Click to Skip Ad
Closing in...
Women to Watch: Anna Różalska of Match&Spark Management Women to Watch: Anna Różalska of Match&Spark Management Women to Watch: Actress and Filmmaker Ahd Kamel Women to Watch: Actress and Filmmaker Ahd Kamel Exclusive: Alfonso Cuarón & Alejandro G. Iñárritu Endorse Emiliano Rocha Minter's 'We Are The Flesh' Exclusive: Alfonso Cuarón & Alejandro G. Iñárritu Endorse Emiliano Rocha Minter's 'We Are The Flesh' Sundance Review: Moving Doc 'We Are X' Chronicles the Tragic Story of Japan's Biggest & Boldest Band Sundance Review: Moving Doc 'We Are X' Chronicles the Tragic Story of Japan's Biggest & Boldest Band Sundance ’16: Lebanese Comedy ‘Halal Love (and Sex)’ is a Hilarious Discovery from Razor Film Sundance ’16: Lebanese Comedy ‘Halal Love (and Sex)’ is a Hilarious Discovery from Razor Film Sundance Review: Why Culturally Sensitive Road Trip Dramedy 'Mr. Pig' is Diego Luna's Best Film Yet Sundance Review: Why Culturally Sensitive Road Trip Dramedy 'Mr. Pig' is Diego Luna's Best Film Yet Sundance Institute Announces New Merata Mita Fellowship for Indigenous Artists and 2016 Recipient Sundance Institute Announces New Merata Mita Fellowship for Indigenous Artists and 2016 Recipient Sundance Review: The Daniels' Heartfelt 'Swiss Army Man' is a Zany Existentialist Buddy Comedy Sundance Review: The Daniels' Heartfelt 'Swiss Army Man' is a Zany Existentialist Buddy Comedy How GKIDS Shook the Oscar Animated Race with First Latin American Nominee and a New Ghibli Hit How GKIDS Shook the Oscar Animated Race with First Latin American Nominee and a New Ghibli Hit Kosovo Gets First Oscar Nomination with Short Film 'Shok' Kosovo Gets First Oscar Nomination with Short Film 'Shok' 'The Boy and the Beast' Dir. Mamoru Hosoda on Shared Fatherhood & Why His Films Deal with Two Worlds 'The Boy and the Beast' Dir. Mamoru Hosoda on Shared Fatherhood & Why His Films Deal with Two Worlds 7 Latin American and Latino-Themed Films Vying for an Oscar Nomination 7 Latin American and Latino-Themed Films Vying for an Oscar Nomination Charlie Kaufman on the Meaning Behind 'Anomalisa' at PSIFF: 'See the film' Charlie Kaufman on the Meaning Behind 'Anomalisa' at PSIFF: 'See the film' 'Ixcanul' Director Jayro Bustamante on the Strength of Mayan Women & Guatemala's Indigenous Majority 'Ixcanul' Director Jayro Bustamante on the Strength of Mayan Women & Guatemala's Indigenous Majority Review: Why Alê Abreu's Sublime 'Boy and the World' is the Best Animated Film of the Year                                                Review: Why Alê Abreu's Sublime 'Boy and the World' is the Best Animated Film of the Year Romania 's 'The Chosen One' Marks the Beginning of the 2015 Golden Globes® Campaigns Romania 's 'The Chosen One' Marks the Beginning of the 2015 Golden Globes® Campaigns LatinoBuzz: Actress Kate del Castillo on Premios Platino and Working in Her Native Language LatinoBuzz: Actress Kate del Castillo on Premios Platino and Working in Her Native Language 30 Essential Iranian Films to Watch in Honor of Nowruz (Persian New Year)! 30 Essential Iranian Films to Watch in Honor of Nowruz (Persian New Year)! LatinoBuzz: Interview with Elvis Nolasco from ABC's 'American Crime' LatinoBuzz: Interview with Elvis Nolasco from ABC's 'American Crime' Oscars 2015 : Best Foreign Language Film Contenders - Europe Part 1 Oscars 2015 : Best Foreign Language Film Contenders - Europe Part 1

What a Difference a Year Makes: Cannes 2010

Photo of Sydney Levine By Sydney Levine | Sydneys Buzz May 9, 2011 at 2:30AM

IndieWIRE in Cannes 2010Wednesday began bright and early with a breakfast confab on the Grand Hotel terrace with indieWIRE’s Eugene Hernandez, Brian Brooks and Eric Kohn, who was meeting new indieWIRE family members Todd McCarthy and Sydney Levine for the first time. We mapped our plans—indieWIRE is doing a smart daily timeline—downed our espressos and croissants and went our separate ways.What a difference a year makes: Eugene Hernandez is now head of all things digital at the New York Film Society and Todd McCarthy has returned to the corporate fold as chief reviewer for The Hollywood Reporter. Lucky for us, we are still friends with them as we and they continue our separate ways.See you in Cannes!
0



IndieWIRE in Cannes 2010

Wednesday began bright and early with a breakfast confab on the Grand Hotel terrace with indieWIRE’s Eugene Hernandez, Brian Brooks and Eric Kohn, who was meeting new indieWIRE family members Todd McCarthy and Sydney Levine for the first time. We mapped our plans—indieWIRE is doing a smart daily timeline—downed our espressos and croissants and went our separate ways.

What a difference a year makes: Eugene Hernandez is now head of all things digital at the New York Film Society and Todd McCarthy has returned to the corporate fold as chief reviewer for The Hollywood Reporter. Lucky for us, we are still friends with them as we and they continue our separate ways.

See you in Cannes!

This article is related to: International Film Festival, International Film Market, Cannes Market

E-Mail Updates