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Watch: Red Band Trailer For ‘Let’s Be Cops' Starring The Guys From ‘New Girl’

  • By Edward Davis
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  • June 16, 2014 3:00 PM
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  • 2 Comments
Let's Be Cops
There’s an age-old dilemma here that’s very chicken and the egg. To create stars, you need to invest in those who are not yet stars. So 20th Century Fox are doing just that with their new upcoming comedy, “Let’s Be Cops.” Directed by Luke Greenfield (the underrated 2004 comedy “The Girl Next Door”), “Let’s Be Cops” stars two male leads from Fox’s "New Girl," Jake Johnson and Damon Wayans Jr. They’re a likable pair (Johnson’s been a great indie film scene stealer over the last few years), have chemistry and obviously know each other well. But can they open a movie together?

Anna Kendrick, Jake Johnson, Orlando Bloom, Sam Rockwell & More Join Joe Swanberg's New Film ‘Digging For Fire’

  • By Edward Davis
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  • April 30, 2014 5:35 PM
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  • 4 Comments
Drinking Buddies
For the uninitiated, indie filmmaker Joe Swanberg’s career kind of runs like this (reductively of course): 8 bazillion indies, about 10 a year, from 2005 to 2012 (ok, maybe more like 13 features in seven years with a bunch of shorts thrown in for good measure). They are… ok. But the SXSW Film Festival loves them, dubs them mumblecore and his positioned as the next great white hope for indie filmmaking. People like Noah Baumbach throw some endorsements (and exec-produce a film), but as the heir apparent of anything, well, buzz is always impractical anyhow.

Watch: 'New Girl' Stars Jake Johnson & Damon Wayans Jr. Go On Duty In Red Band Trailer For 'Let's Be Cops'

  • By Kevin Jagernauth
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  • March 25, 2014 2:56 PM
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  • 1 Comment
Let's Be Cops
Jake Johnson got his start appearing in small roles on television and in movies before striking gold with the Fox sitcom "New Girl," one of the better comedic half-hours on television. And with the show only in its fourth season, he's starting to see bigger opportunities come his way. He voiced Barry in "The Lego Movie," he'll soon be seen in Seth Rogen's "Neighbors," and he'll spend his "New Girl" hiatus filming "Jurassic World." He'll also get his first major leading man, summer movie role in "Let's Be Cops," but he'll have a familiar face by his side.

Omar Sy Joins 'Jurassic World,' Plus Unlikely 'Jurassic Park' Character Returns

  • By Kevin Jagernauth
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  • March 21, 2014 12:07 PM
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  • 2 Comments
On the Other Side of the Tracks Omar Sy
As "Jurassic World" gears up to roll in front of cameras, the finishing touches on the cast are being put in place plus some new details about the shoot are emerging, and it turns out Colin Trevorrow's latest installment will be connecting all the way to back to Steven Spielberg's 1993 smash hit "Jurassic Park."

Zoe Kazan Talks Twin Roles Of 'The Pretty One' & How 'In Your Eyes' Is "Like Joss Whedon Does Nicholas Sparks"

  • By Kristin McCracken
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  • February 21, 2014 2:07 PM
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  • 1 Comment
After winning the Best Actress Award at the 2009 Tribeca Film Festival for Bradley Rust Gray’s “The Exploding Girl,” Zoe Kazan added a big-budget rom-com (“It’s Complicated”) and more indie dramas (“Meek’s Cutoff”) to her resume, starred on Broadway (“A Behanding in Spokane”) with Christopher Walken, and wrote the charming (and underrated) screenplay for “Ruby Sparks,” in which she starred with her longtime partner Paul Dano.

Review: Engaging And Sweet 'The Pretty One' Starring Zoe Kazan & Jake Johnson

  • By Rodrigo Perez
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  • February 6, 2014 6:08 PM
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  • 0 Comments
The Pretty One
There are movies about twins and there are movies about switching identities and there is “The Pretty One,” which uses both conceits for its tale of self and lack thereof. And to be fair, the premise of this comedic drama — that’s ultimately much more affecting and genuinely melancholy than you’d expect — is a little cutesy and cloying on the surface. And admittedly, the picture takes some time to find its bearings.

Watch: Zoe Kazan Pulls Double Duty In Trailer For 'The Pretty One' With Jake Johnson

  • By Kevin Jagernauth
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  • January 16, 2014 3:35 PM
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  • 0 Comments
2014 is going to be the year of the doubles, it seems. Jake Gyllenhaal will met himself in "Enemy," and so too will Jesse Eisenberg in "The Double," but first up will be "The Pretty One" in which Zoe Kazan's duplicate isn't a doppelganger, but her sister.

That Kid From 'Iron Man 3' Will Lead 'Jurassic World,' Jake Johnson Rumored

  • By Kevin Jagernauth
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  • October 14, 2013 1:11 PM
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  • 1 Comment
Iron Man 3, Robert Downey Jr., Kid, Ty Simpkins
At 12 years old, Ty Simpkins is a franchise and tentpole veteran. The grade school actor made an appearance in Steven Spielberg's "War Of The Worlds" at three years old, he's in both highly successful "Insidious" movies, and this summer, he traded quips with Robert Downey Jr. in "Iron Man 3." And for his next move? How about helping to relaunch a dinosaur franchise?

Ben Affleck & Matt Damon To Co-Produce CBS Sitcom, Ruben Fleischer Revives 'Remington Steele' & More

  • By Charlie Schmidlin
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  • October 11, 2013 11:37 AM
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  • 0 Comments
The new shows this television season may have been a weak slate — Joss Whedon's “Agents of S.H.I.E.L.D.” needs to up its freshly-renewed game, while the less said about Seth McFarlane's “Dads” the better — but as always in Hollywood, there are plenty of potential replacements waiting in development, and now a massive batch of new comedy projects with promising talent has been announced.

Interview: 'Drinking Buddies' Star Jake Johnson Talks Rules of Improv, Working With Joe Swanberg & Frustrations With Network TV

  • By Charlie Schmidlin
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  • August 27, 2013 5:18 PM
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  • 0 Comments
Drinking Buddies
Two attractive couples, their difficulties in life, work, and romance, a sly glance toward the other person's partner as a possible solution... It may seem like the rote set-up for your standard romantic comedy but filmmaker Joe Swanberg (“Hannah Takes The Stairs,” “All The Light In The Sky”) knows this. His latest film, "Drinking Buddies," succeeds not by the prolific indie director's shift up in budget and crowd appeal but by just how adeptly he tweaks that framework for a surprisingly observant and honest result — in our SXSW review, we called it “a film that feels loose without ever being ponderous or phony.”

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