Click to Skip Ad
Closing in...
Watch: First Trailer For Gillian Flynn's 'Dark Places' Starring Charlize Theron, Chloë Moretz, And Nicholas Hoult Watch: First Trailer For Gillian Flynn's 'Dark Places' Starring Charlize Theron, Chloë Moretz, And Nicholas Hoult Review: Neill Blomkamp's 'Chappie,' Starring Die Antwoord, Dev Patel, Sigourney Weaver And Hugh Jackman Review: Neill Blomkamp's 'Chappie,' Starring Die Antwoord, Dev Patel, Sigourney Weaver And Hugh Jackman 'Chappie' Actor Admits There Was "Tension" On Set With Die Antwoord's Ninja; Check Out Two New Featurettes 'Chappie' Actor Admits There Was "Tension" On Set With Die Antwoord's Ninja; Check Out Two New Featurettes Premature Oscar Predictions: The 2016 Best Actor Contenders Premature Oscar Predictions: The 2016 Best Actor Contenders 2015 Tribeca Film Festival Line-Up Announced: James Franco’s ‘Adderall Diaries,’ Olivia Wilde In ‘Meadowland’ & More 2015 Tribeca Film Festival Line-Up Announced: James Franco’s ‘Adderall Diaries,’ Olivia Wilde In ‘Meadowland’ & More First Look: Joseph Gordon-Levitt As Edward Snowden In Oliver Stone's 'Snowden' First Look: Joseph Gordon-Levitt As Edward Snowden In Oliver Stone's 'Snowden' Drew Goddard To Write And Direct Sony & Marvel's 'The Spectacular Spider-Man'; 'Sinister Six' Scrapped Drew Goddard To Write And Direct Sony & Marvel's 'The Spectacular Spider-Man'; 'Sinister Six' Scrapped Premature Oscar Predictions: The 2016 Best Picture Contenders Premature Oscar Predictions: The 2016 Best Picture Contenders Watch: Original Short Film Version Of 'Whiplash' Starring Oscar Winner J.K. Simmons Watch: Original Short Film Version Of 'Whiplash' Starring Oscar Winner J.K. Simmons Watch: Nifty Video Examines David Fincher’s Subtle Repetition Of Framing And Blocking In 'Gone Girl' Watch: Nifty Video Examines David Fincher’s Subtle Repetition Of Framing And Blocking In 'Gone Girl' Sigourney Weaver Says She'll Be Playing A New Character In The 'Avatar' Sequels Sigourney Weaver Says She'll Be Playing A New Character In The 'Avatar' Sequels Kristen Stewart Joins Kelly Reichardt’s Untitled Montana Drama With Michelle Williams & More Kristen Stewart Joins Kelly Reichardt’s Untitled Montana Drama With Michelle Williams & More 'Prisoners' & 'Enemy' Director Denis Villeneuve To Helm 'Blade Runner' Sequel, Harrison Ford Confirmed To Return 'Prisoners' & 'Enemy' Director Denis Villeneuve To Helm 'Blade Runner' Sequel, Harrison Ford Confirmed To Return The 50 Best Films Of The Decade So Far The 50 Best Films Of The Decade So Far "I F*cked It Up": Neill Blomkamp Says He Wants To Go Back To 'Elysium' And "Do It Correctly" "I F*cked It Up": Neill Blomkamp Says He Wants To Go Back To 'Elysium' And "Do It Correctly" The 25 Best Films Of 2015 We've Already Seen The 25 Best Films Of 2015 We've Already Seen Best Of 2014: The 15 Best Movie Soundtracks Of 2014 Best Of 2014: The 15 Best Movie Soundtracks Of 2014 The 25 Best Horror Films Of The 21st Century So Far The 25 Best Horror Films Of The 21st Century So Far The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season From Worst To Best: Ranking The Films Of Hayao Miyazaki From Worst To Best: Ranking The Films Of Hayao Miyazaki

Interview: Ben Wheatley Talks The Dark, Twisted & Hilarious 'Sightseers,' Says 'Freakshift' Is Next & Casting Soon

The Playlist By Jordan Hoffman | The Playlist May 8, 2013 at 3:57PM

After a very successful run on the festival circuit Ben Wheatley's dark and somewhat ghastly comedy “Sightseers” is finally making itself available to theater-goers in hip cities and VODers across the country. It is, in my opinion, the most assured work from the British director of “Kill List” and “Down Terrace”, a very funny vacation-comedy about pair of social misfits/lovebirds visiting mundane historical sites and leaving a trail of corpses in their wake. Written by its co-stars Alice Lowe, Steve Oram and Wheatley's frequent collaborator (and wife) Amy Jump, “Sightseers” also boasts an executive producer stamp from Edgar Wright.
1
Sightseers


I see this production like a big road trip, shooting in sequence.
Yeah, it was all chronological order, real locations. There was a plan to stay in caravans with the crew, but the convoy would have been somewhat expensive. But it did have a family outing feeling to it.

