The Playlist

Anna Faris To Star In Stalker-Roommate Comedy, Will Take Less Crazy Lead Role

  • By Kevin Jagernauth
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  • April 15, 2011 10:35 AM
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Lots of buzz is building around Anna Faris these days. She was recently the subject of an extensive -- if somewhat early, and kind of random -- profile in the New Yorker that looked over her career, chatted about the making of the forthcoming "What's Your Number?" and even got her opinion on past films like "Observe and Report" and "My Super Ex-Girlfriend." The actress is the executive producer on "What's Your Number?" and is working hard to get projects suited to her sensibilities instead of waiting for the right script to land on her doorstep.

Satyajit Ray's 'The Music Room, Todd Solondz's 'Life During Wartime' & More Go Criterion In July

  • By Kevin Jagernauth
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  • April 15, 2011 10:04 AM
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  • 9 Comments
'Tiny Furniture' Gets A 3 Disc Boxset Featuring A 6 Hour Director's Cut...Just KiddingIt's mid-month so you know what that means...a new announcement from The Criterion Collection about what they've got around the corner. Start saving yer pennies, kiddies.

In Theaters: 'Scream 4' Hopes To Carve Up 'Rio' This Weekend

  • By Katie Walsh
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  • April 15, 2011 9:07 AM
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Ok, kids. Be quiet and bring the Advil, because Mommy has a hangover and and we know In Theaters is late today. Shh. Turn out the lights. This week's crop of releases includes the franchise reboot "Scream 4" or "Scre4m" or whatever they are trying to call it. Little animated blue birds fly into theaters in the form of "Rio," and Robert Redford's Civil War drama "The Conspirator" opens in limited release.

'Bridesmaids' Soundtrack Features Fiona Apple, Inara George, Hole, Blondie & Wilson Phillips

  • By Edward Davis
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  • April 15, 2011 8:43 AM
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  • 4 Comments
Soundtrack Arrives Early On May 10, Score By Michael AndrewsHighly anticipated to some of us (this writer) and old awesome news to the Playlist folks that were at SXSW last month, Paul Feig's "Bridesmaids" starring Kristen Wiig looks and sounds awesome. Our SXSW reviewer called it "hilarious and heartfelt," and a lot of internal chatter has been saying it's the best Judd Apatow-produced film since "Knocked Up" in its balance of rude comedy, heart and even (yes), moments of social realism. No really, in our 7 Best Films of SXSW recap we wrote, "the film has a heart and soul, and even touches upon some Mike Leigh-like class issues in its surprisingly weighty story."

Nestor Carbonell Set To Return As The Mayor Of Gotham In 'The Dark Knight Rises'

  • By Kevin Jagernauth
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  • April 15, 2011 8:29 AM
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  • 9 Comments
Get out your eyeliner, because the man with the darkest lashes in the business is getting ready to make a return to Gotham City.

The Playlist's Guide To Horror Sequels Worth Screaming About

  • By The Playlist Staff
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  • April 15, 2011 7:32 AM
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  • 51 Comments
If it’s one thing that horror movies are good at, particularly in the past decade with our annual “Saw” installments, it’s churning out sequels – like this weekend’s not-very-good “Scream 4.” (To quote “Scream 2” -- “Sequels suck, they are, by definition, inferior product.”) While most of these movies are blatant cash-grabs by studios that know the relative inexpensiveness of the films can boost their bottom line, there are a few that exceed our admittedly low expectations. But a feature called “Horror Sequels That Exceed Our Admittedly Low Expectations” would have kind of been a mouthful, so we went with the above instead. And given those set of rules, we decided to forgo grading the films, instead letting the writing speak for itself.

'Murderball' & 'September Issue' Directors Prep Narrative Feature Debuts

  • By Kevin Jagernauth
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  • April 15, 2011 7:11 AM
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  • 2 Comments
A couple of directors of acclaimed documentaries are using that success to spring board into narrative feature films, with two intriguing films now in the works.

Watch: Trailer For Ensemble Comedy 'High Road' With Matt Walsh, Ed Helms, Lizzy Caplan & More

  • By Kevin Jagernauth
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  • April 15, 2011 6:25 AM
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  • 4 Comments
While he may not be a household name, you've definitely seen him before. Matt Walsh has certainly earned his comedy cred logging time in the "Upright Citizens Brigade," appearing in every Todd Phillips movie to date and racking up screen time in too many televisions shows and movies to list here. But undoubtedly, he's made plenty of connections and with a Rolodex full of funny people, he's called in a few favors for his directorial debut, the improvised comedy "High Road."

Kate Bosworth, Josh Lucas & Jean-Marc Barr Head To 'Big Sur' For Michael Polish

  • By Kevin Jagernauth
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  • April 15, 2011 5:39 AM
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  • 1 Comment
Anthony Edwards, Radha Mitchell, Balthazar Getty & Henry Thomas Round Out The CastCould the Beat Generation be experiencing a resurgence of mainstream interest? We'll have to wait and see but it certainly won't be for a lack of trying from Hollywood. Last year, James Franco starred in the underwhelming "Howl" centering on Allen Ginsberg and the famous trial around the poem. While that film fizzled, a much more star studded affair is around the corner with Walter Salles' adaptation of Jack Kerouac's iconic "On The Road" starring Kristen Stewart, Garret Hedlund, Sam Riley, Kirsten Dunst, Viggo Mortensen, Amy Adams, Steve Buscemi, Elisabeth Moss, Terrence Howard, Alice Braga and Danny Morgan. And now, another famed Kerouac is getting the big screen treatment.

First Look & Plot Details: 'Reprise' Director Joachim Trier's 2011 Cannes Entry, 'Oslo, August 31st'

  • By Edward Davis
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  • April 15, 2011 4:53 AM
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  • 4 Comments
You'll likely need some context for this one, so let's rewind. In 2008, our Editor-in-Chief named Norwegian director Joachim Trier's 2008 debut feature, "Reprise" the #1 film of the year, over things like Steven Soderbergh's "Che," the fantastic documentary "Man On Wire" and works of elegiac Malick-ian beauty like "Silent Light" (holy crap, not only was 2008 not only a fantastic year for films, it was an amazing one for foreign films). A bold movie, perhaps a naive one full of woozy drunk passion, but nonetheless, Trier's electric ode to youthful restlessness, friendship and ambition is a striking debut that none of us have easily forgotten.

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