The Playlist

Watch: Discover The Women Of 'Enemy' With New Featurette & Pics

  • By Kevin Jagernauth
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  • February 27, 2014 2:07 PM
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  • 0 Comments
Enemy
While Jake Gyllenhaal's dual turn is the center of "Enemy," orbiting around him are three women who are integral to the story. And they come to the forefront in this new featurette which provides yet another behind-the-scenes peek at the film.

TIFF Review: Denis Villeneuve’s ‘Enemy’ Starring Jake Gyllenhaal Is A Haunting Look At Our Dark Desires

  • By Rodrigo Perez
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  • September 8, 2013 7:00 PM
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  • 14 Comments
At the risk of blatantly repeating ourselves, Jake Gyllenhaal and director Denis Villeneuve are on the cusp of a banner 2013 that is about to hit its crest. Their first-unveiled collaboration, the harrowing, Fincher-with-more-emotional-resonance crime thriller “Prisoners” has already bruised audiences in Telluride and Toronto (read our review here). But if “Prisoners” is the grimmest studio film you’ve seen since “The Girl With The Dragon Tattoo,” then “Enemy”—chronologically their first collaboration—is the equally dark but more experimental and arty cousin. And a terrifically haunting one at that.

Isabella Rossellini, Melanie Laurent & Sarah Gadon Have 'An Enemy' In Common With Jake Gyllenhaal

  • By Kevin Jagernauth
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  • May 14, 2012 11:46 AM
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  • 0 Comments
So if you're going to be making an "existential erotic thriller," you could do much worse than hiring these three lovely and talented thesps who are joining Jake Gyllenhaal in this intriguing little project.

Review: Guy Maddin's 'Keyhole' Beautiful And Brassy...But Frustratingly Sealed

  • By James Rocchi
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  • April 4, 2012 12:05 PM
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  • 1 Comment
Let us pause, then, to contemplate the fate and fortunes of the director who does not have his or her eye set on the five-picture deal, the glossy franchise, the production wing in the bungalow offices of some major studio; what becomes of the director who only wants to make art and make it well? Canada's Guy Maddin clearly has no eye on commercial success -- rumor has it that his next feature might actually be in color -- and instead prefers to stand at the edge and peer into the abyss to look for what's next. This is a unique vantage point, to be sure, but it's also perilous if one should fall; "Keyhole" is both too much and too little, a crowded smorgasbord of genre picture tropes and haunted house tricks that leaves your eyes and brain distended with both far too much to absorb and far too little to sustain.

TIFF '11 Review: Guy Maddin's 'Keyhole' Beautiful And Brassy...But Frustratingly Sealed

  • By James Rocchi
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  • September 11, 2011 1:57 AM
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  • 0 Comments
Let us pause, then, to contemplate the fate and fortunes of the director who does not have his or her eye set on the five-picture deal, the glossy franchise, the production wing in the bungalow offices of some major studio; what becomes of the director who only wants to make art and make it well? Canada's Guy Maddin clearly has no eye on commercial success -- rumor has it that his next feature might actually be in color -- and instead prefers to stand at the edge and peer into the abyss to look for what's next. This is a unique vantage point, to be sure, but it's also perilous if one should fall; "Keyhole" is both too much and too little, a crowded smorgasbord of genre picture tropes and haunted house tricks that leaves your eyes and brain distended with both far too much to absorb and far too little to sustain.

Venice '11 Review: 'Persepolis' Follow-Up 'Chicken With Plums' Is Amiable & Pretty, But Twee & Thin

  • By Oliver Lyttelton
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  • September 3, 2011 5:12 AM
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  • 3 Comments
It can be difficult to shift from animation to live-action direction; the processes are very different, and even an accomplished animation helmer can sometimes be undone once they're faced with cameras, actors and the breakneck schedule of a feature film shoot, as opposed to the multi-year process that produces a feature cartoon. Some have managed it, Tim Burton being the most obvious example (at first, anyway...) and Pixar dons Brad Bird and Andrew Stanton are both hoping to make the leap in the next few months. But it's got to be even harder to go from working in graphic novels, to animation, to live-action, but that's been the path for Marjane Satrapi and Vincent Paronnaud in the last few years.

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