18 Foreign Films We're Looking Forward To In 2011

by Christopher Bell
January 10, 2011 5:49 AM
21 Comments
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16. "Dau" - Russia - dir. Ilya Khrjanovsky
Synopsis: An epic biopic focusing on famous Soviet scientist Lev Landau, a Jewish man responsible for a number of breakthroughs in physics.
What You Need To Know: Yes, the plot outline sounds about as enticing as GRE prep course, but for Khrjanovsky, it's all about execution. His incredible 2005 film "4" showcased his firm grip on the bizarre, such as old women gumming up bread to make dolls, and an ability to entrance with deep symbolism and experimental narrative excursions. We're down, especially if it means another opening as striking as that one.
Release Date/Status: Missed Cannes 2010, likely going for the 2011 iteration

15. "Elena" - Russia - dir. Andrei Zvyaginstev
Synopsis: An aging woman must choose between her wealthy husband or her alcoholic son, whose ailment is sending his family into poverty.
What You Need To Know: It took a very long time for Russia to brew its next Tarkovsky, but better late than never. Palme d'or nominated Zvyaginstev combined the meditative quality of his mentor and mixed in brooding scores, dense religious undertones and Haneke-style thriller plots. Even though the director claims "Elena" will be different from his previous work, his keen visual eye should still be present; expect a compelling experience.
Release Date/Status: Cannes 2011 likely

14. "Post Tenebras Lux" - Mexico - dir. Carlos Reygadas
Synopsis: Described as an expressionist painting with little reason, this will be a semi-autobiographical tale about the director's feelings, memories, dreams, hopes, and fears.
What You Need To Know: If there's any director that should be set free of structural shackles, it would have to be Reygadas. His signature loose narratives always allowed him to really explore the small and the weird, so with even less of a logical form (and what sounds like a very personal outlet), "Post" should prove to be a true work of art. Maybe we'd be a bit more questioning (at its worst it could be agonizingly self-indulgent) if his past work weren't so strong, and particularly if he wasn't coming off incredible Cannes Jury prize winner "Silent Light."
Release Date/Status: Announced in Berlin's 2010 festival, shooting was supposed to have been underway at some point last year.

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21 Comments

  • joe | July 3, 2012 10:03 PMReply

    wow, two per page? No thanks, this isn't worth 9 clicks. Enough with the ad factory.

  • To BL | January 13, 2012 5:30 PMReply

    I wish i knew, that's a good question

  • siva | December 21, 2011 2:31 PMReply

    and finally this blog gives the top foreign movies in 2011
    mindsbeyond.blogspot.com

  • John M | November 15, 2011 2:16 AMReply

    I gotta be honest, this website is super-hard to read with the dark script.

  • Christopher Bell | October 8, 2011 10:27 AMReply

    Yeah, Hou Hsiao-hsien is such a white-boy.

  • Espana | September 29, 2011 2:20 AMReply

    What an amazing movie...AND a great ending to one of the best franchises ever made!

  • BL | September 11, 2011 8:40 AMReply

    All white, what about South American and African films?

  • anna | January 30, 2011 9:23 AMReply

    Tarr's “The Turin Horse” and Ulrich Köhler's "Sleeping Sickness" will premiere at the Berlinale in February, both have been chosen for the Competition.
    Also, did you know Köhler's girlfriend is none other than "Everyone Else" director Maren Ade?

  • stephen | January 12, 2011 9:48 AMReply

    here's a picture of the guy:

    http://www.filmportal.de/df/17/Uebersicht,,,,,,,,1E1F4B5DC86041CA93123B5440FFFEE7,,,,,,,,,,,,,,,,,,,,,,,,,,,.html

  • Rosalie | January 11, 2011 10:04 AMReply

    I'm french, and I have to say that "Little white lies" has nothing to do with "A christmas tale". Desplechin is a master of french cinema, and I can't say the same for Canet with "Little white lies". "Tell no one" was a good thriller, "Mon Idole" was really personal and quite good, but "Little white lies" is far from being a great movie. "A Christmas Tale" is, for one, a beautiful piece of art.

