.com/laliff2011

Rights Round Up Cannes 2011 by International Sales Agent H - L

  • By Sydney Levine
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  • May 23, 2011 3:17 AM
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The Rights RoundUp is a work-in-progress which will go on throughout Cannes until the next big show: Toronto, showing deals as they get made, listed by sales agent. It also shows all the festival films including those in Competition, out of Competition, Un Certain Regard, Directors' Fortnight and Critics Week by sales agent or producer when there is no sales agent.

Rights Roundup Winter Season: Sundance, Rotterdam, Berlin

  • By Sydney Levine
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  • March 25, 2011 4:18 AM
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You can download and access Winter Rights Roundup (Deals done in Berlin, Rotterdam, Sundance) here. Ventana Sur is thrown in for good measure along with whatever else until we begin the 2011 Spring and Cannes Rights Roundup.

Sundance By Numbers #3 (Final Tally)

  • By Sydney Levine
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  • February 4, 2011 7:40 AM
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  • 3 Comments
THE NUMBERS OF SALES AND ACQUISITIONS:39 titles were sold. See Anthony Kaufman's article on IndieWIRE which did not count the latest acquisition of ON THE ICE for which Coach 14 picked up international representation..$30m in deals and P&A commitments is reportedly the level of business done. Jonathan Dana says on February 1, 2011As ever, keep in mind that all eventual deals do not necessarily get done at Sundance, and that many of the “unsold” films will find proper homes and ultimate success. The notion that a film must be sold quickly to be deemed ‘valuable’ is in itself a longstanding myth, or at least an oversimplification of a process that routinely takes time, especially when comparing ‘conventional’ offers with the more nuanced deals of the ‘distribution 2.0’ era. It was, I agree, a solid and fun Sundance, and I’m certain there will be more news to come.

Countdown to the Oscars: Biutiful

  • By Sydney Levine
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  • February 2, 2011 8:07 AM
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Surprising in many ways, Biutiful is nominated for two Oscars. Not only is it one of the 5 nominees in the Best Foreign Language category (Mexico), Javier Bardem is also nominated in the Best Actor category. It played in Cannes last spring, where it won a Best Actor prize for Javier Bardem. Roadside Attractions distributing in the U.S. After its December 1 week qualifying run, it is the very first film to debut theatrically after screening at the 2011 Sundance Film Festival. Playing opposite Kaboom, the weekend’s other major specialty debut, it had a strong opening likely in large part to its somewhat surprising best actor nomination. On 57 screens in 27 markets - an aggressive opening for a foreign film - the film grossed $460,916 for a very respectable $8,084 average. Including the December qualifying run, Biutiful has now grossed $623,226.

Sundance By Numbers #2

  • By Sydney Levine
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  • January 23, 2011 1:44 AM
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>5 juries for competition films collectively are comprised of individuals from the global arts community, each of whom brings unique perspective and range of experience. Jury Members are Susanne Bier ♀, Matt Groening, Jason Reitman, America Ferrara ♀, Kim Peirce ♀.With my view of the film world business, more interesting than the Winners of the Competition for Narrative and Docs for the American Indies and the World Cinema Sections (The films themselves are all worth seeing by virtue of having been selected by Sundance) is the competition among Hollywood's agencies and producer reps in handling the sales of the films. This is akin to a horse race, worth watching in that light, betting on different horses and watching the horse traders dealing behind the scenes.You can also keep track of the full season's festival and market buying and selling on my blog Rights Roundup: Winter Season Sundance, Rotterdam and Berlin, but here is a different sort of scorecard. See below the jump to see who is repping which films. And watch as deals get made!! And for the best roundup of all Sundance news, see IndieWIRE.

Margin Call Closed Out to Trade

  • By Sydney Levine
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  • January 21, 2011 6:51 AM
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Margin Call -- which was exec produced by Cassian Elwes who is repping with UTA for the U.S. -- screened for press and industry today and was the scene of a small though intensely angst-ridden uproar as industryites were shut out after waiting on line for an hour. Some in the closed-out crowd claimed attendees were specially selected to enter in order to make the U.S. sale especially hot. Those unable to see the film included press members scheduled to interview talents in the film and many of the smaller distributors. To name a few I saw lingering outside, trying to decide what to do next, since attending the next few films was now out of the question, there was Paul Federbbush, Marcus Hu, Richard Abramowitz, Mark Fishkin and at least 10 others. The nearby Yarrow was quite a scene filled with indignation which turned into shop talk until the film finished. As Cassian sailed through the lobby looking ecstatic, I mentioned the ire and he said he had asked for an early P&I screening since the premiere (of the Premiere film) was scheduled for next Tuesday when many people would have left and he was given a small 100 seat room at Holiday Village. Some people claimed he preferred it this way as it sparked the competitive spirit among powerful distributors. Can't wait to hear about the bidding war this might ignite.Margin Call starring Kevin Spacey, directed by JC ChandorIt's no mystery that the film will sell, as the international sales agent Myriad, has already pre-sold a myriad of territories at Toronto and the AFM. The film will also show at the Berlin Film Festival in February. For those interested in international territories sold, see below the jump.

Oscar Watch: Austria's La Pivellina by Tizza Cavi and Rainer Frimmel

  • By Sydney Levine
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  • December 20, 2010 4:29 AM
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  • 1 Comment
La Pivellina is almost the sort of film which could win at least one of the five nominations for the Academy Award Oscar for Best Foreign Language Film. It's about a child and a family living in the exotic though poor circumstances of circus performers. A beautifully authentic and touching film, it is clearly a favorite of festivals where it premiered in Cannes' Directors Fortnight in 2009 and thoroughly covered the festival circuit including Karlovy Vary, Toronto Vancouver, Palm Springs, Berlin, New Directors and has won the requisite awards. Represented internationally by Films Distribution, and by First Run in U.S., it has sold widely to Brazil, Argentina, Italy, France, Belgium, Switzeland. My guess is it will not be nominated. The reason I think this will not win the nomination is that it is too realistic and the Academy prefers more polished production values which do not show too much grit or realism. Granted there are so many knock out films this year (my picks are Of Gods and Men, Biutiful, Incendies, In a Better World, and fighting for 5th place are Life Above All, When We Leave, Undertow, Hermano, Aftershock, Carancho, Illegal.) Watch the trailer:

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