The Playlist

Cannes 2012: Will 'The Master,' Terrence Malick's New Film, James Gray's Latest & More Actually Premiere?

  • By Kevin Jagernauth
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  • February 20, 2012 12:02 PM
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  • 21 Comments
By this time last year, we already knew that Woody Allen’s “Midnight In Paris” would be opening the Cannes Film Festival, but as March looms closer, there still has been no word yet from organizers which film will kick off the festivities. Yet, that hasn’t stopped conjecture and suppostion as Cineuropa recently penned a speculatory long list of films they they guessing could be heading to Cannes (which includes iffy bets like Terrence Malick's next movie, Paul Thomas Anderson's "The Master" and more). These lists are fun and all, they get the cinephiles' anticipation juices going (see one example here), but the reality of the matter is there is a element of wish fulfillment to all of them and less than half the films generally posted in these pieces actually end up appearing at the Croisette. Still, using that piece as a jumping off point, we decided to dig a bit deeper to sort out which movies are near certain locks, which are possibilities and those that aren’t going to make it all.

'Submarine' Star Craig Roberts Talks Berlin Pic 'Comes A Bright Day' & New Projects With Derick Martini & Cillian Murphy

  • By Jessica Kiang
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  • February 20, 2012 9:56 AM
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  • 2 Comments
One of the more impressive screen debuts of last year came from 21-year-old Welsh actor Craig Roberts. A British children's TV veteran (he was the star of "The Story Of Tracy Beaker" and "Young Dracula" among others), Roberts broke out as the pretentious, deluded hero of Richard Ayoade's charming "Submarine," coming across as equal parts Dustin Hoffman, Bud Cort and John Gordon Sinclair (from "Gregory's Girl"), and it seemed to mark the birth of a star.

The Amazing Race: Does Box Office Still Matter To The Oscars, And Do The Oscars Still Matter To Box Office?

  • By Oliver Lyttelton
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  • February 17, 2012 3:31 PM
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  • 5 Comments
Let's be honest, the are about money. Not entirely about money: there's also the potential for executives and directors to win bragging rights over the colleagues. And there's a degree of back-patting celebration of the industry in there as well. But if the studios didn't think they could wring a few extra dimes from their product by giving them awards, there's no way that the Oscars would have the massive place in film culture that they maintain.

Brillante Mendoza Discusses Working With Isabelle Huppert On 'Captive' & His Smaller-Scale, Manila-Set Next Project

  • By Jessica Kiang
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  • February 17, 2012 1:34 PM
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  • 1 Comment
Brillante Mendoza has a killer work ethic: the Filipino director made nine films between 2005's "Masahista" and 2009's "Lola," the latter of which, along with Cannes in-competition entry "Kinatay" the same year, really launched him into the major leagues of international helmers. He's taken an uncharacteristic two-and-a-half year break, but returned this week at the Berlin Film Festival with "Captive," a gripping, Herzogian drama that should see him reach his widest audience yet, thanks to the presence of international star Isabelle Huppert.

Guy Maddin On The "Sweet Sadness" Of 'Keyhole' & His Love For 'Mission: Impossible - Ghost Protocol'

  • By Jessica Kiang
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  • February 17, 2012 10:57 AM
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  • 0 Comments
You could forgive Guy Maddin for feeling a little put out at the moment. The Canadian filmmaker has, for nearly 25 years, been faithfully paying homage to the early days of cinema with films like "Archangel," "Twilight of the Ice Nymphs" and "The Saddest Music In The World" to little commercial success, only to see "The Artist" become an awards-laden phenomenon this year. But actually (as we'll see) Maddin hasn't been paying much attention. Instead, he's been focused on his latest film, the gangster memory tale, "Keyhole," with Jason Patric, Isabella Rossellini and Udo Kier, among others.

"For Me, There Was No Character": Isabelle Huppert Discusses The Making Of Brillante Mendoza's 'Captive'

  • By Jessica Kiang
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  • February 16, 2012 2:06 PM
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  • 1 Comment
Few actresses are quite as fearless as Isabelle Huppert. She's been a near-legend for going on forty years, but has never taken a paycheck job, preferring to seek out challenging work with some of international cinema's most uncompromising auteurs. And that's embodied neatly in "Captive," her collaboration with Filipino filmmaker Brillante Mendoza, which just premiered at the Berlin Film Festival.

In Memory Of 'Paradise Lost': 10 Lost Projects We'd Like To See Resurrected

  • By Oliver Lyttelton
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  • February 16, 2012 1:00 PM
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  • 7 Comments
Right now, studios seem to like cancelling movies more than they like making them. After a year in which the box office took a hit, and general economic problems continued, plugs were pulled on films from "At The Mountains Of Madness" and "The Dark Tower" to "Akira" and "Arthur and Lancelot." Only last week, Alex Proyas' Bradley Cooper-starring adaptation of "Paradise Lost," having already been pushed back in an attempt to bring the budget down, was canceled altogether by Legendary Pictures.

Over-Attached: What Projects Will Guillermo Del Toro, Ridley Scott, Michael Mann & Martin Scorsese Actually Make?

  • By Oliver Lyttelton
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  • February 16, 2012 11:58 AM
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  • 6 Comments
It is very very hard to get a movie made. Even if you're at the top of the tree, anything can happen -- think of even AAA-lister Steven Spielberg, who couldn't get "Harvey" off the ground a few years back. So as such, the best thing a director can do is have several projects on the go, so that if one hits a snag, there's something else that could be ready to go.

As Whit Stillman Returns, Here's 5 Other Long-Absent Directors Making A Comeback In 2012

  • By Oliver Lyttelton
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  • February 14, 2012 3:53 PM
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  • 11 Comments
Late last night, the trailer for Whit Stillman's "Damsels In Distress" debuted, and for those who didn't catch it on the festival circuit last year, it was the first time they'd seen any new footage from the "Metropolitan" and "Barcelona" helmer in over a decade. By the time that 'Damsels' is released, nearly fourteen years will have passed since the release of Stillman's third film, "The Last Days Of Disco," a near-Malickian absence. While he's been absent for longer than most, he's far from alone. As we've discussed both last year, and last week, there's plenty of other filmmakers who have been missing in action for some time.

Gary Oldman Discusses 'Tinker Tailor,' 'The Dark Knight Rises' & 'Harry Potter' In A Career-Spanning Conversation At Lincoln Center

  • By Cory Everett
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  • February 13, 2012 9:56 AM
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  • 5 Comments
One of the most esteemed actors of his generation, it’s truly a blunder for the Academy that until this year Gary Oldman had never even been nominated for an Oscar. During his 30 year career he’s shown extraordinary range, playing real life figures like Sid Vicious, Lee Harvey Oswald and Ludwig van Beethoven, literary icons like Rosencrantz, Dracula, Sirius Black, Lt. Jim Gordon and George Smiley and indelible cinematic creations like Drexl Spivey,  Stansfield and Jean-Baptiste Emanuel Zorg. He’s appeared in supporting parts and leading roles, indies and blockbuster franchises, he’s even stepped behind the camera to write and direct 1997’s “Nil By Mouth,” and has been kicking around a project for over a decade about a sex addict which he still hopes to get off the ground. It really seems as though there is not anything Oldman isn’t capable of.

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