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20 Celebrated Filmmakers Who Never Won A Best Directing Oscar

by The Playlist Staff
February 26, 2014 3:42 PM
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Filmmakers Who Never Won A Best Directing Oscar

For better or worse (which at this time of year, as the punditry reaches its hyperbolic event horizon, usually feels like worse) an Academy Award is the highest honor anyone in the film industry can receive. But of course, like any large organization—even one that wasn’t, as of 2012, reportedly 94% white, 77% male and 86% over the age of 50—the AMPAS gets things wrong (shocking, we know). Sometimes due to the politicking of insiders, sometimes because the wind shifts, and yes, sometimes because of plain old-fashioned bias, the membership votes to award the lesser film, or the lesser performance, or the lesser accomplishment, while the greater one stays seated after the envelope is opened—if they're there at all.

You’ve seen it happen time and time again: it’s bad enough for an actor, but while theirs is the most competitive and largest block, there are four acting categories each time, divided by gender, and an actor can technically appear in several films in a single year. Directors, on the other hand, often spend at least a couple of years attached to a single project (unless they’re Woody Allen), so their chance to hop on the Best Director carousel, which only seats five anyway, comes by much less often. Which makes miscarriages of justice in this arena both more inevitable and more galling.

In part this is down to the statistical likelihood that a Best Picture winner will also take Best Director (as indeed feels logical—always a bit strange that the director of the Best Picture doesn’t get to take the podium for that award unless he or she is also a producer) as has happened in 63 out of the 85 cases to date. And we all know how notoriously fickle the Best Picture slot can be (our evidently “controversial” ranking of the 85 Best Picture winners is here). Taking all of these factors into consideration, it’s not surprising that some of the biggest directors in film history have come away empty handed. So we wanted to show them a little love.

A word or two on who we’re covering: this is solely about the Best Directing Oscar so while some of the below may have been awarded in other areas like screenplay or even as a producer, or received Lifetime Achievement placebos, they’ve never been named Best Director. And we decided to confine ourselves to directors for whom winning in the future is either impossible, or, as in the case of Jean-Luc Godard, highly improbable (he'd likely not accept anyway!). So we won’t be featuring David Lynch (3 directing nominations, no wins), Christopher Nolan (0 directing nominations), David Fincher (2 nominations), Jane Campion (1 nom), Terry Gilliam (0 noms), Terrence Malick, (2 noms), Darren Aronofsky (1 nom), Spike Lee (0 noms), Paul Thomas Anderson (1 nom), David Cronenberg (0 noms) and so on, as least some of whom will surely pick up a Directing statue in future years. Our 20 picks below are all people for whom the book on that is firmly closed—as surprising, baffling or saddening as that might be.

Stanley Kubrick

Stanley Kubrick (1928-1999)
Directing Nominations: "Dr. Strangelove" (1964), "2001: A Space Odyssey" (1968), "A Clockwork Orange" (1971) and "Barry Lyndon" (1975)
Other Oscar History: All of the above, bar "2001," received Best Picture nominations, and Kubrick was nominated for co-writing the screenplays for all four plus 1987's "Full Metal Jacket." Kubrick's sole Oscar win was for Best Visual Effects for "2001," though he wasn't present at the awards ceremony.
What Should They Have Won For? Tough one. Almost any of the above would have been good choices, along with "The Shining," though that, as a horror flick, was never likely to be in the Academy's wheelhouse. But if we had to pick just one, let's go for "2001," which in a career that made a lot of cinematic history, made the most. It's Kubrick's most experimental, most meticulous and most groundbreaking picture, and the sort of thing that a director deserves to be recognized for. It's the film that, even with several close rivals, will be the one that he's remembered for, and certainly feels like the one that should have won him the Oscar.

