The Playlist

Interview: Steven Soderbergh Talks 'Side Effects'; 'Behind The Candelabra' & Comparing 'Dragon Tattoo' Notes With David Fincher

  • By Rodrigo Perez
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  • February 7, 2013 12:04 PM
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Steven Soderbergh is almost out the door. Last week we rolled out part one of our interview with the filmmaker about his impending retirement from cinema, his process of filmmaking, the "tyranny of narrative," and his upcoming directorial efforts on the stage (including reviving an old film project, "Cleopatra"). Today, we deliver our final part of our lengthy chat with the director focusing on his Scott Z. Burns-penned pharma-thriller-caper, "Side Effects."

Jason Schwartzman Talks Working With Charlie Sheen & Martin Scorsese's Influence On 'A Glimpse Inside The Mind Of Charles Swan III'

  • By Gabe Toro
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  • February 7, 2013 10:02 AM
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This Friday, theatrical audiences can take “A Glimpse Inside The Mind Of Charlies Swan III.” Starring Charlie Sheen as the titular self-destructive graphic designer, the film is a comedic fantasia about his various alcohol-fueled fantasies and dreams, but it also finds time to showcase best friend and standup comedian Kirby, as played by an acerbic Jason Schwartzman. And while Schwartzman is now a veteran of several movie sets, it’s hard to beat the amount of fun he had building Kirby for Roman Coppola’s second film.

Göteborg Interview: 'Something In The Air' Director Olivier Assayas On Rebellion, Memory & Godard Vs. Truffaut

  • By Jessica Kiang
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  • February 6, 2013 4:05 PM
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  • 1 Comment
With “Something in the Air,” French director Olivier Assayas (“Carlos,” “Summer Hours,” “Irma Vep,” “Cold Water”) turned in his most autobiographical work to date. A coming-of-age tale set against a backdrop of radical student politics, sex and drugs in 1970s France, we reviewed the film out of Venice  and then caught up with the director at NYFF to talk about it. All of which meant when we recently got to meet him again, at the Göteborg International Film Festival, we could afford the luxury of letting the conversation range off-topic from the revolutionary politics of the film’s era to the idea of storytelling in film as an act of rebellion, to the problems in film criticism (Assayas himself wrote for Cahiers du Cinema) and even briefly to the Beatles vs the Stones.

Jude Law Talks His Journey In 'Side Effects,' Working With Soderbergh & Who's On His Wishlist To Work With

  • By Katie Walsh
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  • February 4, 2013 1:05 PM
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  • 3 Comments
Before his declared retirement, Steven Soderbergh is putting out films at a fast and furious rate. After 2012 brought us “Haywire” and “Magic Mike” (with a little second unit work on “The Hunger Games”), and before his Liberace biopic “Behind the Candelabra,” he’s reteamed with his “Contagion” and “The Informant!” screenwriter Scott Z. Burns for the psychological thriller “Side Effects” starring Jude Law as a psychiatrist who prescribes a new antidepressant to a troubled young woman played by Rooney Mara.

Steven Soderbergh Says 'Side Effects' Isn't A "Big Pharma" Movie & Explains Why Every Shot Matters

  • By Gabe Toro
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  • February 1, 2013 11:24 AM
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  • 2 Comments
With “Side Effects,” director Steven Soderbergh is about to see the release of his final theatrical film (read our review here). The picture, dealing with the rabbit hole that one doctor (Jude Law) falls into when treating a depressed patient (Rooney Mara) has elements of an "issue film," but at a Lincoln Center screening earlier this week, Soderbergh and writer Scott Z. Burns claim that’s just a bit of misdirection.

