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'Breaking Bad,' 'House Of Cards' & 'Behind The Candelabra' Among Big Emmy Winners

  • By Kevin Jagernauth
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  • September 23, 2013 8:56 AM
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  • 3 Comments
Last night TV's finest -- which these days tends to include some of movie's finest too -- gathered for the Emmy Awards, while the the rest of us stayed glued to "Breaking Bad" and to some extent, the series finale of "Dexter." Either way, both options were better than that dubstep dance routine to "Breaking Bad" on the awards show. And once the jokes were over, and tributes were finished, some statues were handed out honoring some fine folks.

5 Things You Might Not Know About 'L.A. Confidential'

  • By Oliver Lyttelton
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  • September 19, 2012 12:07 PM
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  • 8 Comments
It's safe to say that "L.A. Confidential" wasn't greeted with especially high expectations in the run up to its release. James Ellroy's 1990 book, the third of his "L.A. Quartet" (preceded by "The Black Dahlia" and "The Big Nowhere," and completed by "White Jazz") was a favorite among crime fans, but hardly a best seller. Screenwriter Brian Helgeland was known only for "Nightmare On Elm Street 4: The Dream Master" and a rewrite of actioner "Assassins." Director Curtis Hanson was well-liked, but mostly known for mid-level programmers like "Bad Influence," "The Hand That Rocks The Cradle" and "The River Wild." And the cast was led by two virtual unknowns from the Southern Hemisphere, with the most recognizable names in the cast being Kim Basinger, whose career was a little on the outs, comedy actor Danny DeVito and recently Oscar-nominated character actor Kevin Spacey.

Review: ‘Hide Away’ Has A Great Performance By Josh Lucas Nearly Suffocated By A Truly Lousy Movie

  • By Drew Taylor
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  • May 31, 2012 1:01 PM
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  • 0 Comments
John Lucas is one of those actors who, mathematically at least, ought to be a movie star. He’s been a part of several high profile projects that should have launched him into the starry stratosphere (he was the romantic lead in Reese Witherspoon’s hit “Sweet Home Alabama;” a heavy in Ang Lee’s “Hulk;” and the anchor in big budget Hollywood movies that were supposed to be hits but ended up tanking, things like “Poseidon” and “Stealth”) and he has a laid back appeal and versatility (seek out his menacing turn in David Gordon Green’s underrated “Undertow”) that should put him in the same league as, say, Bradley Cooper. Instead, he’s stuck in projects undeserving of his considerable talents… Like the low-budget indie “Hide Away,” a truly lousy movie that does everything it can to suffocate Lucas’ very fine performance.

Cannes Review: 'The Artist' A Joyous, Big Hearted Tribute To Old School Moviemaking

  • By Kevin Jagernauth
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  • May 15, 2011 8:23 AM
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  • 2 Comments
When The Weinstein Company announced last week just before the kick off the Cannes Film Festival that they had picked up Michel Hazanavicius' "The Artist" it was certainly a surprise. Harvey and Bob laid down big bucks for a film that, in this age of CGI and 3D blockbuster pictures, seems like box office poison. A silent film, in black and white, led by two French stars that are virtually unknown in the United States, it doesn't seem like the kind of movie that, outside of arthouse buffs, would catch on with a broader audience. But, the Weinstein instincts were right on as screening this morning for critics, not only did "The Artist" play like gangbusters to critics who applauded the film at various points during the film but more importantly, Hazanavicius' film is a pure joy. Wildly entertaining, with a big generous heart, "The Artist" is not just an exercise in old school filmmaking, it's a beautifully told story that is classic and timeless in feel.

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