Were there dark comedies you were shooting for, tonally? To have your movie sit alongside on the shelf, so to speak?
I try not to think that. I think Alice and Steve [Oram] may have watched certain things beforehand. Laurie Rose, the DP, and I watched “Grey Gardens” beforehand. Which we did before “Kill List," too. That documentary feeling, plus the family tied to each other that don't really like each other. The Maysles documentaries, I watch quite a lot. In terms of “couples on the run murdering people” movies, not sure there's much that's very helpful.

Can you talk a bit about using “Tainted Love” in the opening credits?
Edgar Wright is our executive producer, and he'd seen an early cut. We had all this German prog rock in there but not much else. I come from a low budget background so it scares me to think about music licensing. But Edgar said, “Don't be afraid to use pop music.” So I just went back to my iPod asking what do I love? I didn't want to use something too ironic. I've loved that song since I was a kid, so I was surprised we could get it.

Was that the most expensive thing in the movie?
[Laughs] Actually the original version of “Tainted Love” was more expensive in the end, not sure why. It was affordable in our budget, but it's great because it has such cultural resonance.

There isn't as much violence in this as in your other films, but there are one or two moments when it really goes all out. Did you ever consider trimming some of those images just a little, for a wider audience?
Yeah, but what are you saying if you do that? The whole message of the film is gone, and you go down a rocky road if you think like that. You wonder, “What if I just took those jokes out?” You start thinking about an audience of four old ladies who want something nice and quiet. You end up with a movie about caravaning and that's it? Looking at hills and saying, “That's lovely, innit it?”

If you soft-pedal on violence, then I think you advocate it. Which is counter-intuitive, I know. If you make a movie with violence in it, but you don't show the violence being horrible, then you are kind've being disingenuous about the whole thing. No one can accuse me of advocating it or making bloody murder look anything other than horrible.

Sightseers
No, absolutely not, but it is weird because you love these characters. It makes you uneasy because these people are terrible.
Yes, it should make you uneasy because you are tacit in it, you are agreeing with it. You think they're okay and all right. And it isn't all right, murdering people.

Let's talk about the future a bit because there's a lot on your plate and, you know, for guys like me who get confused easily it can be confusing.You've got something called “A Field In England” which I hear is done, and, unless I'm mistaken, is a period piece about deserting soldiers during the British Civil War who end up in a poppy field and go on a giant acid trip for two hours. Have I got that correct at all?
[Laughs.] Um, elements of that are right. It's about the English Civil War and soldiers that escape a battle and end up taking magic mushrooms. But, taking acid in a poppy field is [laughs] a bit of a defeat of logic for all involved.

And it's low budget, black & white and experimental?
Yeah, and we're very happy with it. Can't wait to unleash it. I couldn't say [which festivals if any], but we'll show it at European festivals and a cinema release in the U.K. in July. 
Something else in the works without much info, something called “Two For Hell.” Can you talk about this?
It's a crime film, British crime script. But that's long lead. I've been writing that on and off for the past year. What we tend to do is write something for immediate production, then we have something of a spare – a throwdown script – then the one for next year, and year after, that's why there's so many floating around. The next big one is ”Freakshift” which has a bigger budget. We're casting that one right now. We're trying to lock the casting and then get greenlit and it will go, we're confident about it. Imagine “Hill Street Blues versus monsters.

I would imagine that after “Kill List” you were invited to lunch by the Hollywood studios. Would you ever consider a director for hire gig?
Never say never. I shoot TV and I make ads, so I'm not some hardcore indie filmmaker.

With the superhero craze, is there one that if you were offered you'd say “That's my guy!” They've all been done, haven't they now?

Well, they've all been done, and now they are all being re-done.
Re-done, yeah, yeah, you're right. My favorites were Frank Miller's run on “Daredevil” and “The Dark Knight Returns” and then “Watchmen”, which has all been subsumed into popular culture. There's stuff round the edges, though. I read comics still however, from all time periods. And I stay pretty current. One I'm reading now, it's an older one, is “Abslom Daak: Dalek Killer

Oh, “Doctor Who!”
Yeah, it's from late 1970s/early 1980s. It's very good, but it's all tied up with “Doctor Who” so that'll never happen. Eh, who knows?

Summer movies are here – anything you are excited to see?
The new “Star Trek” to be sure. The first one was the best summer blockbuster I've seen in years. I'm very excited for it. And “Pacific Rim” although I can't say the title without giggling. What were they thinking with that?

I mean, I know that they have the “Pacific Rim Games,” which is a big thing for the Navy.
I bet! I'm sure it is! [Laughs]

“Sightseers” opens in theaters on May 10 and is available on VOD May 13.

This article is related to: Sightseers, Ben Wheatley, Freakshift, Two For Hell, Interviews, Interviews


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.


Check out Indiewire on LockerDome on LockerDome

E-Mail Updates