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The Playlist

Errol Morris Will Point The Interrotron At Donald Rumsfeld In A New Documentary

  • By Kevin Jagernauth
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  • March 14, 2012 1:04 PM
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Controversy has never scared off Errol Morris, and in fact, it has powered some of his best work. From the true crime tale "The Thin Blue Line," powerful portraits of war in "The Fog of War" and "Standard Operating Procedure," and more recently the JFK assassination (in the astounding short "The Umbrella Man"; watch it here) he has faced some tough material head on with tremendous insight. And his next effort promises nothing less.

'21 Jump Street' Directors Chris Miller & Phil Lord Talk Deleted Scenes For DVD, Shooting Action & More

  • By Drew Taylor
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  • March 14, 2012 12:56 PM
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One of the biggest compliments you can pay a movie like the new Jonah Hill/Channing Tatum vehicle "21 Jump Street" -- based on a old television property and seemingly hatched inside a coldly cynical meeting between studio chiefs and big-name action producers (in this case "Fast and Furious" overseer Neal H. Moritz) -- is what a huge surprise it is. If you had told us a few weeks ago that we would be staggering out of the theater, our sides aching from laughing too hard and our heads spinning from what a smart, fun, earnest, movie it was, we wouldn't have believed it ourselves. But it's true. "21 Jump Street" really is that good. And a big part of what makes it so fresh is that it comes from a couple of new live action directors – "Cloudy with a Chance of Meatballs" helmers Chris Miller and Phil Lord. We talked to them about the transition from live action to animation, what they wanted to incorporate into the movie, and why Dave Franco asks Tatum about his choice in music.

SXSW '12 Review: Secrets, Revelations & An Unlikely Friendship Emerge In The Compelling 'Starlet'

  • By Katie Walsh
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  • March 14, 2012 12:02 PM
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Sean Baker’s film “Starlet” wants to play a little trick on you. It’s a fun trick, and you might be more enjoyable figuring it out on your own, but it’s the most important and interesting part of the movie, so it’s hard to talk about its merits without giving it away. In fact, the main crux of the film isn’t interesting enough without the drama of the environment, the truth of which is slowly revealed throughout the first half of the film. You may be able to figure it out within the first sequence, but the fun is in how the film tells you what’s up.

'24' Movie Won't Shoot In 2012; Apparently Was The Start Of A Trilogy With Antoine Fuqua Circling To Direct

  • By Kevin Jagernauth
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  • March 14, 2012 11:29 AM
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Looks like the clock has run out on "24." (Sorry.) Earlier this year, everything looked good to go on the long-gestating big screen outing for the hit TV show. Kiefer Sutherland hinted that the movie would be a direct continuation of the show, set six months after the series ended, with everything gearing up to shoot next month, once the actor was done with his work on his latest Fox show "Touch." But it looks like scheduling just couldn't be worked out.

'Gimme The Loot' & 'Beware Mr. Baker' Lead 2012 SXSW Award Winners; Battles' "My Machines" Takes Best Music Video

  • By Kevin Jagernauth
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  • March 14, 2012 11:17 AM
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  • 1 Comment
...and just like that, the SXSW Film Festival is winding down a close. There are only a few days left at the fest, and folks are beginning to have BBQ regret as they pack their bags to leave Austin. But before they do, the juries have weighed in and handed out the statues for the best of the fest.

SXSW '12 Review: Pascal Laugier's 'The Tall Man' An Unfocused & Silly Horror Tale

  • By Drew Taylor
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  • March 14, 2012 10:58 AM
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  • 13 Comments
A few years ago there was a sort of mini-horror movie renaissance in France, with a bunch of talented young directors paying homage to their favorite American horror films the only way they knew how – by making them incredibly French. Under the stewardship of older French genre provocateurs (like Luc Besson and Christophe Gans), a new litter of spiky young filmmakers gave us visceral and challenging movies like "Them," "High Tension," "Frontier(s)," "Inside," and "Martyrs." The latter in particular was pretty heavily fawned over and picked up by The Weinstein Company for distribution through their Dimension shingle, although when it came time to release the film, they weren't sure what to do with such an extreme movie. Now the writer/director of "Martyrs," Pascal Laugier, is back with his first English language film, "The Tall Man." And whatever blood-splattered charm he might have mustered with "Martyrs," it isn't apparent now.

SXSW Films 'The Tall Man' & 'Girls Against Boys' Get Picked Up; 'That's What She Said' Finds A Home

  • By Joe Cunningham
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  • March 14, 2012 10:40 AM
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SXSW has been underway for just short of a week now, and distribution deals have been struck for a couple of the films playing Austin. But to get things started, let's rewind to Sundance.

HBO Passes On Spike Lee's 'Da Brick' Featuring 'Attack The Block' Star John Boyega

  • By Kevin Jagernauth
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  • March 14, 2012 10:22 AM
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While Spike Lee has conquered both the big and small screen with feature films and documentaries, when it comes to television series', he's had far less luck. In 2004 he tried to get "Sucker Free City" up over at Showtime, a series that would've chronicled the disparate groups at play in the gentrification of San Francisco. After a two hour pilot (which wound up being screened at TIFF) it didn't go much further. And it seems another small screen effort has been put on hold before it ever really got started.

SXSW '12: Mark Mothersbaugh Confirms He's Scoring 'Lego,' Talks Working On Wes Anderson's 'Bottle Rocket' & More

  • By Drew Taylor
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  • March 14, 2012 10:03 AM
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  • 1 Comment
SXSW is usually an incredibly streamlined and well-organized film festival, with everything working with the smoothness of a Swiss watch. But yesterday must have been an "off" day, as a panel centered around beloved film composer and Devo member Mark Mothersbaugh started about ten minutes late and (for some reason) a retrospective video for Mothersbaugh, produced back in 2004, played for another 20 minutes. Meaning that the tight hour that was allotted for the composer was actually more like 30 minutes. And while we wished it were longer, it was worth sticking around for the stories Mothersbaugh shared.

Paul Rudd Looking To Step In For Owen Wilson In Paul Weitz's 'Admission' With Tina Fey

  • By Oliver Lyttelton
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  • March 14, 2012 9:38 AM
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  • 2 Comments
As yet, Tina Fey hasn't quite found the same rock-solid success in the cinema world as she has on television with her Emmy-laden work on "Saturday Night Live" and "30 Rock." She wrote and co-starred in a minor teen classic "Mean Girls," and made small waves with "Baby Mama" and "Date Night," but that indelible role that makes her a fully fledged movie star -- her "Elf," her "40 Year Old Virgin" -- is yet to appear, presumably because she's busy nine months of the year running and starring in one of the funniest shows on television.

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