By Oliver Lyttelton | www.oliverlyttelton.com November 15, 2012 at 11:01AM
Condon's background -- including Oscar wins and nominations for penning "Gods & Monsters" and "Chicago" -- is slightly different from the franchise's previous directors, and he's been careful about not making his two films take themselves too seriously. "There's a clip in the first movie of 'Bride of Frankenstein,' " he tells Crave, "one of my favorite movies and maybe my favorite horror movie. I think that’s a terrifying movie but it also has a sense of humor. It has a wit about it and it did feel to me, in this movie, whether we accomplished this or not, an ideal version. It’s embodied by what Michael Sheen does on the field when he meets Renesmee. He lets out this cackle. That’s my favorite moment in the movie. It’s funny but it’s creepy. I don’t think Twilight should be approached like Batman. Because it is an invented kind of world, especially this one, I think it’s got to be done with a sense of enjoyment to it I guess more than anything. So I never thought of anything as making fun of it, but kind of reveling in the melodrama of it. It’s a melodrama. It’s a romantic melodrama. It’s not the kind of movies that get made much anymore but it was an honored style in classical traditional Hollywood filmmaking. So maybe the fact of that, plus not shying away from it in any way in the design and the way the music works, the sort of full on emotional feeling that maybe people sort of connect that to camp in some ways."
6. Robert Pattinson always felt frustration with playing Edward.
More than any other cast member, Robert Pattinson has been a little ambivalent about the franchise from the start, particularly given his increasing reputation as a serious actor. And the star admitted at the press conference that he'd had his difficulties with playing Edward over the last five years, in part because of the weight of expectations on his shoulder. "I still had the same frustration with trying to play it, the entire way through, right up until the last shot. It’s a strange part because, on one hand, a lot of the audience projects their idea of Edward onto him. It doesn’t matter what he is. They want him to be a certain way, " he explained. "And then, my instincts to try to play it were to try to find the fallibility in him and the weaknesses. You’re trying to play both these things at the same time and it becomes very strange. You’re trying to play someone who’s seen by a lot of people as this perfect thing, but what is that? That doesn’t mean anything. So, you’re trying to play an archetype on one hand and a character on the other, so I felt insanely frustrated, right up until the last shot, and then it ended. "
One of the more entertaining elements of the films so far has been the great Michael Sheen, who plays Aro, the head of the Volturi. Twihards and non-Twihards alike welcomed the idea when he appeared in "New Moon," but there was one person who raised their objection -- Sheen's own daughter. The Welsh actor explained at the press conference: "When I first told her that I was going to be playing Aro, she said, 'But, Aro’s bald. Completely bald.' And I said, 'Oh, I see.' Everyone gets their own idea of a character. I thought she was going to be really excited, when I said that I was going to be [Aro], but in fact, she was really annoyed. It was her thing. She was eight, at the time, and if someone had come along when you were eight years old and said, 'I’m going to take this thing that is really special to you and that you think is yours, and it’s going to be mine,' you would be upset, too. I slightly underestimated the effect on her. But, she got very excited. For the really big fans of the books, nothing can be what you imagine in your head. So, even though I wasn’t a bald Aro, hopefully, she still liked it."
8. Bill Condon spent a whole day blocking the final action sequence
The "Twilight" films so far haven't exactly been stacked with action, but the climax of 'Breaking Dawn Pt. 2,' things go out with a bang, with a a huge snowbound battle where the Cullens and their allies square off against the Volturi. It's a scene that's so complex that Bill Condon had to spend a whole day on set without shooting any film just to work it out. "The big scene at the end which basically has over 100 vampires when you count the ones on the Volturi side," the director told Crave, "I did something that was kind of unusual on a movie set which is that we didn’t shoot one day. When we started that sequence, we just had all the actors come in, no makeup, start in the morning and rehearse it like a play, starting with them moving forward." It's also an unusual kind of scene, he adds, because it's all done with bare hands. "Tell me a battle that doesn’t have weapons. There are very few battles that don’t have horses and flags. There’s a very unique set of challenges here because vampires, you can’t puncture their skin. You can’t kill them. The only thing you can do is rip their heads off, so that became its own thing to figure out. How do you do that 20 times across the scene?"
That big action scene was shot over a period of weeks, on a green-screen stage, and it wasn't exactly what Michael Sheen was expecting, as he told the press conference. "When we were doing the costume design, I’ve learned from experience that, if you’re going to be somewhere cold and doing a lot of night shoots, you should have a warm costume. I made sure that my costume was layers and layers with a cloak and really heavy things," he said. "Then, of course, I turned up on day one, and we were in a studio. It was all CG with green screen. I was boiling, for weeks and weeks and weeks."
Like all action filmmaking, it was slow going, but as Sheen says, the cast had a little fun with it. "Towards the last day of the battle scene – and I think it might exist on the DVD – there was this huge dance that happened, where the Cullens had choreographed a dance. So, as they said, 'Action!,' they suddenly went into this choreographed dance routine to 'Sweet Dreams (Are Made of This).' It was fantastic! That broke the boredom, for once."
10. Bill Condon sees the film as a fairy tale, and the final scene reflects that
There's been some intrigue about the final scene of the film, which has been rumored for some time to depart from the books. Condon isn't giving anything away, but says that the scene ultimately reflects his vision of the story as, essentially, a fairy tale, telling Crave: "I don’t want to talk about what it is specifically, but I thought it was important to acknowledge the fact that this is a fairy tale and it came from something that first entered the world on the page, through books. It was a book that mattered to so many people and it’s a specific type of writing, young adult fiction and that’s what’s sort of been brought to life. So I won’t say how but it’s sort of bringing it back to the source."