Interview: Director David Lowery Discusses His Sundance Sensation 'Ain't Them Bodies Saints' & Assembling 'Upstream Color'

  • By Cory Everett
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  • February 1, 2013 10:21 AM
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  • 2 Comments
David Lowery went from being a relative unknown to having one of the heavily anticipated films of this year’s Sundance Film Festival, the outlaw drama, “Ain’t Them Bodies Saints.” Though his most recent short film “Pioneer” picked up acclaim at the festival in 2011, not many saw his previous micro budgeted feature “St. Nick,” a dreamy brother-sister tale which cast only non-professional actors. And yet the anticipation for this film was off the charts thanks in part to the casting of Casey Affleck, Rooney Mara, Ben Foster, Keith Carradine and Nate Parker for this “Bonnie & Clyde”-like tale of criminals determined to reunite with each other at whatever cost.

Interview: Steven Soderbergh Talks The “Eye Candy” Of ‘Candelabra’ & What His Retirement From Filmmaking Actually Means

  • By Rodrigo Perez
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  • January 30, 2013 2:26 PM
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  • 7 Comments
Filmmaker Steven Soderbergh is winding down and this has been the case for a while now. His five-year plan meant retiring from filmmaking at the age of 50. Having just reached this touchstone earlier this month, Soderbergh is essentially done with the business of moviemaking. His final theatrical film, “Side Effects” starring Rooney Mara, Jude Law and Catherine Zeta-Jones, is complete and his final, final film, “Behind The Candelabra,” is also complete and will air on HBO later this year following a likely premiere at the Cannes Film Festival. So what’s left? Aside from promoting these last two movies, he’s done… for now.

'Animal House' Director John Landis Talks "Charles Manson In High School" Origins, Cast & The Legacy Of The Comedy Classic

  • By Drew Taylor
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  • January 29, 2013 4:05 PM
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  • 1 Comment
Tomorrow night, at San Francisco's San Francisco Comedy Festival, hosted by SF Sketchfest, is a 35th anniversary retrospective screening of John Landis' 1978 college comedy classic "National Lampoon's Animal House." Following the screening will be a Q&A and conversation between Landis and writer/comedian, Carl Arnheiter. In anticipation of this event, we got to chat with Landis about the making of this seminal comedy, plus myriad other topics. As anyone who has seen or heard Landis speak over the years knows that he can talk at length about anything. The director of "Trading Places," "The Blues Brothers," "Coming to America," "An American Werewolf in London" and more '80s classics, Landis' encyclopedic knowledge of cinema makes Quentin Tarantino seem like an unlearned noob, so on the eve of screening and conversation we're going to pare down our chat with Landis to just focus on "Animal House." More stories from the always-chatty director (and king of anecdotes) to come.

David Gordon Green Talks The Free-Spirited 'Prince Avalanche,' Working With Nicolas Cage & 'Suspiria'

  • By Rodrigo Perez
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  • January 29, 2013 3:02 PM
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  • 1 Comment
Filmmaker David Gordon Green has had a deeply eclectic career of omnivorous tastes thus far. To perhaps best demonstrate the polar extremes, the 37-year-old director (who has already made nine features) has had films produced by Terrence Malick ("Undertow") and Judd Apatow ("Pineapple Express"). His body of work thus far has covered intimate indie dramas featuring children ("George Washington"), broad comedies ("The Sitter"), adult dramas ("Snow Angels"), and high concept absurdist swords and sorcerer pictures ("Your Highness"). His oeuvre has run the gamut of styles, tones and genres.

Sundance Interview: 'Breathe In' Director Drake Doremus Talks Dark Romance, Working With Felicity Jones Again & More

  • By Edward Davis
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  • January 23, 2013 4:19 PM
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  • 1 Comment
Drake Doremus was at Slamdance and Sundance in 2009 and 2010 with "Spooner" and "Douchebag" respectively, but the indie filmmaker started to really connect on a grander scale when he started tackling relationships, crystallized with 2011's moving and award-winning "Like Crazy." A big smash at Sundance that year, it won the Grand Jury Prize for Best Dramatic Film and introduced the world at large to brilliant English actress Felicity Jones (she won a Special Jury Prize for her moving performance in the lead role).

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