The Playlist

David O. Russell's Next Film Titled 'American Hustle'

  • By Kevin Jagernauth
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  • April 15, 2013 6:45 PM
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  • 11 Comments
David O. Russell Abscam project
Okay, while we might prefer the original working title "American Bullshit," it probably would've created a marketing nightmare, so the official replacement? Yeah, it's not too shabby at all.

Review: Intimate & Devastating ‘Ginger & Rosa’ Features A Transformative Elle Fanning Performance

  • By Rodrigo Perez
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  • March 12, 2013 7:00 PM
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  • 4 Comments
Lovely and devastating, challenging yet worthwhile, Sally Potter's "Ginger & Rosa" may be the English filmmaker's best since "Orlando," and perhaps her most accessible to date. The intimate and sensual picture also features yet another terrific performance by 14-year-old Elle Fanning, who is quickly becoming the most compelling teenage actor working in movies today. But this time, as the lead, Fanning is transformative, heartbreakingly conveying the inner life of an adolescent with an almost eerily nuanced command of her craft.

Here Comes Oscar: David O. Russell's Abscam Movie Hits This Christmas, Alessandro Nivola Joins Cast

  • By Kevin Jagernauth
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  • March 12, 2013 3:14 PM
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  • 21 Comments
Hang on that tux David O. Russell and starting looking for another dress Jennifer Lawrence, because if things go according to plan, you'll both be back at the Dolby Theater for the Oscars next February.

'Ginger & Rosa' Opens February 1, 2013; 19 New Photos & A New Clip From The Elle Fanning-Led Drama

  • By Edward Davis
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  • October 19, 2012 5:45 PM
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  • 3 Comments
Exclusive: An evocative and beautifully shot portrait of post-war Britain, as seen through the eyes of an impressionable young teenager (Elle Fanning in a terrific, career-making performance), Sally Potter’s “Ginger & Rosa,” which just screened at the New York Film Festival and debuted at the Telluride Film Festival earlier this year, will receive a February 1, 2013 limited release from A24 Films The Playlist has learned.

New Photos & Poster For 'Ginger & Rosa' Starring Elle Fanning

  • By Kevin Jagernauth
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  • September 21, 2012 11:25 AM
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  • 1 Comment
There are few young actresses right now who are on quite the same trajectory as Elle Fanning. With directors like Cameron Crowe, J.J. Abrams, Francis Ford Coppola, Sofia Coppola, David Fincher, Tony Scott and Alejandro González Iñárritu already on her impressive CV, we can only imagine an Academy Award nomination isn't too far away. Her work just seems to be getting better and better, and her latest turn in Sally Potter's "Ginger & Rosa" may be her best yet.

Watch: Trailer For Festival Hit 'Ginger & Rosa' With Elle Fanning, Christina Hendricks & Annette Bening

  • By Oliver Lyttelton
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  • September 7, 2012 10:25 AM
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  • 1 Comment
Among some higher profile competition, one of our editor-in-chief's favorite films from his time in Telluride last weekend turned out to be "Ginger & Rosa," a coming-of-age tale from director Sally Potter ("Orlando"). Probably the most accessible film to date from a filmmaker whose last picture was shot on a cellphone (2009's "Rage"), it's a Bildungsroman set in 1960s Britain with Elle Fanning and newcomer Alice Englert (the daughter of Jane Campion) as two best friends discovering protest, sex and betrayal together. With Alessandro Nivola, Christina Hendricks, Oliver Platt, Timothy Spall, Jodhi May and Annette Bening among the top-notch supporting cast, it was the best little surprise of the festival, a film that's "lovely and devastating, challenging yet worthwhile."

Telluride Review: Intimate & Devastating ‘Ginger & Rosa’ Features A Transformative Elle Fanning Performance

  • By Rodrigo Perez
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  • September 1, 2012 12:22 PM
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  • 8 Comments
Lovely and devastating, challenging yet worthwhile, Sally Potter's "Ginger & Rosa" may be the English filmmaker's best since "Orlando," and perhaps her most accessible to date. The intimate and sensual picture also features yet another terrific performance by 14-year-old Elle Fanning, who is quickly becoming the most compelling teenage actor working in movies today. But this time, as the lead, Fanning is transformative, heartbreakingly conveying the inner-life of an adolescent with an almost eerie and nuanced command of her craft.

Alfre Woodard Boards 'Twelve Years A Slave'; Alessandro Nivola Joins Atom Egoyan's 'Devil's Knot'

  • By Simon Dang
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  • June 12, 2012 12:22 PM
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  • 0 Comments
Steve McQueen has quite an abundance of talent at his disposal for "Twelve Years A Slave" but now has more two more additions in TV staple Alfre Woodard and newcomer Lupita Nyong'o. Woodard will play a former slave who has risen through the caste system while Nyong'o plays the object of both affection and cruelty of Master Epps, to be played by Michael Fassbender. The film, of course, stars Chiwetel Ejiofor as Solomon Northup, a free black man who is tricked into slavery and faces a grueling life under several owners. Brad Pitt, Scoot McNairy, Benedict Cumberbatch, Paul Giamatti, Paul Dano, Sarah Paulson, Garrett Dillahunt, Ruth Negga and Adepero Oduye all co-star in the John Ridley co-scripted tale. Most anticipated for 2013? It's up there, no doubt. [THR]

Elle Fanning, Alessandro Nivola & Jane Campion's Daughter Alice Englert To Star In Sally Potter's 'Bomb'

  • By Oliver Lyttelton
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  • November 18, 2011 9:22 AM
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  • 0 Comments
There aren't many experimental video and performance artists who can also say they've directed a film starring international megastar Johnny Depp, but Sally Potter is one of them. Well, the only one. Making her feature debut with the 1983 Julie Christie film "The Gold Diggers," she came to international attention with her excellent 1992 adaptation of Virginia Woolf's "Orlando," starring Tilda Swinton, before going on to make "The Tango Lesson," "The Man Who Cried" (which starred Depp and Cate Blanchett), and the underrated, spoken-entirely-in-iambic-pentameter "Yes," with Joan Allen.

Review: 'Janie Jones' Gets All The Notes Right In The Most Boring Song You Could Imagine

  • By Gabe Toro
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  • October 27, 2011 2:58 AM
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  • 0 Comments
Take the worst successful bar band you can think of (it was Nickleback, don’t lie). Downgrade their talent about halfway. Now imagine the sheer amount of bands that fulfill that criteria, currently on the road shuffling from bar to bar, hoping to get lucky and have that one moment where the public puts down that one brand of shitty vanilla and samples them instead. Barely alive from a somewhat negligible record company relationship, their van heads from motel to motel, barely scraping by as the bandmates drown their free time in a sea of cheap booze and disinterested groupies.

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