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The Playlist

David Fincher Says His 'Cleopatra' With Angelina Jolie Wouldn't Be A "Giant Sword And Sandal Epic"

  • By Drew Taylor
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  • December 19, 2011 6:30 PM
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  • 4 Comments

Stellan Skarsgård Says He "Won't Get To Fuck" In Lars Von Trier's 'The Nymphomaniac,' But Will Go Full-Frontal

  • By Oliver Lyttelton
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  • December 19, 2011 6:04 PM
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  • 4 Comments
After nearly thirty years of work in Sweden, with a few small roles in English-speaking films like "The Unbearable Lightness of Being" and "The Hunt For Red October," Stellan Skarsgård really started to turn heads internationally in Lars Von Trier's "Breaking The Waves," as the paraplegic husband of Emily Watson's character.

Marrakech Film Festival '11: The Winners, The Losers And Other Observations

  • By Jessica Kiang
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  • December 19, 2011 5:30 PM
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  • 0 Comments
So now that our bags are finally unpacked, the jet lag has been well and truly slept off, and the photos of snake charmers and trinket stalls uploaded to flickr, it’s time (actually rather past time, but give us a break, it’s been busy) to reflect on the experiences of the Marrakech International Film Festival, which we were lucky enough to attend from December 2nd-10th.

Interview: Director Brad Bird On His $200 Million Live Action Debut 'Mission Impossible: Ghost Protocol'

  • By Drew Taylor
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  • December 19, 2011 5:00 PM
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  • 1 Comment
Judging by the box office numbers, chances are if you lived somewhere with an IMAX theater, you saw "Mission: Impossible – Ghost Protocol," the fourth and arguably the best (at least since Brian De Palma's) film in the long-running, Tom Cruise-led franchise. And the biggest reason why this movie feels so fresh and new and fizzy is that it's the live action debut of director Brad Bird, who had previously given us genuine animated masterpieces in "The Iron Giant" and (for Pixar) "The Incredibles" and "Ratatouille."

New Images Of Gina Carano, Channing Tatum, Michael Douglas & Michael Angarano In Steven Soderbergh's 'Haywire'

  • By Oliver Lyttelton
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  • December 19, 2011 4:17 PM
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  • 0 Comments
Traditionally, January is something of a wasteland for the movies; as the last of the awards season pictures roll out, studios tend to use it to dump product that they know won't set the world alight critically or commercially. This year is, for the most part, no exception: dicey prospects like found footage horror "The Devil Inside," long-delayed Katherine Heigl vehicle "One For The Money," unnecessary vampire fourquel "Underworld: Awakening" and a film starring Dolly Parton are among what January has to offer. But there's at least one release coming in the first month of the year that promises something far more potent; "Haywire."

'Dragon Tattoo' Scribe Steve Zaillian Says He's Considering Directing Remake Of Nacho Vigalondo's 'Time Crimes'

  • By Oliver Lyttelton
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  • December 19, 2011 3:30 PM
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  • 1 Comment
Steve Zaillian has, over the past couple of decades, become Hollywood's go-to-guy for smart, grown-up dramas. From "Awakenings" and "Schindler's List" to "Moneyball," which, with Aaron Sorkin, has a good chance of winning him his second Oscar, and the imminent "The Girl With The Dragon Tattoo," a credit by Zaillian generally suggests that a film won't be some pandering blockbuster fare, but a thoughtful, adult picture.

Watch: Titans! Will! Uh, Wrath! In First Trailer For 'Wrath of the Titans'

  • By Drew Taylor
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  • December 19, 2011 3:03 PM
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  • 6 Comments
Warner Bros, not content to merely satisfy fanboys with the awesome new "Dark Knight Rises" trailer, has also unleashed a new tease for a sequel that almost no one demanded: "Wrath of the Titans," the follow-up to 2010's abysmal 3D "Clash of the Titans" remake. And while we're not necessarily excited about this new one (how could we be?), it does look marginally more interesting, certainly more expensive, and generally just more than the first film. But, honestly, we're still using Marilyn Manson's cover of "Sweet Dreams (Are Made of This)" to make a trailer seem edgier than it actually is?

'Moneyball' Soundtrack Band This Will Destroy You Scoring Indie Documentary 'The Deep Field'

  • By Benjamin Wright
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  • December 19, 2011 2:30 PM
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  • 0 Comments
Besides the fine performances by Brad Pitt and Jonah Hill, along with Bennett Miller’s impeccable direction of this year's “Moneyball,” another aspect of the film worth singling out for praise is the score by Mychael Danna. Though as we mentioned on our list of Best Scores and Soundtracks of 2011, post-rock outfit This Will Destroy You also had a hand in creating one of the film’s signature pieces of music with the track “The Mighty Rio Grande,” which was also featured prominently in the film’s trailer.

New Look At Martin Freeman As Bilbo In 'The Hobbit,' Trailer Will Appear Online Tomorrow

  • By Benjamin Wright
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  • December 19, 2011 2:00 PM
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  • 0 Comments
While the Steven Spielberg-directed “The Adventures of Tintin” finally reaches theaters stateside this week, it will also bring along a lovely gift for fans of that film’s executive producer and “Lord of the Rings” trilogy mastermind Peter Jackson. As we told you back in November, the trailer for “The Hobbit: An Unexpected Journey” is set to play in front of the much anticipated Spielberg blockbuster, but for fans eager to get another early taste of Jackson’s return to Middle Earth, a new image may provide you with the sort of sneak peek you’ve been waiting for.

Watch: Trailer For Christopher Nolan's 'The Dark Knight Rises' Hints At A Dark & Epic Final Conclusion To The Batman Saga

  • By The Playlist
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  • December 19, 2011 1:21 PM
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  • 15 Comments
Yes, you may have seen a cruddy version of Christopher Nolan's "The Dark Knight Rises" trailer a few days ago, the third and final film in his epic Batman trilogy, or the big-screen version in front of "Sherlock Holmes: A Game of Shadows," but if you struggled to hear and see what it all was about, behold the beautiful, high-definition version that is not only incredibly impressive, but looks wickedly ominous and striking. The wonderful thing that Nolan does with all his trailers is make the stakes of his films look incredibly high, as in do-or-die, and "The Dark Knight Rises" looks no different. This looks dark with deep and powerful consequences around every corner. It appears that some kind of army is rising and it's something that neither Batman nor Gotham has ever faced.

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