Click to Skip Ad
Closing in...
The Best, Worst And Most Disappointing Films Of The 2014 Toronto International Film Festival The Best, Worst And Most Disappointing Films Of The 2014 Toronto International Film Festival David Fincher Says Differences Over Casting And Disney's Corporate Culture Stalled '20,000 Leagues Under The Sea' David Fincher Says Differences Over Casting And Disney's Corporate Culture Stalled '20,000 Leagues Under The Sea' Review: 'No Good Deed' Starring Idris Elba and Taraji P. Henson Review: 'No Good Deed' Starring Idris Elba and Taraji P. Henson Watch: Shailene Woodley Gets NSFW In 2 Clips From 'White Bird In A Blizzard' Plus New Pics Watch: Shailene Woodley Gets NSFW In 2 Clips From 'White Bird In A Blizzard' Plus New Pics TIFF Review: 'Cake' Starring Jennifer Aniston, Anna Kendrick, Sam Worthington & More TIFF Review: 'Cake' Starring Jennifer Aniston, Anna Kendrick, Sam Worthington & More Watch: First Trailer For ‘Serena’ Starring Jennifer Lawrence & Bradley Cooper Watch: First Trailer For ‘Serena’ Starring Jennifer Lawrence & Bradley Cooper First Look: Matthew McConaughey & Ken Watanabe In Gus Van Sant’s ‘Sea Of Trees’ First Look: Matthew McConaughey & Ken Watanabe In Gus Van Sant’s ‘Sea Of Trees’ Tom Hardy Says He'll Never Do Another Romantic Comedy Again Thanks To 'This Means War' Tom Hardy Says He'll Never Do Another Romantic Comedy Again Thanks To 'This Means War' David Fincher Apparently Thinks 'Dragon Tattoo' Sequel 'The Girl Who Played With Fire' Could Get Made David Fincher Apparently Thinks 'Dragon Tattoo' Sequel 'The Girl Who Played With Fire' Could Get Made Revisiting On The Rise: Where Are Our 2012 Picks Now? Revisiting On The Rise: Where Are Our 2012 Picks Now? Oscars: Dust Settles On The Fall Festivals With No Clear Best Picture Front-Runner (Yet) Oscars: Dust Settles On The Fall Festivals With No Clear Best Picture Front-Runner (Yet) Fall TV Preview: Our 22 Most Anticipated Shows For The Rest Of 2014 Fall TV Preview: Our 22 Most Anticipated Shows For The Rest Of 2014 Watch: NYFF Trailer Has Snippets Of ‘Inherent Vice’ Footage For Those Checking For Trailers Several Times A Day Watch: NYFF Trailer Has Snippets Of ‘Inherent Vice’ Footage For Those Checking For Trailers Several Times A Day TIFF Review: 'Still Alice' Starring Julianne Moore, Kristen Stewart, Alec Baldwin & Kate Bosworth TIFF Review: 'Still Alice' Starring Julianne Moore, Kristen Stewart, Alec Baldwin & Kate Bosworth Boardwalk Empire - Season 5 - Episode 1 Recap: “Golden Days For Boys & Girls” Boardwalk Empire - Season 5 - Episode 1 Recap: “Golden Days For Boys & Girls” The Best Documentaries Of 2014 So Far The Best Documentaries Of 2014 So Far The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season The Best Films Of 2014 So Far... The Best Films Of 2014 So Far... The 10 Best & Worst Movie Sex Scenes The 10 Best & Worst Movie Sex Scenes All The Songs In 'Pitch Perfect' Including La Roux, David Guetta, Azealia Banks, Nicki Minaj & More All The Songs In 'Pitch Perfect' Including La Roux, David Guetta, Azealia Banks, Nicki Minaj & More

The Essentials: The 5 Best Sam Fuller Films

The Playlist By The Playlist Staff | The Playlist August 10, 2012 at 3:49PM

The great Sam Fuller began life as a crime reporter at the age of 17, before writing pulp novels and doing mostly uncredited work on screenplays through the 1930s (his first credit was on 1936's "Hats Off"). He served in World War Two, seeing action in France, Italy and North Africa, as well as being present at (and filming) the liberation of the concentration camp at Sokolov. By the time he came to direct in 1939 -- having been inspired by his anger at what Douglas Sirk did to his screenplay "Shockproof" -- Fuller would infuse his work with his experience as both a journalist and a soldier.
8


Shock Corridor

"Shock Corridor" (1963)
The closest thing to a horror film that Fuller ever made, and an example of the American exploitation film at its finest, if "Shock Corridor" isn't the best thing the director did, it's only the film that came after that beats it out. With ambitions to win a Pulitzer Prize, journalist Johnny Barrett (Peter Breck) infiltrates a mental hospital to solve a murder that took place there. But the three witnesses have all lost their minds (one is a Nobel Prize winner whose work on the A-bomb has caused him to regress to childhood, one is a Korea vet who's become a Communist, and one is a black college student who now thinks he's a white supremacist), and Johnny soon follows them, electro-shock therapy and being essentially raped by a group of nymphomaniac women on the ward soon convincing him that his stripper girlfriend is actually his sister. Fuller uses his shock-value, almost tabloid-y subject matter to indict the wrongs of America past and present, while pairing glorious, chiaroscuro-filled black & white cinematography by the great Stanley Cortez ("The Magnificent Ambersons," "Night Of The Hunter") with lurid 16mm color dream sequences that he lensed himself, with the effect that you too feel yourself unraveling a little bit. Falling somewhere between "One Flew Over The Cuckoo's Nest" and "Freaks," it's the strangest, saddest and most singular picture that Fuller ever made.