Alfred Hitchcock

Alfred Hitchock (1899-1980)
Directing Nominations: Rebecca” (1940), “Lifeboat” (1944), “Spellbound” (1945), “Rear Window” (1954) and “Psycho” (1960)
Other Oscar History: Hitchcock is pretty much the corpulent, cigar-chomping poster boy for this list. It’s almost inconceivable that someone who bestrode Hollywood in such a colossal way for so long never won Best Director. Only one of his films won Best Picture: “Rebecca,” (1941) and he lost the Director gong that year to John Ford for “The Grapes of Wrath." The Academy itself seemed a bit “oh crap what’ve we done?” about it all, giving Hitch the Irving G. Thalberg Memorial Award in 1968. It is  an honorary Oscar (confusingly not shaped like an Oscar), but even that is awarded to “creative producers” rather than in recognition of directing achievement.
What Should They Have Won For: Sheesh, pick a card. Of his nominations, he should have won for either “Rear Window” or “Psycho,” both brilliant thrillers that in their own way were experimental. But in hindsight, the film he should have won for didn’t even get a nomination (it flopped on initial release): “Vertigo.” It’s a dizzying, daring, dark tour de force of personal passion and perversity wrapped up in incredible craft (not to mention it has the best legacy of any Hitchcock film, replacing "Citizen Kane" on the Sight & Sound greatest of all time list). And if that would have been too hard a sell, then come on, I mean, “North by Northwest” pretty much launched the action/adventure genre with seemingly effortless charm, and "Notorious" too, comes dangerously close to perfection.

Orson Welles

Orson Welles (1915-1985)
Directing Nominations: "Citizen Kane" (1941)
Other Oscar History: Welles had two other nods for "Citizen Kane," one for acting, and one for co-writing the script with Herman Mankiewicz—they won in the latter category, though there was later controversy over who wrote what. Neither were at the ceremony. The same was true in 1971 when Welles was given an Honorary Award by the Academy.
What Should They Have Won For? it would be tough to argue for anything but "Citizen Kane," given Welles' relatively brief completed filmography, and that his debut literally changed the face of cinema forever. "The Magnificent Ambersons" and "Touch Of Evil" would both come close, had they been released in their originally intended versions, but both were tinkered with to the extent that an Oscar for Welles would have sent the wrong message. But even so, it's probably Kane that's most deserving: the film doesn't look or sound like anything else that was being made around the time, and might be as influential as any movie ever made.

Robert Altman

Robert Altman (1925-2006)
Directing Nominations:  MASH” (1970), “Nashville” (1975), “The Player” (1992), “Short Cuts” (1993) and “Gosford Park” (2001)
Other Oscar History: Surprisingly, no Altman film ever won Best Picture, despite his Academy-friendly ensemble casts. He did get the late-career fillip of an honorary Oscar in 2006, but died just months after receiving that award (when he had quipped that it was premature as he might have another “four decades” of moviemaking in him). Trivia factoid: “There Will Be Blood,” was dedicated to Altman by Paul Thomas Anderson.
What Should They Have Won For: Altman had a long and prolific career—in addition to the films you know, here are 10 you might not—but it feels like the nominations fell about right, even if they never yielded a win. So a case could be made for the wry cynicism of “MASH,” with its pioneering use of overlapping sound (a technique that remained a staple of Altman’s), while “Nashville” may still be the apotheosis of the sweeping-yet-intimate scale he was famous for. But we’re going to go with one of our favorite inside-baseball Hollywood movies ever, “The Player.” Perhaps too pointed and acerbic a satire on the industry to be fully embraced by it, it’s still a major achievement in self-awareness that it manages to be the very thing it sends up: a brilliantly exciting, entertaining, starry Hollywood movie.

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  • tom acito | March 8, 2014 11:21 AMReply

    Ironic. Tragic. At the end of the day we don't do this for reward. We do it because we have to. Personally I'd be creative if I was the last man on earth. Its who I am its who and what we are. Its disgraceful that art has become sport.

  • IGBO | March 4, 2014 11:22 PMReply

    I'd add British director Basil Dearden, Spanish director Luis Buñuel and Senegalese director Ousmane Sembene.

  • Benton | March 3, 2014 7:44 PMReply

    Nicholas Ray

  • Dan | February 28, 2014 11:47 AMReply

    Sergio Leone! PTA!

  • J S | February 27, 2014 1:15 PMReply

    Okay, here are the celebrated directors who never won an oscar as Best Director - my list:
    Robert Altman, Hal Ashby, Jane Campion, Lina Wertmuller, Gillian Armstrong, Charlie Chaplin, Orson Welles, Stanley Kubrick, Jean Luc Godard, Igmar Bergman, Sydney Lumet, John Cassavetes, Andrea Arnold, Clair Denis and Ingmar Bergman. And Andre Tarkovsky should have won one frankly - he was a genius.

