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James Murphy & 'Shut Up And Play The Hits' Filmmakers Say Full 4 Hour Madison Square Concert Will See The Light Of Day

  • By Oliver Lyttelton
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  • January 26, 2012 12:01 PM
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  • 1 Comment
We can't remember the last time a concert movie caused quite as much excitement as "Shut Up And Play The Hits." But given that the film is a document of the final gig of James Murphy's LCD Soundsystem, one of the most acclaimed bands of the last decade, it's easy to understand. Despite reaching a point where they were more successful than ever before, the dance-punk-glam-rock group, Murphy decided to call it a day while still on top, breaking up the band after two sold-out gigs at Madison Square Garden last April.

Sundance: Clarke Peters & Nate Parker And Writer James McBride, Talk Race & Religion In Spike Lee's 'Red Hook Summer'

  • By Oliver Lyttelton
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  • January 25, 2012 6:11 PM
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  • 1 Comment
Whatever you thought of his last film, " Miracle At St. Anna" (and we'd argue that it's better than its reputation suggests), most would agree that three-and-a-half years is too long between Spike Lee feature films (though his excellent documentaries have been a good placeholder). One of our most vital filmmakers, behind classics from "Do The Right Thing" to "25th Hour," he delivers work that is always thought-provoking and fiery. And he's not mellowed in his absence; when his latest film, the self-financed "Red Hook Summer," premiered on Sunday night at Sundance, it instantly became one of the controversial, divisive films of the festival, with some calling it a real return to form, and some calling it among his weakest, scrappiest efforts.

So Yong Kim Discusses Her Collaboration With Paul Dano & Battling The Freezing Winter In 'For Ellen'

  • By Oliver Lyttelton
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  • January 25, 2012 4:00 PM
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  • 1 Comment
Thanks to her previous films "In Between Days" and "Treeless Mountain," and a none-more-indie cast featuring Paul Dano and Jena Malone, So Yong Kim's latest "For Ellen" had to be one of the most anticipated films of Sundance, at least in certain circles.

Sundance: Mary Elizabeth Winstead On Playing An Alcoholic In 'Smashed' And Working With Roman Coppola & Charlie Sheen

  • By Oliver Lyttelton
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  • January 25, 2012 1:04 PM
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  • 0 Comments
Every year, Sundance provides a massive career boost to a handful of people. Sometimes it's a total newcomer -- think of Carey Mulligan, or Elizabeth Olsen in recent years -- who suddenly find themselves on every casting wishlist around.

'Man On A Ledge' Star Anthony Mackie Was "Excited Beyond Belief" To Play Jimi Hendrix In Paul Greengrass' Aborted Biopic

  • By Todd Gilchrist
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  • January 24, 2012 6:17 PM
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  • 0 Comments
Seeing the name Anthony Mackie in the opening credits is fast becoming a reassuring sign. Not necessarily of the quality of a movie -- we can't say we adored "Real Steel" or "What's Your Number," exactly -- but an indication that at least one good performance will take place over the course of the running time.

Steven Soderbergh: The Complete Playlist Interview

  • By Rodrigo Perez
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  • January 22, 2012 10:56 AM
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  • 6 Comments
Anyone who's heard him at a Q&A, been present for one of his lectures, or even listened to a commentary knows one thing about Steven Soderbergh; he's a great conversationalist. Some filmmakers can barely talk about their own work, but a discussion with Soderbergh won't just involve him talking candidly about his own process and films, but also anything that happens to come up.

Wim Wenders Talks Dance Documentary 'Pina' & Says Filmmakers Still Have To Crack The Code Of Using 3D Inventively

  • By Todd Gilchrist
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  • January 18, 2012 6:00 PM
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  • 2 Comments
Prior to six or seven months ago, it was arguably easy to dismiss 3D as a passing fad used by money-hungry studios to beef up box office returns without adding anything to the movie-going experience except crossed eyes and migraines. But after Martin Scorsese, Steven Spielberg, and even Werner Herzog offered superlative films in three dimensions, the industry proved that great, proven artists could create great works using the format. Even so, it still sounds odd to hear a filmmaker like German auteur Wim Wenders defend technology as he discusses his latest film, the 3D creative dance documentary “Pina.”

"The World & The Industry Will Move On": Steven Soderbergh On His Retirement, 'Magic Mike' & 'Side Effects'

  • By The Playlist
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  • January 18, 2012 12:20 PM
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  • 6 Comments
For the last couple of years, Steven Soderbergh, one of the most acclaimed filmmakers of the last few decades, started to talk about retirement. Initially dismissed as a joke, the ambiguity played up by the director, it's become increasingly clear that Soderbergh is serious about the proposition.

'I Can't Imagine Doing Another Action Movie:' Steven Soderbergh Discusses The Fights, Music & Influences Of 'Haywire'

  • By The Playlist
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  • January 17, 2012 2:03 PM
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  • 4 Comments
Steven Soderbergh has tried his hand in many things over the years including a relationship drama, coming-of-age tales, crime capers, retro post-war noir, Spanish-language epics, and most recently, a disaster movie. But one thing he'd never really taken on before? The action movie. There had been some slick set pieces in the "Ocean's Eleven" trilogy, but nothing else that really qualifies. Until now, that is. Friday sees the release of "Haywire," the director's first full-on actioner, and the first of four films set to be released ahead of his hiatus from filmmaking.

Michael Fassbender Talks The Appeal Of Steven Soderbergh & Being Taught To Fight By Gina Carano In 'Haywire'

  • By The Playlist
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  • January 17, 2012 1:05 PM
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  • 2 Comments
After a hectic 2011, one that saw the actor appear in no fewer than four high-profile films (winning him our Man of the Year accolade), Michael Fassbender is calming things down a bit for 2012. Sure, he'll likely be highly visible in the coming months, thanks to a possible Oscar nomination for his work in "Shame" coming next week, but the actor actually hasn't shot a film since last July, and will only have two films hitting theaters in 2012.

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