The Playlist

First Look At Ryan Gosling In 'Only God Forgives'; The Weinsteins VOD Label Radius Pick Up Rights To The Film

  • By Kevin Jagernauth
  • |
  • February 29, 2012 10:20 PM
  • |
  • 17 Comments
Riding high off the fumes of "Drive" which had just one Best Director at Cannes, last summer FilmDistrict was set to re-up with Nicolas Winding Refn for his next film, "Only God Forgives" reteaming him with his totally brotastic bud, Ryan Gosling. Well, it seems the winds have changed somewhat dramatically.

Watch: Trailer For Richard Linklater's 'Bernie' Starring Jack Black & Matthew McConaughey

  • By The Playlist
  • |
  • February 29, 2012 9:29 PM
  • |
  • 6 Comments
A Renaissance man, a community leader, and a mortician who strikes up an unlikely friendship with a wealthy widow that leads to fatal consequences: this is the premise to Richard Linklater's latest, a black comedy called "Bernie." Starring Jack Black, Matthew McConaughey and the great Shirley MacLaine, "Bernie" is Linklater's first feature-length effort since 2009's "Me & Orson Welles."

Watch: 4 Clips From Single Take Horror Flick 'Silent House' Starring Elizabeth Olsen

  • By Kevin Jagernauth
  • |
  • February 29, 2012 5:59 PM
  • |
  • 2 Comments
Back in January 2011, Elizabeth Olsen came out of nowhere at the Sundance Film Festival, earning rave reviews for her performance in "Martha Marcy May Marlene" and riding a huge wave of buzz all year culminating in awards season attention and a Spirit Awards nomination. However, the actress starred in another movie at Park City at the same time, one that drew less notice -- the single take horror film "Silent House." And wisely, the team behind that decided to wait until the post-'Marcy' buzz before releasing it into theaters.

'Welcome To People' Lands On June 29th; 'Hick' Hits VOD & Theaters In May & 'For A Good Time Call' Dials Up On September 14th

  • By Kevin Jagernauth
  • |
  • February 29, 2012 5:29 PM
  • |
  • 6 Comments
Get out your marker and dry erase board of upcoming movies, because you'll have to add a few more dates to the calendar.

Review: 'Last Days Here' An Unsettling, Compelling Look At An Aged Rocker's Final Shot At Stardom

  • By Christopher Bell
  • |
  • February 29, 2012 4:56 PM
  • |
  • 0 Comments
The subject of "Last Days Here" is an indisputable drug addict, body warped and brain fried by incalculable amounts of crack and heroin. During the opening moments (an excellent sequence which sets up a great deal without feeling at all expository) the man reveals a few fancy shirts he had stored away, flamboyant digs reserved for those stadium concerts his band never actually got to play. "I saved these shirts for when I would get big. And that never happened. So I just saved them forever," he admits not depressingly, but in a poetic, accepting way.

Gerard Butler Replaces Eric Bana In Diamond Heist Pic 'Brilliant'

  • By Kevin Jagernauth
  • |
  • February 29, 2012 4:37 PM
  • |
  • 3 Comments
Fresh out of rehab, and looking dapper hitting the Oscar parties over the weekend, Gerard Butler is wisely putting whatever troubles he had to overcome, putting his head down, and getting back to work.

Win Passes For Advance Screenings Of 'Salmon Fishing In The Yemen' In Boston, Chicago, LA, NYC, Philadelphia & San Francisco

  • By Kevin Jagernauth
  • |
  • February 29, 2012 4:05 PM
  • |
  • 3 Comments
Oscar season is over, which means it's going to largely be tentpoles from now until the end of the summer. But if you're craving something without CGI or explosions and that has real characters, you'll still have a few options on hand. One of them will be Lasse Hallström's "Salmon Fishing in the Yemen," and with the film opening in just over a week, we want to send some lucky readers to advance screenings around the country.

Review: 'Family Affair' Is A Haunting Interrogation Into The Dissolution of A Family & A Portrait of Abuse Victims You Won’t Soon Forget

  • By Katie Walsh
  • |
  • February 29, 2012 3:57 PM
  • |
  • 0 Comments
A single shot was all it took to alter the course of one family mired in a quicksand of abuse and psychological manipulation. “Family Affair” begins with this one shot, an explosion of energy, an unconscious cry for help, the catalyst for upheaval. The film, directed by Chico David Colvard, is an exploration, an interrogation into the abuse, violence, dissolution of his family, and the forces that bind them and bring them back together. The opening sequence combines the recorded memories of Colvard and his sisters, over images of the classic TV show "The Rifleman," describing the incident where Colvard, at age 10, trying to emulate his TV hero, picked up one of the loaded rifles his father had throughout the house, and accidentally shot his sister Paula in the thigh. Her leg (eventually) healed. The secrets that came out as a result of this accident have been haunting the family ever since.

Is The Media Being Unfair To 'John Carter'? Brad Bird Thinks So

  • By Kevin Jagernauth
  • |
  • February 29, 2012 3:52 PM
  • |
  • 38 Comments
With Disney's expensive, years-in-the-making adaptation of "John Carter" finally hitting theaters next week, the buzz has both been very loud, and not all positive either. Fanboys were miffed when Disney, in a bid to make the sci-fi movie more broadly appealing, changed the title from the original "John Carter of Mars" to simply "John Carter." Rumors swirled of a massive $300 million budget, reshoots, and in recent weeks, soft tracking indicating the film may not be the blockbuster the studio is hoping for. But the filmmakers are starting to fight back. Director Andrew Stanton addressed the budget rumors calling them a "complete and utter lie" and today, the helmer's Pixar pal Brad Bird (likely part of the braintrust who served as advisers on the film) hit Twitter to lash out at the media, and what he perceives as a tar and feather campaign against the picture.

The Films Of Hal Hartley: A Retrospective

  • By The Playlist
  • |
  • February 29, 2012 3:00 PM
  • |
  • 10 Comments
Imagine if Woody Allen, Whit Stillman, Kevin Smith and the Sundance Institute had a love child. This ungainly creature, speaking in witty, heightened, unnaturalistic sentences, and ambling, sometimes shambling between comedy, tragedy and pretension, might very well go on to make films that greatly resemble those of Hal Hartley.

Email Updates

Recent Comments