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The Playlist

Watch: Spend 7-Minutes Behind-The-Scenes With 'Star Trek Into Darkness'

  • By Cain Rodriguez
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  • May 6, 2013 12:01 PM
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  • 3 Comments
Star Trek Into Darkness, JJ Abrams
Last week we asked about how you readers felt about movie trailers and whether or not they spoiled anything. One aspect we forgot to bring up was the existence of the EPK-style behind-the-scenes looks at movies that have arrived at a higher frequency during these past few years. Case in point, a seven-minute peek behind-the-scenes of the secretive “Star Trek Into Darkness” has landed online.

Simon Kinberg Says 'Star Wars 7' Will Be Character Driven; J.J. Abrams & Simon Pegg Discuss Passion For 'Star Wars'

  • By Charlie Schmidlin
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  • May 6, 2013 11:45 AM
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  • 0 Comments
J.J. Abrams,  'Star Wars'
As franchises seem to multiply by the month -- blanket properties splitting off with even a reboot of "The Crow" jammed in there -- the same faces are likely to be at the helm: Kevin Feige with the second and third waves of Marvel films, J.J. Abrams fretting over how to helm both “Star Trek 3” and “Star Wars: Episode VII,” and now “X-Men: Days of Future Past” writer Simon Kinberg, who recently discussed his thoughts on his new role in the 'Star Wars' universe.

Danny Boyle Claims “The Pixarification Of Movies” Is Wiping Out Adult Storytelling in Cinema

  • By Charlie Schmidlin
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  • May 6, 2013 11:16 AM
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  • 21 Comments
You can almost feel the 180-degree turn in Danny Boyle's latest thriller "Trance" -- away from the good-natured optimism of the Olympic opening ceremonies that took up his past few years, and into a much darker, naughtier corner. It's a refreshing turn from the director -- even while the film doesn't track among his best -- and also one that he believes embodies the type of cinema that's escaped screens as of late.

Exclusive: Get Your Drink On With 2 Posters For Documentary 'Hey Bartender'

  • By Kevin Jagernauth
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  • May 6, 2013 10:57 AM
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  • 0 Comments
Summer is here, which means beaches, decks, BBQs and, invariably, booze, but the number of libations available to slake your thirst are seemingly endless. We live in an era where almost everything is micro-brewed, and anyone can become a self-proclaimed expert on single malt scotch. But there are also artisans of drink mixing who uphold a tradition spanning decades upon decades, and that's the focus of "Hey Bartender."

Tank Up With 9 Clips & Lots Of New Images From 'Fast & Furious 6'

  • By Cain Rodriguez
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  • May 6, 2013 10:45 AM
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  • 0 Comments
While some filmmakers and studios have done everything in their power to build a mystique around their tentpoles -- think “Star Trek Into Darkness” or “Man Of Steel” -- the team behind “Fast & Furious 6” are clearly of the mind that “more is more.” Though the film hits theaters at the end of the month, Universal Pictures has released nine new clips.

Watch: 90-Minute Discussion With David Cronenberg About His Career, Films, Inspirations & Much More

  • By Joe Cunningham
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  • May 6, 2013 10:22 AM
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  • 4 Comments
“Bambi” was traumatizing. “Dumbo” was also traumatizing. “Blue Lagoon” disturbed him greatly. Those are some of the gems from just the first minute of this excellent interview with the great Canadian director David Cronenberg. Just imagine how much more is in the following 90 or so minutes.

Review & Recap: The Scheming Continues In 'Game Of Thrones' Season 3, Episode 6 'The Climb'

  • By Katie Walsh
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  • May 6, 2013 10:01 AM
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  • 6 Comments
Game of Thrones, Season 3, Varys, Little Finger
Welcome back Throne Gamers, whether you want to be or not! This week's episode, "The Climb," directed by Alik Sakharov, continues to dwell on the scheming and interpersonal machinations of those who happen to have a bit of power in Westeros, who are all desperately trying to pull one over on the person next to them just to save their own skin. No one seems to be in any sort of comfortable position, and all of the tricks they play on each other are borne out of sheer terror of being displaced in the power food chain. And that's the game of thrones, right? Sadly, there is little to no ass in this episode.

David Gordon Green Explains His Move To Studio Films & Defends 'The Sitter'

  • By Kevin Jagernauth
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  • May 6, 2013 9:42 AM
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  • 6 Comments
What David Gordon Green will do next tends to be anybody's guess. From independent cinema to big studio comedies to animated shows on MTV to acclaimed fare on HBO, the director doesn't put up any boundaries or stick to anybody's preconceived notions about what he should be doing as a filmmaker. When it was announced last week that he was setting up a dramedy with Al Pacino sought for the lead, it was just another indication of the director's unpredictability. And indeed, Green's forthcoming "Prince Avalanche" was made largely off the grid, revealed when it was pretty much done filming and dropped into Sundance where it earned mostly positive praise (including our own review).

Pedro Almodovar Says Daniel Day-Lewis Can't Do Comedy (And Neither Could Marlon Brando)

  • By Kevin Jagernauth
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  • May 6, 2013 9:22 AM
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  • 27 Comments
3-time Oscar-winner Daniel Day-Lewis is known for his intensely focused, meticulously researched performances that mark him as one of the few actors of his generation who can truly claim to fully transform themselves from role to role, movie to movie. There is no doubt that he is a dramatic powerhouse, whether he's earnestly arguing for the abolition of slavery in "Lincoln," threatening to slice up whoever gets in his way in "Gangs Of New York" or embodying someone stricken with cerebral palsy in "My Left Foot." His talent can't be denied, but can he tell a joke on the big screen? At least one major director doesn't think so.

Review: 'The Great Gatsby' Is A Decadently Empty Tale Of Empty Decadence & Impossible Love

  • By Rodrigo Perez
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  • May 6, 2013 9:01 AM
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  • 45 Comments
The Great Gatsby
The distinctive, vista-obsessed movies of Baz Luhrmann are nothing if not stylish, generally flamboyant and lavish in their candy-colored visual treatments. Subtlety has never been of much interest to the Australian filmmaker who has leaned heavily on melodrama and romantic fairy tales told in a passionate, bright Technicolor style. But sincerity and resplendent ardor have generally anchored his always-plush films, even when they’ve been too long and affected (“Australia”) or overpowered with the odor of teen angst (“Romeo + Juliet”). Luhrmann, it seems, was born to tell stories of impossible love in the most sumptuous ways possible.

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