- By Rodrigo Perez
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- April 24, 2013 10:40 AM
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- 5 Comments
Big, dumb, ridiculously over-the-top fun. When all else fails, filmmaker Michael Bay, perhaps one of the most unfairly maligned directors of the last two decades, can make it rain and bring the entertaining thunder like no one else. If not the inventor of the modern day supernova-esque blockbuster, Bay certainly defined it with some of the biggest, loudest, most larger-than-life spectacles of contemporary cinema. While loathed in many circles for several years by critics like Roger Ebert and others for “ruining movies” with his dumbed-downed, stadium-sized, often banal, Bon Jovi-like anthemic films that came with the subtlety of a sledgehammer, Bay’s reputation has improved in recent years with the rise and popularity of vulgar auteurism (a newfound respect or the loud and proud).
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Wow, posting an anti Pixar article on a site full of Pixar fan boys? You are a braver man than me.
The #1 problem with Pixar? They're not Studio Ghibli.
We still on this? lmao. Mark Waid. I love the dude but he's incorrect. To everyone still
It's the second time you guys do this, Alberto Iglesias is not the composer on the movie,
same, I enjoyed this very much, classic Miike. I think Hideaki Ito did very well in this movie. Art
@PCHONGOR: if by "faux Panavasion" you mean "anamorphic", no. Wall-E quite
Critics know fuck all about the medium. Drew McWeeny once blamed the poor sound in his Hobbit
This is the most condescending piece of writing I've read in years. Dave and Glass have
I liked the solid script, the solid performances, the well motivated villan, but barely made it
With the possible exception of Mulan, none of Disney's princess movies are feminist or