    Love The Playlist.

  • Christopher Bell | January 11, 2011 9:08 AMReply

    Thanks for that, Stephen. It's quite hard to find a picture of the director, do you know what he looks like? Apparently there are plenty of doctors and physicians sharing the same name.

  • Thomas Schultze | January 11, 2011 7:54 AMReply

    I'm sure you mean "The Big Chill" - not "The Big Sleep". Although I would watch a French remake of that in a heartbeat.

    Interesting choice that you have Kohler's film on your list, because even in Germany there is no buzz whatsoever for that film. Why didn't you go for something like Andres Veiel's new film which will compete in Berlin?

  • Aaron Fowler | January 11, 2011 4:07 AMReply

    Killer piece, Chris! I am with KC on the inclusion of Joachim Trier. Norwegian cinema has been fantastic the last five years or so and continues to grow!

  • stephen | January 11, 2011 3:42 AMReply

    Koehler's film - produced by Berlin's KOMPLIZENFILM (Everyone Else) and co-produced by Paris-based WHY NOT PRODUCTIONS (White Material) - is acutally completed and will surface in a major festival soon.

    The image you use is from Christian Petzold's WOLFSBURG, not from Koehler's film!!

  • Yannick from FilmDeCulte | January 11, 2011 1:19 AMReply

    Les Impardonnables:

    Francis, the narrator of Unforgivable, is a successful writer battered by fate. Fifteen years before the beginning of the novel, he saw his wife and one of his two daughters died before her eyes, crushed by a truck mad. Now he lives in the Basque Country and remarried Judith realtor in the area. His daughter Alice is a young actress to success. Everything would be fine if Alice, Francis cherishes more than anything, do not suddenly disappear.

  • hmm... | January 10, 2011 10:47 AMReply

    awesome work on this. very informative.

  • Nick Duval | January 10, 2011 9:22 AMReply

    Ooh boy. THIS is why I love the Playlist.

  • Sergio | January 10, 2011 7:23 AMReply

    Yes!

    Incredibly informative.

  • Gabe Toro | January 10, 2011 6:46 AMReply

    Awesome awesome AWESOME piece, Chris.

  • Michael | January 10, 2011 6:33 AMReply

    I will be at Cannes this year, so this is very helpful for me. Now I can catch up on some directors whose work I've missed.

    Hou, Jia, Tarr, and Wong are all favorites of mine, and I hope to see all of their newest films at Cannes.

    I'd like it if Dumont and Paronnaud/Satrapi could make it to Cannes. Dumont consistently piques my interest, and the idea of Satrapi adapting a live-action version of one of her books sounds interesting as well.

    I've not heard of Kohler, but the Weerasethakul comparison sold me immediately. Weerasethakul may be my favorite contemporary director, and if not my absolute favorite, he certainly cracks the top five.

    There seems to be a good representation of contemporary Russian cinema next year, to which I look forward. I've long been meaning to delve into Sokurov's rather extensive filmography, and it seems now may be the time.

    Svankmajer has always been one of my favorite directors to introduce to non-film enthusiasts. I don't know that I'd just drop Little Otik on anyone, but that excellent collection of his shorts rarely disappoints friends of mine seeking something fun and new. So I'm glad to be present at the unveiling of his newest. It just fits, somehow.

    It's kind of sad that the Dardennes are just so consistently great that I'm not even registering much of a response to the idea of a new film from the duo. Maybe it's because they seem to be...if not repeating themselves, then performing very comfortably with a form at which they are admittedly excellent.

    In fact, it seems like a fair few of these directors are moving outside their comfort zones, which is possibly the biggest appeal of these selections. Which isn't to say that I wouldn't be anticipating new Hou or Jia films highly anyhow, but it's certainly a great deal of fun to be there with the rest of the world as it watches renowned film directors expand their horizons and test their talents.

  • KC | January 10, 2011 6:31 AMReply

    A tip of the hat for the Joachim Trier placing - Reprise was terrific and it's unfortunate it's taken this long for him to get back behind the camera.

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