The Playlist

Robert Luketic Eyes New Projects With Liam Hemsworth & Zhang Ziyi

  • By Joe Cunningham
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  • April 2, 2012 9:01 AM
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  • 1 Comment
Robert Luketic doesn't seem to inspire as much vitriol from fans that the likes of McG or Shawn Levy seem to, but looking at his back-catalogue his cinematic sins aren't inconsiderable. Maybe it's down to his first film, the really rather fun "Legally Blonde," but since then he's made "Win a Date With Tad Hamilton!," "Monster in Law," "21" (which this writer must admit to having a soft spot for), and his latest two films have been the irredeemable "The Ugly Truth" and "Killers," both starring Katherine Heigl.

First Look At Riz Ahmed & Kate Hudson In Mira Nair's 'The Relucatant Fundamentalist,' Film Aiming For Venice Premiere

  • By Joe Cunningham
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  • April 2, 2012 8:41 AM
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  • 2 Comments
While Mira Nair has enjoyed some success over the years for her films, acclaim has usually tended to gather around films set in her native India rather than her more mainstream efforts. "Vanity Fair," "Amelia," and even her segment in "New York, I Love You" have all, to one extent or another, fallen flat. Her next feature may be an adaptation of Mohsin Hamid's (mostly) New York-set novel "The Reluctant Fundamentalist", but we're really pretty intrigued to see how this one will play out.

Next Installment 'The Woman In Black: Angels Of Death' Now Moving Forward

  • By Kevin Jagernauth
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  • April 2, 2012 8:32 AM
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  • 0 Comments
Well, it hasn't taken long for Hammer Films to decide to try and keep the money train going on what is easily their most financially successful project to date. The solid, old fashioned horror flick "The Woman In Black" opened this winter not only to mostly good reviews, but solid box office, opening #2 in the U.S. but also doing oustanding business in its native U.K. and when the receipts were all tallied up, the movie took in over $110 million. Not too shabby at all. So of course, a sequel is now calling.

The Genius Of Steve Jobs To Be Embodied By Ashton Kutcher In Biopic 'Jobs'

  • By Ryan Gowland
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  • April 2, 2012 8:19 AM
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  • 2 Comments
No, you're not getting punk'd. Of all the actors on the planet, Ashton Kutcher has been chosen to play the late Steve Jobs in the upcoming indie biopic simply titled "Jobs." The film will reportedly focus on Jobs' early days, as he shifted from being a "wayward hippie" to the co-founder of Apple. Considering the news' proximity to April Fool's Day, we understand if you're still skeptical of the announcement. Variety was the first to break the news, and writer Jeff Sneider insists that it's all true. "I will be posting a MAJOR story today that will seem like an April Fool's joke but isn't," Sneider posted on his Twitter on Sunday.

Watch: Trailer For Aaron Sorkin's 'The Newsroom' Reveals (What Could Be) His Greatest TV Show Yet

  • By Ryan Gowland
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  • April 2, 2012 8:00 AM
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  • 4 Comments
Aaron Sorkin is back on television, and from the looks of the trailer of his latest show, "The Newsroom," this is a very good thing. Coming off of back-to-back Oscar nominations for his screenwriting work on "The Social Network" and "Moneyball" (winning the first one, but losing to "The Descendants" in February), Sorkin's return seems like the culmination of all the shows that have come before, including "The West Wing," "Sports Night" and, yes, even "Studio 60 on the Sunset Strip."
More: Newsroom

Watch: Seth MacFarlane Goes Hard R In First Trailer For 'Ted' With Mark Wahlberg & Mila Kunis

  • By Kevin Jagernauth
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  • April 1, 2012 10:05 PM
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  • 19 Comments
Here's the thing about Seth MacFarlane...when "Family Guy" first came on the air, it was a breath of fresh air, an irreverant, rude and very hilarious animated show that took "The Simpsons" template and pushed the envelope even further. And then he didn't really know what else to do. As he got more comfortable, MacFarlane and co. got less concered with using their voice for making political or social commentary, and instead just aimed for whatever lowbrow target they could hit. "Family Guy" became less a show than a string of random, barely connected jokes whose punchlines and subject matter got increasingly more obvious.

Can AMC’s 'The Killing' Get Its Mojo Back In Season 2? And How Season 1 Caught Hollywood’s Attention

  • By The Playlist
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  • April 1, 2012 6:19 PM
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  • 10 Comments
If you never watched AMC’s crime drama “The Killing” last year, but heard a lot of the buzz and noise, let’s help you out. The narrative went like this: The pilot episode of the show -- an eerie mix of David Fincher “Seven” rain/gloom aesthetics and the “Twin Peaks”-like ominousness found in the Pacific Northwest -- received near universal acclaim from critics.

Happy Trails: Full Length Trailer For 'Total Recall' Arrives To Mess With Your Memory

  • By Kevin Jagernauth
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  • April 1, 2012 5:49 PM
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  • 17 Comments
We'll just get this out of the way now: sorry, there is no three boobed lady to be seen in the new trailer for the "Total Recall" remake. That said, there is a white haired John Cho, lots of panoramic CGI stuff and enough impressive moments to make this a curiosity we guess.

First Look At Marion Cotillard In Jacques Audiard's 'Rust & Bone' Plus Official Synopsis Revealed

  • By Kevin Jagernauth
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  • April 1, 2012 1:38 PM
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  • 6 Comments
While the official Cannes Film Festival lineup won't be revealed until April 19th, Jacques Audiard's "Rust & Bone" -- slated for a May 17th release in France, one day after the fest opens -- is pretty much considered a lock. Regardless, with the movie now just over a month away from release, we're going to be seeing a lot more, and to kick things off is the first official still from the film.

Weekend Box Office: 'Hunger Games' Takes Another Bite Of The Marketplace, 'Wrath Of The Titans' Underwhelms

  • By Gabe Toro
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  • April 1, 2012 12:54 PM
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  • 3 Comments
It was intriguing to see “The Hunger Games” register an opening weekend just below “Harry Potter and the Deathly Hallows: Part 2” and “The Dark Knight.” Would it mimic 'Potter,' which scored the biggest domestic opening of all time but plummeted by 72% the following weekend? Or would it perform like the Caped Crusader, losing a little more than half its audience? Split the difference – even though “The Hunger Games” dropped 61% from its opening weeked, the sci-fi drama continued to bust blocks, becoming the fifth-quickest release to pass the $200 million domestic mark, besting two somewhat high-profile new releases. The film also broke the Jim Cameron's "Avatar" record for fastest non-sequel to hit $250 million globally.

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