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Watch: Complete Long Lost 1980s Comedy 'Nothing Lasts Forever' Starring Bill Murray And Dan Aykroyd

  • By Kevin Jagernauth
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  • July 8, 2014 11:25 AM
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  • 4 Comments
Nothing Lasts Forever
So, how on Earth does a movie, made at the height of fame for both Bill Murray and Dan Aykroyd, not get released? That's a complicated one to answer, but for comedy fans, the 1984 movie "Nothing Lasts Forever" is something of a holy grail film, but thanks to the (probably temporary) powers of the interwebs, you can see the film that MGM apparently twice prevented from screening at the Cannes Film Festival.

Watch: First Trailer For 'St. Vincent' Starring Bill Murray, Melissa McCarthy & Chris O'Dowd

  • By Kevin Jagernauth
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  • July 1, 2014 3:37 PM
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  • 3 Comments
St. Vincent
In 1998, Bill Murray came bursting back to everyone's attention in "Rushmore," and it's easy to forget that at the time, his most recent previous credits included "Wild Things" and "Space Jam." But Wes Anderson's film showed he had a lot more to offer as an actor. And from there, a new era in his career began, which brings us to "St. Vincent," which almost feels like a weird, "Little Miss Sunshine"-esque glossy redo of Murray's still indelible Herman Blume.

‘Ghostbusters II’ At 25, And 10 Other Sequels That Stalled & Killed Their Franchises

  • By Jessica Kiang
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  • June 11, 2014 3:45 PM
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  • 12 Comments
Sequels That Killed The Franchise
30 years ago last week, “Ghostbusters” hit our screens. It was an anniversary feted by many, (ourselves included, check out our nostalgia trip back to summer 1984), with articles, celebrations, appreciations, oral histories and even the announcement of a forthcoming theatrical re-release all timed to capitalize on the film’s now-classic status. By contrast, the 25th anniversary of “Ghostbusters II,” which happens this week, comes upon us largely unheralded, with perhaps just a far-off slow clap and an internet tumbleweed or two to mark the occasion. Safe to say the sequel is not quite as beloved as the original.

Watch: Wes Anderson, Bill Murray, Willem Dafoe & Jeff Goldblum Discuss Struggles On ‘The Life Aquatic’

  • By Charlie Schmidlin
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  • May 21, 2014 12:39 PM
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  • 3 Comments
With this spring’s big hit “The Grand Budapest Hotel," Wes Anderson displayed a new level of mastery in his filmmaking, so much so that the actual tightrope act of disparate elements rarely reared its head. That wasn’t always the case though: 2004’s “The Life Aquatic With Steve Zissou” repeatedly tipped over into uncertainty and shaky ambition for the director, and now Criterion have released a funny, informal look back by Anderson and the film’s cast to explore exactly why.

The 10 Best Performances In The Films Of Jim Jarmusch

  • By Jessica Kiang
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  • April 9, 2014 2:56 PM
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  • 9 Comments
10 Best Performances In Jim Jarmusch Movies
It all seems so obvious in retrospect. Of course, of all the parts Tilda Swinton and Tom Hiddleston were born to play, a pair of lovelorn vampires battling the ennui of immortality in a Jim Jarmusch movie should always have been at the top of the list. “Only Lovers Left Alive,” which opens this weekend (review here), makes good on that logline and then some, delivering Jarmusch’s most deliriously enjoyable film in ages (see our complete retrospective of his films here), and showcasing as ever a cast that turn in terrific performances right down to the smallest supporting performer. But it’s Hiddleston and Swinton who carry the film, and they do so with such louche grace that they make their vampiric lifestyle seem dark and twisted and tortured and yet also so seductive and alluring and downright sexy, that at the potential cost of our eternal souls we’d proffer our own necks to them at the drop of a hat.

Exclusive: Listen To 4 Concierge Character Playlists From Wes Anderson's 'The Grand Budapest Hotel'

  • By Kevin Jagernauth
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  • March 28, 2014 11:44 AM
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  • 0 Comments
The Grand Budapest Hotel
While Ralph Fiennes' M. Gustave leads the way in Wes Anderson's utterly delightful "The Grand Budapest Hotel" as the concierge against which all others are measured, one of the many pleasures of the movie is discovering that he's not alone in ensuring the highest standards of his profession are met. As M. Gustave untangles himself from a conspiracy involving murder and a prized artwork, he has to call upon his colleagues—part of The Society Of The Crossed Keys—for their assistance. With those associates played by the likes of Bill Murray, Jason Schwartzman and Owen Wilson, it makes for some truly good fun in an already screwball journey.

Watch: Wes Anderson Breaks Down Scene From 'Budapest Hotel' Plus Crossed Keys Featurette & Symmetry Supercut

  • By Cain Rodriguez
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  • March 18, 2014 10:42 AM
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  • 0 Comments
The Grand Budapest Hotel
With only 66 screens to call its own, Wes Anderson’s 1930s-set “The Grand Budapest Hotel” landed in the eighth spot in the box office this past weekend for a solid $55K per screen average. To help broaden the audience of the period film as it expands nationwide over the coming weeks, a pair of featurettes have arrived online to show some familiar faces in the film.

Watch: New Clip, Featurette And 12-Minute Talk For 'Grand Budapest Hotel' Plus More Pics

  • By Kevin Jagernauth
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  • March 10, 2014 3:47 PM
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  • 0 Comments
The Grand Budapest Hotel
Wes Anderson's "The Grand Budapest Hotel" is off to a helluva start at the box office, opening this weekend in limited release and breaking a few records along the way. That's good news for Fox Searchlight as they prepare to roll out the cinematic confection across the country over the next few weeks, and to help keep 'Budapest' on the brain, a smattering of new material has arrived.

Review: Wes Anderson's Beautiful & Melancholy 'The Grand Budapest Hotel'

  • By Jessica Kiang
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  • March 7, 2014 11:21 AM
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  • 1 Comment
The Grand Budapest Hotel
Love. There are points during “The Grand Budapest Hotel,” at which it simply floods off the screen. It sounds too lofty perhaps, but how else can you describe the level of minute care that seems to have gone into every single frame, every costume, every tear in every strip of wallpaper? If nothing else (and there is quite a lot else) the film is at times perhaps the apotheosis of Wes Anderson’s aesthetic: a glorious, mischievous sequence of pictorialist plays taking place in a world so perfectly contained it might as well be in a snowglobe. This trademark fetishistic detail makes it feel like it was somehow loved into being, and, for whole passages, we loved it right back, giddily grinning in the dark, already mentally marking out those moments when we’re going to have to hit pause to examine the background, the edge of the frame, the action that happens in the corner of your eye.

Essential: The 6 Best Performances In The Films Of Wes Anderson

  • By The Playlist Staff
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  • March 6, 2014 3:49 PM
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  • 20 Comments
Wes Anderson, 6 Best Performances
“Max Fischer’s not fighting change, he’s determinedly fighting against being pigeonholed. He’s fighting for the renaissance view of the world, and for a sense of himself as an adult. I think that he and Steve Zissou and Gustave are all, in some way, at war with the philistines. They are all kind of righteous,” a wise and insightful Ed Norton said this week about the characters that inhabit Wes Anderson’s unique worlds. “I’ve come to think that Wes’s films are all about the way that your real family disappoints you and so you create the family that you need.” Wes himself could probably not articulate it any better.

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