- By Jessica Kiang
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- April 8, 2013 3:02 PM
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- 9 Comments
In the hopes that some of you got to see "Upstream Color" over the weekend at one of its few, packed screenings, we're bringing you the concluding part of our interview with director Shane Carruth from the Berlin Film Festival, in which we spoke in a more minute way about the ins and outs of the film's plot, the motivations of some of its key characters, the thematic importance of the sound design and the metaphysics that underlies its ultimate meaning. Those who haven't yet had the singular pleasure of seeing it, we can only urge to go back and read parts one and two of the interview, or our review from Sundance, and then bookmark this one for later, as it's probably too close a reading of the film for anyone who hasn't yet become entangled in its enigmas.
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Please ignore this Lena Foster "person". She/he is a racist troll who goes around the
that's right, we saved you from the Nazis! Actually, the Russians saved you from the Nazis,
Initially, I was completely celestialized by the idea of a Christopher-Nolan-involved Superman
"Leon" would have to win at least two Oscars: The first to Natalie for this absolutely
Aeon, you have absolutely no clue whatsoever...
I like it your film
lol, your first time? I love the bull you emit. You just copy and pasted your same comment from
"I think one can make similar comparisons between Northup and Frank. They survived ..."
Please...you're the kind of people that always says "past times are better times"
So we are just going to ignore the part of the comics that says superman could not of snapped