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Edgar Wright & Simon Pegg Say 'World's End' Is "Social Sci-Fi" And About "Revolution"; Pegg Says Khan Is Not The Villain In 'Star Trek 2'

  • By Benjamin Wright
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  • May 30, 2012 11:23 AM
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  • 2 Comments
Word that “Scott Pilgrim vs. the World” filmmaker Edgar Wright would be reuniting with Simon Pegg and Nick Frost to complete their “Three Flavours Cornetto Trilogy” with “The World’s End” surprised many of us when the news arrived back at the beginning of May. All three creative minds have been very busy with a variety of projects since "Hot Fuzz," but with lensing set to begin in September, Wright and Pegg are beginning to tease out what fans can expect from their next collaboration.

Mark Duplass, Jennifer Aniston & Ben Kingsley Head To 'Convention,' Patrick Wilson & Christina Hendricks Lead Darren Aronofsky-Produced 'Zipper'

  • By Cain Rodriguez
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  • May 21, 2012 10:40 AM
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  • 0 Comments
Mark Duplass has had busy couple of years, directing and writing three films with his brother, and starring in a number of projects including the raunchy FX comedy, “The League,” and in the upcoming sci-fi tinged indie dramedy “Safety Not Guaranteed” with Aubrey Plaza. He’s following up that role with one in another indie film with a sci-fi element, “Convention,” and he’s going to be acting opposite some pretty big names.

Cornetto Trilogy Closer 'The World's End' Is Edgar Wright's Next Film, Shooting Starts In September

  • By Oliver Lyttelton
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  • May 9, 2012 7:03 PM
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  • 3 Comments
It's now nearly two years since "Scott Pilgrim Vs. The World," the firecracker kung-fu romantic comedy that became a critical and fan favorite, even if it never quite set the box-office alight. The film's still playing monthly at rep theaters like the New Beverley in L.A, an instant cult classic, but for nearly 24 months, there's been very little news as to what Wright might do next. He's not been out of the spotlight, thanks to his scripting of "The Adventures of Tintin" and executive producing of "Attack The Block" and "Sightseers," the latter of which will premiere at Cannes in the next couple of weeks. And there have been projects percolating: more writing work has happened on Marvel's "Ant-Man," and the mysterious "Baby Driver" is also on the dance card somewhere, while the director was snapped up by megastar Johnny Depp to direct a new film version of "The Night Stalker" a few months back.

Simon Pegg Confirms Reteam With Edgar Wright & Nick Frost Is Progressing; Second Draft Of 'The World's End' Complete

  • By Simon Dang
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  • April 26, 2012 9:25 AM
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  • 1 Comment
It's been a while since we've had an update about "The World's End," but serial tweeter Simon Pegg has now unveiled photographic evidence of a second draft of what will become the third collaboration between he, fellow actor Nick Frost and writer-director Edgar Wright.

Watch: Trailer For Simon Pegg's Stylized & Quirky 'A Fantastic Fear Of Everything'

  • By Kevin Jagernauth
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  • April 6, 2012 11:59 AM
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  • 5 Comments
Well, here's a movie we sort of forgot about entirely. First announced last summer, Simon Pegg signed on to star in "A Fantastic Fear of Everything," an ambitious, oddball tale being co-directed by an interesting pair: Chris Hopewell (who has helmed music videos for people like Radiohead, The Knife and The Killers) and by Crispian Mills (the front-man of Britpop also-rans Kula Shaker). Well, their result of the collaboration is now available for all to see, and certainly, it delivers in the visual department.

Simon Pegg Lines Up Guest Role On Frank Darabont's 'L.A. Noir' Pilot

  • By Simon Dang
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  • March 15, 2012 10:25 AM
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  • 0 Comments
Funnyman Simon Pegg will have to trade in his Starfleet uniform and phaser for a fedora and a gun as he's now set to join the pilot of Frank Darabont's gestating adaptation of John Buntin's epic saga "L.A. Noir: The Struggle For The Soul Of America's Most Seductive City" for the cable network TNT.

Nick Frost Says The Plan Is To Shoot 'The World's End' In 2012

  • By Benjamin Wright
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  • December 12, 2011 9:40 AM
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  • 0 Comments
It was 2004 that the trio consisting of actors Simon Pegg, Nick Frost, and director Edgar Wright gave audiences the innovative and highly entertaining zombie comedy “Shaun of the Dead.” While it helped to continue the spread of the zombie film renaissance led by Danny Boyle’s “28 Days Later,” it also helped foster the careers of three unique British talents. Pegg and Frost teamed up with Wright again in 2007 for “Hot Fuzz,” the second part of their unofficially titled "Three Flavours Cornetto" trilogy (a loving nod to Krzysztof Kieslowski), with the former actor going on to see his name in lights with turns in major blockbusters like J.J. Abrams’ “Star Trek" reboot and “Mission: Impossible 3” (and of course, the upcoming 'Ghost Protocol').

Watch: Simon Pegg & Jeremy Renner Show The Lighter Side Of 'Mission Impossible: Ghost Protocol' In New Clip

  • By Oliver Lyttelton
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  • November 22, 2011 9:40 AM
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  • 1 Comment

Review: Steven Spielberg's 'The Adventures Of Tintin' Is A Gloriously Enjoyable Mo-Cap Marvel

  • By Oliver Lyttelton
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  • October 24, 2011 4:05 AM
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  • 5 Comments
Across his 40 year career as Hollywood's most beloved filmmaker, Steven Spielberg has tried his hand at many different things -- the blockbuster thrill ride, the family film, the comedy, the war film, hardcore science-fiction, serious dramas and whatever it was that "The Terminal" was, a diverse range of pictures united by that certain Spielberg je-ne-sais-quoi. But there's something he's never tackled directly himself; the animated film. Sure, he's produced TV cartoons like "Animaniacs," and even the occasional big-screen one, like "An American Tail" and "We're Back," but for the most part, the Bearded One has always preferred live action to ink and pixels.

Review: Sorry, 'Burke & Hare' Is Simply Not The John Landis Comeback We Were Hoping For

  • By Drew Taylor
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  • September 11, 2011 10:00 AM
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  • 0 Comments
It seems like nowadays, especially in our gimme-gimme-gimme, now-now-now society of instant, hyperlinked gratification, that when a movie’s release is delayed or postponed, that it takes on a mystical dimension of importance and fascination. This leads to endless speculation about why the film hasn’t made its way to (domestic) theaters yet; what’s the reason behind the hold-up? In the in-between time, a new reputation for the film has already been forged, one based on tenuous material and (possibly) overseas reviews. In the case of John Landis’ “Burke & Hare,” which was released almost a year ago in England, the word was that the film was something of a return to form.

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