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The Playlist

10 Highlights Of The BFI London Film Festival Line-Up

  • By Oliver Lyttelton
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  • October 4, 2012 11:00 AM
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  • 1 Comment
The early months of fall are pretty much stacked with film festivals. From the end of August, when Venice and Telluride kick off the season, to the prestigious and star-studded selections at Toronto and New York in September and October, to the increasingly important AFI and Rome film festivals, globe-trotting cinephiles could happily go back to back from the late summer pretty much up to Christmas hopping from one festival to another.

Podcast: The Playlist Talks Highlights From TIFF, Telluride And NYFF; Plus Armond White: Genuine Contrarian Or Provocateur?

  • By Erik McClanahan
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  • October 3, 2012 6:14 PM
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  • 12 Comments
We've decided to double down this week on podcasts to make up for lost chats. Our slate for this week’s show is as follows: a round-up of festival reports from Toronto, Telluride and the beginning of New York Film Festival. Later in the episode, we discuss contrarian film critic Armond White regarding two pieces he recently wrote: one, called "The Battle of The Andersons," in which he claims Paul W.S Anderson is a better filmmaker than Paul Thomas Anderson. And the other, "The Whip and the Fedora," in which he posits "Indiana Jones and the Kingdom of the Crystal Skulls" is better than "Raiders of the Lost Ark."

Sound The Death Knell (Again): A Brief History Of The Death Of Cinema

  • By Oliver Lyttelton
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  • October 2, 2012 12:00 PM
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  • 23 Comments
In case you hadn't heard, movies are a dead, or at least dying, artform. In the last few weeks, three high-profile critics -- David Denby and David Thomson in the New Republic, and Andrew O'Hehir at Salon -- have all taken the pulse of cinema, and called a time of death. All acknowledge that good films are still being made. But all agree, for the most part, that mainstream cinema has never been in worse health, blaming everything from special effects-packed blockbusters, to television, to things just being better in the old days, for its problems. Some are more hopeful than others, but all are deeply pessimistic about the form.
More: Features

The 10 Best Films To See In October

  • By Oliver Lyttelton
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  • October 1, 2012 3:00 PM
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  • 4 Comments
After an unusually rewarding September, that featured critical and audience favorites like "The Master," "Looper," "End Of Watch," "Dredd," "The Perks Of Being a Wallflower" and "Arbitrage," October has arrived, but things aren't letting up. Sure, the box office is likely to be dominated by Liam Neeson cracking heads in "Taken 2," but there's plenty more to see when you look a little further afield. Below, you'll find ten of the best options over the coming month. Let us know what you're looking forward to most in the comments section.

Podcast: The Playlist Talks 'The Master' & 'Looper'

  • By Erik McClanahan
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  • October 1, 2012 10:59 AM
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  • 8 Comments
The podcast returns this week after a long absence. We apologize for the lack of shows, but obviously we've been hella busy. This week, host Erik McClanahan is joined by regular guests Kevin Jagernauth and Rodrigo Perez for reviews of two films from American writer/directors garnering a ton of attention at the moment: "The Master" from Paul Thomas Anderson, and the latest from Rian Johnson, "Looper." 

The 16 Best Movies About Time Travel

  • By The Playlist Staff
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  • September 28, 2012 1:58 PM
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  • 20 Comments
Who hasn't wanted to go back and fix past mistakes? Or travel forward and see what's in store for you and for the world? It's for these reasons that time travel has remained such a popular plot device, from H.G. Wells' "The Time Machine" to the long-running TV show "Doctor Who" to this week's "Looper," the wildly acclaimed sci-fi action-thriller from "Brick" director Rian Johnson, starring Joseph Gordon-Levitt, Bruce Willis and Emily Blunt.

Exclusive: Joe Dante Reveals The 4 Films That Influenced 'The Hole'

  • By Benjamin Wright
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  • September 28, 2012 11:59 AM
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  • 2 Comments
Time has most certainly been kind to filmmaker Joe Dante, best known for his “Gremlins” films (the first of which celebrated its 28th anniversary in June), as the filmmaker’s work from his early days with gonzo producer Roger Corman to later fare like the 1998 action blockbuster “Small Soldiers" continue to be watched and beloved years after the fact. While he’s remained busy working on acclaimed episodes of genre favorite “Masters of Horrors,” or dipping his feet into network fare with CBS’ “Hawaii Five-0,” it’s his first feature since 2003’s “Looney Tunes: Back In Action” that has folks talking about Dante and the movies once again.

5 Things You Might Not Know About 'The Princess Bride' On Its 25th Anniversary

  • By Oliver Lyttelton
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  • September 25, 2012 12:01 PM
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  • 2 Comments
The bargain bins of the world are littered with attempts to make films for the whole family. Making something that will please young kids, grandparents, and everyone in between (a four-quadrant hit, as studio types call it) is a tough nut to crack. But one of the most enduring family favorites of the last few decades is one that, against the odds, managed to thrill audiences, make them laugh, and make them swoon: Rob Reiner's "The Princess Bride."

5 Great Genre Remakes & 5 Terrible Ones

  • By The Playlist Staff
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  • September 21, 2012 1:06 PM
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  • 14 Comments
Is this week's "Dredd 3D" a remake? It's a murky question. It's not the first time the popular 2000AD comics supercop has made it to the screen, with a less faithful, famously terrible Sylvester Stallone dropping into cinemas in 1995. Some would argue that it's merely the second adaptation of one piece of source material. But given the proliferation of adaptations, we'd argue that it does indeed qualify as a remake.
More: Features, Dredd

The Essentials: 5 Great Films Based On Stephen King Novels

  • By Oliver Lyttelton
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  • September 21, 2012 10:55 AM
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  • 33 Comments
Stephen King is, all of a sudden, a hot property again. One of the major forces in popular literature of the past forty-odd years, it's been a few years since the last major King adaptation, but a wealth of projects from the director are on their way in the next few years.

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