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The Playlist

Simon Pegg And Nick Frost Planning New Film With Edgar Wright, Will Reprise 'Shaun Of The Dead' Roles On 'Phineas & Ferb'

  • By Kevin Jagernauth
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  • August 20, 2014 9:05 AM
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  • 0 Comments
Shaun Of The Dead
By the title alone, last year's "The World's End" indicated a finale, with the trio of Edgar Wright, Simon Pegg and Nick Frost putting their Three Flavours Cornetto trilogy to rest. But that hardly means the longtime friends are done working together: It appears that a new project is already developing.

Will Ferrell Will Produce 'Overnight,' Kevin Bacon Joins Johnny Depp's 'Black Mass' & More

  • By Kevin Jagernauth
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  • June 27, 2014 9:40 AM
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  • 0 Comments
Will Ferrell
Even though they lost, the United States soccer team is moving up to the next round at the World Cup, and Will Ferrell didn't even have to bite anyone. So now he can get back to the business of making movies, and the always-busy actor has yet another project brewing.

Exclusive: Rashida Jones Gives Nick Frost A Bowling Lesson In Clip From 'Cuban Fury'

  • By Kevin Jagernauth
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  • April 8, 2014 11:22 AM
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  • 0 Comments
Cuban Fury
How do you win over a girl that's seemingly out of your league? Find out what they like, be yourself and maybe, learn how to dance. All those elements come into the mix in the upcoming comedy "Cuban Fury" in which one man's romantic pursuit finds him flying across the dance floor.

Watch: U.S. Trailer & 2 Clips For Nick Frost Salsa Dance Comedy 'Cuban Fury'

  • By Kevin Jagernauth
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  • March 12, 2014 5:01 PM
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  • 0 Comments
Cuban Fury
The power of dance has been used throughout cinematic history to tell a variety of stories, and while "Cuban Fury" probably won't go down as any kind of classic, if it entertains you enough for 90-odd minutes, it has probably done its job.

Watch: First Clip & New Trailer For Dance Comedy 'Cuban Fury' Starring Nick Frost & Chris O'Dowd

  • By Ben Brock
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  • January 28, 2014 4:46 PM
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  • 1 Comment
Cuban Fury
People of The Playlist, I come to you from across the sea, from the land known as Britain, with a message of great importance. Listen carefully, for it is this: just because we British people make a cheap-ass comedy does not mean you need to think it is charming and off-beat. There is an equally good chance it is terrible and unoriginal. And lo, a case in point. Behold, the arrival on your shores of the trailer for “Cuban Fury,” which here in London has been sweatily salsa-humping my eyeballs on every cinema visit for the past two months.

Watch: Nick Frost Falls For Rashida Jones In Trailer For Salsa Dancing Comedy 'Cuban Fury'

  • By Kevin Jagernauth
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  • November 14, 2013 8:05 AM
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  • 1 Comment
What's one way to a woman's heart? Dancing, apparently. And that's pretty much the entire drive behind the upcoming British comedy "Cuban Fury," with the first trailer arriving this morning hoping that its moves are enough to make you interested to see this.

The Pub Crawl: 12 Movie Bars Worth Stopping By For A Drink

  • By Jessica Kiang
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  • August 23, 2013 12:40 PM
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  • 4 Comments
This weekend sees the U.S. opening of Edgar Wright's "The World's End," the concluding part of his "Cornetto Trilogy" of collaborations with Simon Pegg and Nick Frost. Aside from so brilliantly and lovingly referencing and sending up the genres they love (zombies in "Shaun of the Dead," buddy cop movies in "Hot Fuzz" and now apocalyptic sci-fi in "The World's End") one of the greatest pleasures these films afford is the very central place that alcohol, but pubs especially, play in all of the plots. In "The World's End" (you can read our interview with Wright here, including a play by play of the soundtrack) that booziness is brought to its natural conclusion as the film is set around a 12-establishment pub crawl that is mildly interrupted by the threatened Armageddon.

Exclusive Track By Track: Edgar Wright Discusses 'The World's End' Soundtrack & His Musical Choices

  • By Edward Davis
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  • August 22, 2013 4:52 PM
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  • 5 Comments
The World's End' set
With three films spanning just shy of 10 years, Edgar Wright's Cornetto Trilogy ends this weekend, but it ends with a bang. The director's third film in his loose trilogy — which always includes his pals Simon Pegg and Nick Frost — is "The World's End" — a sci-fi-ish pub crawl comedy with heart and mind that actually focuses on nostalgia for one's youth, the meaning of friendship and even the idea of how globalization can change what you once knew as home.

Interview: Edgar Wright Talks 'The World's End,' Completing The Cornetto Trilogy, 'Ant-Man' & Much More

  • By Drew Taylor
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  • August 21, 2013 1:44 PM
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  • 2 Comments
All good things must come to an end, and this weekend, the "Three Flavors Cornetto Trilogy" finally melts with the debut of apocalyptic robo-comedy "The World's End." Beginning with 2004's romantic zombie comedy "Shaun of the Dead" and continuing with 2007's buddy comedy send-up "Hot Fuzz," the loose trilogy and the films within are wild, visually stunning homages to very specific genres, all of them directed by Edgar Wright and starring Simon Pegg and Nick Frost. (Pegg also co-wrote all three.) Wright, Pegg and Frost all return for "The World's End," which dramatizes what happens when several childhood friends return to their hometown to find things are different. Like really different (minor plot spoilers ahead).

Review: Edgar Wright's 'The World's End' Starring Simon Pegg, Nick Frost, Martin Freeman & More

  • By Todd Gilchrist
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  • July 20, 2013 5:00 PM
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  • 36 Comments
As the completion of Edgar Wright, Simon Pegg and Nick Frost’s thus-far endlessly watchable Cornetto Trilogy, “The World’s End” is probably the funniest movie I’ve ever felt really disappointed by. Like “Shaun of the Dead” and “Hot Fuzz” before it, their collaboration once again produces some of the most genuine, earned, character-driven laughs in any modern comedy. And in many ways it evidences the trio’s individual and collective growth as performers and creators, employing what has become to their fans familiar techniques to communicate increasingly sophisticated ideas. But as a film whose central theme emphasizes the dangers of living in the past, Wright, Pegg and Frost become fatally distracted by nostalgia, eventually paying too much homage to previous classics—especially their own—to create another film that deserves to stand alongside them.

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