The Playlist

Max Von Sydow Talks Ingmar Bergman, Woody Allen & Playing Jesus At The TCM Classic Film Festival

  • By Diana Drumm
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  • May 7, 2013 7:29 PM
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At this year’s TCM Classic Film Festival, we had the chance to sit in on a few conversations with the legendary Max von Sydow. As part of the festival’s tribute to the actor, TCM screened two excellent von Sydow films – the existential and cinephile must-see “The Seventh Seal” and the 1970s spy thriller “Three Days of the Condor (both featured in our The Essentials: 5 Great Max von Sydow Performances). During the introductions to these films, the Swedish actor discussed his career, the directors he had worked with and what’s next on his plate with TCM hosts Ben Mankiewicz and Robert Osborne, respectively.

The Best And Brightest Of The 2013 Tribeca Film Festival

  • By The Playlist Staff
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  • April 29, 2013 2:17 PM
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  • 3 Comments
The Best And Brightest Of The Tribeca Film Festival 2013
And so we’ve reached the end of the Tribeca Film Festival. Known for its wide-ranging selection of films from all over the globe, they truly outdid themselves this year with a slate of diverse, boundary-pushing films that suggested that, outside of the most prestigious fests like New York, Cannes and Sundance, independent cinema was alive and well, flourishing in the fest’s eleventh year. We profiled twenty films at the start of the fest that might be worth discussion, and a number of those spotlight films didn't disappoint. But the excitement of the Tribeca Film Festival is that there's often greatness emerging from where you least expect it.

The Surprises & Notable Absences Of The 2013 Cannes Line-Up

  • By The Playlist Staff
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  • April 18, 2013 11:28 AM
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  • 10 Comments
So the 2013 Cannes lineup has finally been unveiled and as usual, there were a fair few surprise inclusions, a fair few snubby exclusions/category decisions, and some mildly oh!-inducing title changes. The majority of our firm predictions made it in (the Coens, Soderbergh, Farhadi, Sorrentino, Gray, Refn, Denis, Coppola among others) but sometimes into surprising sections, while a couple of films we had down as possibilities or longer shots paid off. So now that we know the lineup from G ('Gatsby' -- opening film) to Z ("Zulu" -- closing film) -- and it's a fairly U.S.-friendly list for Jury President Steven Spielberg to preside over -- lets dive right in and talk about the more eyebrow-raising moments from this morning's announcement.

SXSW: Selena Gomez Says 'Trash Humpers' Is Her Favorite Harmony Korine Movie & More From 'Spring Breakers' Panel

  • By Drew Taylor
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  • March 11, 2013 3:57 PM
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  • 3 Comments
In what was easily one of the most anticipated films of SXSW, based on the wildness factor alone, Harmony Korine's "Spring Breakers" wasn't so much unspooled as unleashed on audiences in Austin last night. And while reaction was swift as the credits rolled, and discussion will continue about where this candy colored movie will fit in the director's ouevre, as we made clear in our review from Venice, "a piece of pop art."

SXSW: Danny Boyle Gives A Sneak Peek Of 'Trance'; Talks His Career With David Carr & Underworld's Rick Smith

  • By Drew Taylor
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  • March 11, 2013 11:00 AM
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On Saturday morning at the South by Southwest Film Festival, a special retrospective of the works of chameleonic British film director Danny Boyle was presented. Moderated by craggy New York Times reporter David Carr, who spent a copious amount of time with Boyle during the extended Oscar campaign for "Slumdog Millionaire" (and remains an avid fan), the presentation also featured Rick Smith who, as one half of electronic music duo Underworld, has been working with Boyle since his landmark "Trainspotting" in 1996 and who, most recently, provided the score for Boyle's new psychedelic mind-bender "Trance," opening in April. (We've seen the movie but are under embargo, but suffice to say the filmmaker has scored once again.)