  • Alex | February 27, 2014 12:01 PMReply

    Interesting list.. and really takes the urgency out of Sunday's 'event'. Was wondering why Tarkovsky was not mentioned.. his films are on par with all of these fine directors

  • marcelo deugarte | February 27, 2014 10:37 AMReply

    Hal Ashby. Not the most celebrated of directors because his style was uniquely invisible, so much so that other people unfairly got the credit for his films' successes, but what a terrific actor's director. And his output in the 70s (Harold & Maude, Last Detail, Shampoo, Coming Home, and Being There (My personal favorite with an utterly genius performance by Peter Sellers) is arguably better than any 70s auteur except Francis Ford Coppola...

  • Fred | February 27, 2014 11:22 AM

    Total agreement about Ashby.

  • Julian Krainin | February 27, 2014 7:23 AMReply

    John Frankenheimer

  • J S | February 27, 2014 4:14 AMReply

    Many of these - like Altman, Welles,Cassavetes,Godard - CHAPLIN - a complete travesty they never won!! But - what about Jane Campion, Lina Wertmuller, Clair Denis, -- all the celebrated women directors who never won an Oscar???!! Where are THEY in your list??? That is also a MAJOR travesty and yet they arent even listed???

  • 51% of the audience | February 27, 2014 8:47 PM

    Unfortunately, I CAN believe that there are no women on this list. This is the hollywood way. We are invited to be fans but not to be makers :(

  • CrazyMF | February 27, 2014 10:45 AM

    @Merit you haven't been coming to indiewire to long have you?

  • Merit | February 27, 2014 10:17 AM

    I would love to see a post about women directors!

  • CrazyMF | February 27, 2014 9:06 AM

    They have vagina's nobody cares.

  • Eric Robert Wilkinson | February 27, 2014 12:25 AMReply

    Still in the offing: Mike Leigh, Spike Leigh, Paul Thomas Anderson, Quentin Tarantino, Brian De Palma, Lars von Trier, etc. etc.

  • Andre | February 26, 2014 6:51 PMReply

    Max Ophuls is also someone I would include in the list. Michael Powell also definently deserved a win.

  • Robert | February 26, 2014 4:51 PMReply

    I've seen four different versions of "Pat Garrett and Billy the Kid", none of which can be definitively called "uncut" or established as a "director's cut" without question.

  • Fred | February 26, 2014 4:40 PMReply

    Billy Wilder won for The Apartment, not Some Like It Hot (he was nominated for that one too, however.) Great choices all around.

  • Nicolas | February 26, 2014 4:37 PMReply

    Kenneth Anger
    Alejandro Jodorowsky
    Michael Mann
    Ridley Scott
    Terrence Malick
    Peter Yates
    Brian De Palma
    John Boorman
    Don Siegel
    Nicolas Roeg
    Tobe Hooper
    Quentin Tarantino
    Terry Gilliam

  • Adam Scott Thompson | February 26, 2014 10:03 PM

    Most of these people are still "in the hunt," though -- no?

  • cattt | February 26, 2014 4:14 PMReply

    "Maybe he (Scorsese) got what he deserves - exclusion from the mediocre."
    -Harvey Keitel after Scorsese lost the best director oscar to Kevin Costner in 1991.

    That pretty much sums it up.

  • Jim | March 13, 2014 6:15 PM

    Except Goodfellas in nowhere near the film that Dances With Wolves is. And I'm a Scorsese fan. The Academy got that one right.

  • CB | February 26, 2014 4:03 PMReply

    That's a pretty good company to be in.

  • kerry | February 26, 2014 3:50 PMReply

    And that douche, David O. Russel is probably winning for his mediocre crowd pleaser...that's the Academy, that's the 70 years old Jewish white men screwing with cinema.

  • Adam Scott Thompson | February 26, 2014 10:05 PM

    What makes him a douche exactly?

  • Trolling? | February 26, 2014 4:04 PM

    David O. Russell is a genius.

  • C10 | February 26, 2014 3:48 PMReply

    Ken Russell should've won for The Devils.

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