- By Drew Taylor
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- February 1, 2013 12:27 PM
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- 4 Comments
When Netflix announced that they would get into the scripted programming game, with three high profile projects all lined up for the first half of 2013 (including the Eli Roth literary-based Gothic horror project "Hemlock Grove" and the hopefully rapturous return of oddball comedy classic "Arrested Development"), it seemed that the possibilities, in theory, were endless. Netflix would be unburdened by the restraints, in both content and form, of the tired old ad revenue-dependent television model (premium cable, while remaining fuzzier, still depends on subscribers), free to provocatively reshape our formalized notion of "television" and "shows." Except, that didn't happen. At least not yet. It's first big, splashy original production, a David Fincher, Kevin Spacey and Eric Roth produced remake of the British miniseries "House Of Cards," doesn't take any bold structural or stylistic detours. But it is totally fucking brilliant just the same.
Recent Comments
They couldn't throw any real money at Christian Bale to reprise the role for half a day? PS:
I expected to thoroughly enjoy this movie, because I like the genre , and Superman in particular...
This film will surely prove that Tarantino should of never made the type of slavery movie he did
The best superman movie ever
Except the Avengers did imply that someone got hurt in the battle in New York, as was shown in the
the best superman movie i watch so far
Wow, posting an anti Pixar article on a site full of Pixar fan boys? You are a braver man than me.
The #1 problem with Pixar? They're not Studio Ghibli.
We still on this? lmao. Mark Waid. I love the dude but he's incorrect. To everyone still
It's the second time you guys do this, Alberto Iglesias is not the composer on the movie,