- By James Rocchi
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- March 11, 2012 9:40 PM
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- 4 Comments
There's a fine line between delicacy and fragility, between a gentle unfolding and a stubbornly slow series of revelations. That line is what keeps Nate Meyer's "See Girl Run," a midlife romantic drama, from succeeding as well as the great cinematography and talented cast would have you hope. Robin Tunney's marriage is foundering in familiarity in New York; Adam Scott's relationship and life are stalled and stuck in the town she left behind, even as he draws elegant and joyous frogs and caricatures. So she comes home, to see her parents and her brother, and he sees her. And remembers how much he used to love her. And she remembers, too. But love is not memory, and love is not hope.
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