- By Jessica Kiang
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- May 27, 2013 12:35 PM
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- 2 Comments
Itself loosely based on a true story, the 19th century novella by Heinrich von Kleist, “Michael Kohlhaas," has been adapted several times for screen, notably by Volker Schlöndorff in 1969, even spawning “The Jack Bull," a pretty good HBO restaging starring Johns Cusack and Goodman, in 1999. But with Schlöndorff himself telling us in an interview that he considered his version his "biggest failure” it would have seemed that there was still room for the definitive, high-profile, straight-up adaptation. And on paper, that’s what Arnaud de Pallières’ Cannes competition entrant “Michael Kohlhaas” was meant to be -- just check out its impeccable line-up of European stars-with-major-arthouse-appeal: Mads Mikkelsen (last year’s Cannes Best Actor for “The Hunt”), Bruno Ganz (whose sclerotic Hitler in “Downfall” spawned its own remarkably resilient meme) and Denis Lavant (coming off his chameleonic performance in the critically worshipped “Holy Motors”).
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They couldn't throw any real money at Christian Bale to reprise the role for half a day? PS:
I expected to thoroughly enjoy this movie, because I like the genre , and Superman in particular...
This film will surely prove that Tarantino should of never made the type of slavery movie he did
The best superman movie ever
Except the Avengers did imply that someone got hurt in the battle in New York, as was shown in the
the best superman movie i watch so far
Wow, posting an anti Pixar article on a site full of Pixar fan boys? You are a braver man than me.
The #1 problem with Pixar? They're not Studio Ghibli.
We still on this? lmao. Mark Waid. I love the dude but he's incorrect. To everyone still
It's the second time you guys do this, Alberto Iglesias is not the composer on the movie,