Interview: Emma Stone Talks Comedy, 'The Croods' And Cameron Crowe; Scores Off The Charts On Likability

  • By Jessica Kiang
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  • February 24, 2013 1:30 PM
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Having enjoyed pretty much the definition of a meteoric rise to fame, you could maybe forgive Emma Stone for having lost the run of herself. But just as her big-screen persona is usually based on being the approachable, down-to-earth, girl-next-door type, in person she demonstrates many of those qualities too, along with an absolute refusal to take herself too seriously. It made for an entertaining interview at the Berlin Film Festival following the premiere of her animated film “The Croods” (our review here). And if some members of our small press group were not just eating out of her hand, but apparently longing to curl up in her lap and go to sleep there by the end of our time with her, in between the various "Why are you so awesome?"-style questions, Stone did fill us in quite a bit on her philosophy towards her career to date, her role models and what the future holds. And if she has been taught to be a little cagey in some areas, she admitted as much saying, “This is what ‘Spider-Man’ does to you I’m always like ‘I don’t know if I can tell you about that, you’ll have to wait and see.’ About everything. ‘Would you like some water?’ ‘I dunno, you’ll have to wait and see…’ ”

Interview: Mélanie Laurent On Advice From Luc Besson, Gerard Depardieu, 'Night Train To Lisbon' & Her Singing Career

  • By Jessica Kiang
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  • February 23, 2013 4:37 PM
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It can be hard to remember that Mélanie Laurent had actually been acting for a decade, albeit largely in French-language productions, before breaking out internationally by killing Hitler in “Inglourious Basterds.” Of course the one-two punch of the Quentin Tarantino movie and Mike Mills’ well-received “Beginners” is a relatively recent phenomenon for the actress, but in person, too, Laurent has an engaging freshness about her and a genuine excitement about where she is and what she’s is doing that makes her seem more like an ingenue than a seasoned pro. Or so we found when we got to meet her at the Berlin Film Festival where her latest film, Bille August’s “Night Train to Lisbon."

Berlin Interview: Nicolas Cage Explains Why 'Wicker Man' Is Misunderstood, His Career Choices & More

  • By Jessica Kiang
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  • February 20, 2013 12:23 PM
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  • 10 Comments
With “The Croods,” an animated family film from DreamWorks (our review here), premiering at the Berlin International Film Festival, lead voice actor Nicolas Cage was in town over the weekend, and we got to speak with him in a small group of journalists. About the experience of working on the film itself (“It’s like ‘Avatar’ meets ‘Yellow Submarine’ with these people who look like Neanderthals” he summed up) he had nothing but good things to say: “I feel like this is the best chance I’ve had to perform in an animated movie.” But he was also frank and forthcoming about other areas of his working life.

Berlin Review: The Trials Of 'Camille Claudel 1915' Make For Trying Watching, Even With Juliette Binoche In Peerless Form

  • By Jessica Kiang
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  • February 16, 2013 12:02 PM
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  • 1 Comment
Director Bruno Dumont ("The Life of Jesus," "Outside Satan") has made a name for himself with challenging, sometimes controversial films that often feature non-professional actors and considered, not to say glacial, pacing interrupted with scenes of violence. But with "Camille Claudel 1915" he abandons some aspects of that approach while ever more fully indulging others. So for the first time he has a name star in Juliette Binoche, who turns in a reliably committed and remarkably naked performance as the titular Claudel, but here Dumont slows the pace of the action to almost nil, and punctuates it only with long talky tracts until the film becomes either a masterpiece of the "slow and boring" school of cinema, or an occasionally excruciating form of Chinese water torture, depending on your point of view.

Berlin Review: Animated 'The Croods' Sacrifices Story & Character On Altar Of Impressive 3D Visuals

  • By Jessica Kiang
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  • February 15, 2013 2:00 PM
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  • 11 Comments
We suspect our reaction may be out of step with the general consensus of press at our Berlin Film Festival screening of the "The Croods" today, if the guffaws and applause were anything to go by, but really that had us kind of baffled. The DreamWorks film, from writer/directors Chris Sanders ("How to Train Your Dragon," "Lilo & Stitch") and Kirk Di Micco ("Space Chimps"), features a starry voice cast in Nicolas Cage, Emma Stone, Ryan Reynolds, Catherine Keener, Cloris Leachman and Clark Duke, and an appropriately high concept: the Croods are a family of cavemen who have to evolve suddenly when faced with cataclysmic natural disasters and the arrival of a young Homo Sapiens with the ability to make fire.

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