- By Simon Abrams
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- September 8, 2012 10:46 PM
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- 5 Comments
Like "Harsh Times" before it, police drama "End of Watch" conflates realism with sensationalism. In fact, writer/director David Ayer sustains an abrasive tone throughout "End of Watch" in a number of ways. Firstly, Ayer gives his buddy cop drama a cheap kind of immediacy by having his macho, Alpha male Los Angeles cop protagonists film their lives as police officers. Button-sized cameras and hand-held digital cameras aren’t however just used by the police: both the local Mexican drug cartel members and the black gang-bangers that the 13th district cops have to keep an eye out for use cameras to document and valorize their activities too.
Recent Comments
awesome. best fucking movie
I don't have much to say about the article, other than to address point #5 slightly.
I'm sorry. But i justed wasted time reading an article i thought was going to be constructive
trying to figure the movie out is one of the many joys of watching this. i know im not the smartest
anyone who thinks this blog is true....' can go **** himself/herself. cloud atlas is
Place Beyond the Pines is a modest hit, no doubt (and a terrific film!) but it had a $15 million
I thought that the movie could have been done without Lois Lane. In a city as massive as
My problem wasn't so much that supes killed zod, but that he barely had any time to reflect
The place beyond the pines made 35 million worldwide. That's a definite indie success worth
My problem wasn't so much that supes killed zod, but that he barely had any time to reflect