The Naked Kiss

"The Naked Kiss" (1964)
Reuniting almost immediately with some of his key collaborators from "Shock Corridor" (among them DoP Stanley Cortez and lead actress Constance Towers), Fuller went back to his neo-noir roots for a film that arguably sees the peak of his career. "The Naked Kiss" stars Towers as a prostitute on the run who arrives in the small town of Grantville and tries to start anew, becoming a nurse and falling for the heir to the town's wealthiest family (Michael Dante). But the town sheriff (Anthony Eisley), who knows of her past, doesn't trust her, and when she kills her fiance on discovering that he's a child molester, she has to face all her enemies down at once. In its depiction of the rotten core beneath a perfect Americana town, the film forges the path for all kinds of films to come ("Blue Velvet" being one of the most obvious descendants), but Fuller's sense of good and evil has never been stronger, even if his heroine's morals are more flexible -- the helmer being, as ever, a great director of women). Indeed, it's many ways the purest of all the Fuller films; his journalistic eye for detail married with an ever-bolder approach to filmmaking, bold POVs joined by fractured jump cuts influenced, presumably, by the French Nouvelle Vague. The kind of film you feel you need to shower after seeing, it just might have been Fuller's finest hour.

White Dog

White Dog” (1982)
Vilified, maligned and pilloried upon the time of its release,  Sam Fuller’s controversial 1982 drama “White Dog” died a slow painful death once it limped into theaters (if you can call it a release at all -- it had a few preview screenings in various cities, but Paramount essentially didn’t release the film in the U.S.). Written by Fuller and a very young Curtis Hanson, and based on Romain Gary's 1970 novel of the same name, the film centers on a black dog trainer (Paul Winfield) trying to untrain the “white dog” tendencies out of the canine (i.e. it’s been bred to be racist and it viciously attacks all African-Americans on sight). Hounded by the NAACP and the Black Anti-Defamation Coalition (BADC) before the film could even see release, the pressure was enough for Paramount to delay and then eventually give up on the film. Fuller was so dumbfounded and hurt, he moved to France (where the director was already beloved) and never made a movie on American soil again. Starring ubiquitous '80s teen actress Kristy McNichol as the young girl who adopts this mutt, unaware of its dangerously biased tendencies, there's no doubt "White Dog" is provocative and sometimes so outrageous in concept it can be seen initially as unintentionally funny. But dubious politics aside (whether it’s "misunderstood" may be in the eye of the beholder), "White Dog" is actually a super engaging piece of work that also has some fantastically thriller-ish and creepy overtones thanks to both its sinister score by the great Ennio Morricone, and Fuller’s deft camera work. Featuring some ominous low-level tracking shots of the animal, "White Dog" is Hitchockian and even "Jaws"-like in its tension and suspense. While politically correct humanists (and dog lovers too) will find lots to be offended by, there's no denying "White Dog" is actually a trenchant and even heartbreaking cautionary tale about the teachings of hate (and one that hadn't been available for ages other than in bad bootlegs until Criterion finally released it in 2008). Not to mention it's a fascinating and absorbing piece of cinema, and easily Fuller's last great film.

"Honorable Mention" or simply great films we left on the cutting room floor...
We fully realize that these five picks are a subjective five and we do realize that this list could start some serious fisticuffs. But we made ourselves stick to five choices so five choices we made, for better or worse. Personally, the film that just fell outside the cut for us was the awesome 1951 Korean War film, "The Steel Helmet." It's cigar-chomping tough guy performance by Gene Evans as the gruff Sergeant Zack is indelible. Another "missing" picture from this list, probably the one considered his biggest to the general film populace, is the WWII film "The Big Red One," starring Lee Marvin, Mark Hamill and Robert Carradine, and it's as solid as any picture he ever made, but if we're picking war films, we'll take "The Steel Helmet" over it by a hair. Then of course there's "Park Row," which Gene Evans also starred in. Tarantino is a noted fan of that salient riff on the sleazy business of trying to sell newspapers. Other important works include his other Korean war picture "Fixed Bayonets" (which features James Dean's brief debut film role), the color film noir "House of Bamboo" (which starred the great Robert Ryan and Robert Stack), the Cinemascope-shot "Hell And High Water" (starring Richard Widmark again), 1962's Cinemascope war film "Merrill's Marauders," and the previously mentioned Westerns "I Shot Jesse James" and "The Baron of Arizona," starring the great Vincent Price. There's a lot to love and admire with Samuel Fuller. Seven of his films are in the Criterion Collection and that's a good place to start.

- Oliver Lyttelton and Rodrigo Perez

This article is related to: Sam Fuller, The Essentials, Features, Feature, Best Of


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.


E-Mail Updates