The Playlist

SXSW Review: Frighteningly Dull 'Haunter' Missing Vincenzo Natali's Usual Edge & Inventiveness

  • By Drew Taylor
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  • March 10, 2013 2:43 PM
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  • 2 Comments
Vincenzo Natali is one of those genre filmmakers who has the rare ability to inspire loyalty in his small but vocal fan base by maintaining an aura of utter fearlessness. The director of ingenious, high concept doodles like "Cube," "Cypher," and, most importantly, the envelope pushing, outrageously underrated "Splice," can literally go anywhere or do anything. Unlike his contemporaries, Natali isn't happy to ever be pigeonholed or pinned down. You go to his movies not because you know what to expect, but because what you end up seeing is so unexpected. All of this makes "Haunter," his new "reverse ghost story," one of the bigger disappointments of the South by Southwest Film Festival thus far – a dull, repetitive, utterly confounding chiller that had the usually uproarious SXSW midnight crowd as quiet as church mice.

Watch: New Trailer For 'The Call' In Which Halle Berry Answers 911

  • By Kevin Jagernauth
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  • February 21, 2013 12:44 PM
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  • 0 Comments
Remember "Rescue 911"? In the era before the glut of reality shows, it was a precursor of sorts, a program that offered up re-enactments of real life situations and emergencies, all narrated and given gravitas by the show's host, William Shatner. And if you ever wondered what a big screen version of that might be, "The Call" seems to come pretty close.

Watch: Halle Berry Is A 911 Operator In Trailer For 'The Machinist' Director Brad Anderson's 'The Call'

  • By Kevin Jagernauth
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  • January 11, 2013 1:23 PM
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  • 13 Comments
Okay, can we say that whatever good will Brad Anderson had from the (somewhat overrated) "The Machinist" has now officially evaporated? Since then, he's delivered "Transsiberian" and "Vanishing On 7th Street," but mostly worked in TV.  And now he has teamed up with WWE (yes, the wrestling company) for "The Call" (formerly "The Hive"). And it's a movie that looks so cheap, we're surprised it's getting a theatrical release.

Abigail Breslin & Juliette Lewis Join 'August: Osage County' With Julia Roberts & Meryl Streep

  • By Kevin Jagernauth
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  • July 20, 2012 2:22 PM
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  • 2 Comments
You know, with Julia Roberts and Meryl Streep already starring in this thing, the filmmakers could populate the rest of "August: Osage County" with circus clowns, and not only would the two leads still deliver strong performances, and inevitable Oscar nominations would follow. It looks like the folks behind the film plan to surround their leads with some strong talent, and two more reliable names are coming on board.

Jim Sturgess & Susan Sarandon Put On Steven Shainberg's 'The Big Shoe,' Mark Wahlberg Takes 'The Disciple Program'

  • By Cain Rodriguez
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  • May 22, 2012 1:04 PM
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  • 1 Comment
It’s been seven years since Steven Shainberg last directed a film, the mostly forgotten Nicole Kidman vehicle "Fur," but it appears from a new press release that he has finally locked down his next project.

First Look At Abigail Breslin In 'Splice' Director Vincenzo Natali's 'Haunter'

  • By Benjamin Wright
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  • May 10, 2012 11:21 AM
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  • 2 Comments
It was only last month that we were telling you Vincenzo Natali, helmer of the very underrated sci-fi horror films “Splice” and “Cube,” was set to roll on his next film, "Haunter," with “Little Miss Sunshine” star Abigal Breslin. We did predict that it would have to be a rather quick production, as the maturing Breslin has been gaining significant traction in her career with a lot of gritty and promising roles in projects like the upcoming Brad Anderson-directed flick “The Hive,” a sex comedy entitled “Virgin Mary,” and her first major blockbuster in the highly-anticipated Orson Scott Card adaptation “Ender’s Game.” So yeah, "Haunter" is already underway and now we have our first look.

'Little Miss Sunshine' Star Abigail Breslin To Lead Vincenzo Natali's 'Haunter'

  • By Benjamin Wright
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  • April 4, 2012 11:50 AM
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  • 1 Comment
An oddity at the start of summer of 2010, the overlooked “Splice,” from “Cube” director Vincenzo Natali was an equal parts Paul Verhoeven and David Cronenberg-style body horror film, that was fortunately able to sidestep some third act contrivances to create a pretty memorable time at the movies. We liked it quite a bit, but the film bombed at the box office, casting some doubt of the future of the talent Natali’s career. He toyed with the idea of adapting the comic book “Alpha Flight” during press rounds for “Splice,” but most notably lined up a directorial gig with the adaptation of William Gibson novelization “Neuromancer” and a horror anthology film entitled “Paris, I’ll Kill You,” which were all options that piqued our interest at the time. Now it looks as if another project may be moving forward rather quickly for Natali, along with a familiar face joining the cast.

Abigail Breslin To Tread Darker Paths Opposite Halle Berry In Brad Anderson's 'The Hive'

  • By Charlie Schmidlin
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  • March 22, 2012 11:46 AM
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  • 0 Comments
It was a quiet 2011 for Abigail Breslin, having lent her voice to “Rango“ and pure name recognition to “New Years Eve,” but recently the young actress has lined up high-profile projects left and right, and we can now add Brad Anderson's “The Hive” to the list.

Abigail Breslin Goes Sci-Fi With 'Ender's Game'; Harrison Ford Now Officially On Board

  • By Kevin Jagernauth
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  • December 21, 2011 4:02 PM
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  • 3 Comments
Well, look who's all grown up! Abigail Breslin who first sauntered into our hearts as the pudgy Olive in "Little Miss Sunshine," and who recently flashed her bra in "New Year's Eve" is now ready to graduate into her first bonafide blockbuster movie.

Review: 'Janie Jones' Gets All The Notes Right In The Most Boring Song You Could Imagine

  • By Gabe Toro
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  • October 27, 2011 2:58 AM
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  • 0 Comments
Take the worst successful bar band you can think of (it was Nickleback, don’t lie). Downgrade their talent about halfway. Now imagine the sheer amount of bands that fulfill that criteria, currently on the road shuffling from bar to bar, hoping to get lucky and have that one moment where the public puts down that one brand of shitty vanilla and samples them instead. Barely alive from a somewhat negligible record company relationship, their van heads from motel to motel, barely scraping by as the bandmates drown their free time in a sea of cheap booze and disinterested groupies.

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