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The Playlist

'The Strain' Renewed For Season 2, Guillermo del Toro Working On 'Silent Hill' Video Game

  • By Kevin Jagernauth
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  • August 15, 2014 1:56 PM
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Pacific Rim. Guillermo del Toro
Even with "Pacific Rim 2" and "Crimson Peak" on the way, Guillermo del Toro is barreling ahead. As busy as he is with movies, the filmmaker has always been involved in other mediums, and this week brought updates on two non-film projects.

'Walking Dead' Star Norman Reedus Joins 'Triple Nine'; Joe Manganiello Heads To 'Tumbledown' & More

  • By Edward Davis
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  • March 31, 2014 5:37 PM
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  • 1 Comment
Norman Reedus,Walking Dead
John Hillcoat always nabs great casts. “Lawless” had Tom Hardy, Jessica Chastain, Gary Oldman, Guy Pearce, I’m Not Famous Anymore, and many others. And now Deadline reports that “Walking Dead” dirtbag Norman Reedus has joined the cast of his latest, the contemporary cop thriller “Triple Nine.” This spectacular cast already includes Casey Affleck, Chiwetel Ejiofor, Anthony Mackie, Woody Harrelson, Aaron Paul, Teresa Palmer, Kate Winslet and Gal Gadot. Damyo. Nick Cave will likely write the score again.

Rumor: Norman Reedus Sought For Part In 'The Crow,' Kristen Stewart Reportedly Ruled Out For Supporting Role

  • By Kevin Jagernauth
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  • November 22, 2013 11:06 AM
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Yes, "The Crow" reboot/remake/whatever is actually happening for real. This morning, Eric Draven himself, Luke Evans, hit Twitter to reveal, "First day of my Intense training for The Crow done!" And while he might be drinking power shakes and getting his abs into six pack shape, the rest of the movie around him has yet to be cast though it seems those wheels are turning.

Tribeca Review: ‘Sunlight Jr.’ Authentically Portrays The Underclass, But Spares Few Rays Of Hope

  • By Rodrigo Perez
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  • April 21, 2013 11:01 AM
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To orient you to a filmmaker who's been away for far too long: If Wes Anderson’s central preoccupation is tightly-controlled diorama-like compositions, Tim Burton’s obsession is dark, kooky misfits, and Sofia Coppola’s fixation is alienated teenagers soundtracked to exquisite pop songs, then Laurie Collyer’s main absorption is the forgotten underclass and their perils.

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