The Playlist

Watch: Celebrate 50 Years Of 'Umbrellas of Cherbourg' With 6-Minute Look At The Restoration, Clips & More

  • By Kevin Jagernauth
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  • February 19, 2014 12:08 PM
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  • 5 Comments
Umbrellas of Cherbourg
50 years ago today, the world fell in love with Catherine Deneuve and Nino Castelnuovo in "The Umbreallas Of Cherbourg." One of the best musicals of all time, and one of Jacques Demy's finest films, the sweeping tale packs romance, war, drama and music — oh, the music — into an unforgettable 90 minutes that are very much treasured by fans today.

10 Notable Filmmakers Who Work In Both Documentary & Fiction

  • By The Playlist Staff
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  • November 7, 2013 1:31 PM
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  • 9 Comments
10 Filmmakers Who Work In Documentary And Fiction
Truth may or may not be stranger than fiction, but both impulses certainly exert a powerful pull on the filmmaking instinct. With so many established narrative directors over the years turning their hand to documentaries, whether it’s “making of,” band documentaries, or passion projects that they use to create greater awareness of the issues that are closest to their hearts, it’s a well-trodden path. And while they’re treading that path, they get to wave at the men and women coming in the opposite direction: documentarians make the crossover into narrative just as frequently. This week’s release of “How I Live Now” (our review is here) from Kevin Macdonald is another example of how, for some directors, the dividing line between fiction and non-fiction is one they can criss-cross time and again throughout their careers—it’s a fiction film, but Macdonald’s been alternating between the formats evenly for the last decade or so.

20 Great Debut Films From Female Directors

  • By The Playlist Staff
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  • August 29, 2013 3:44 PM
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  • 21 Comments
20 great Debut/female directors
One of the less reported stories of this August’s film schedule is that the month not only saw three films released that were directed by women, but they were in fact three feature debuts — Lake Bell’s “In A World” opened to a rapturous reception (including ours) on the 9th, Jerusha Hess’ “Austenland” bowed the following week, and this Friday Jill Solloway’s “Afternoon Delight” begins its run (our review is here). One swallow, or even three, may not make a summer, but these green shoots must certainly be promising for those in favor of changing the current female:male ratio in the film directing profession (which runs at 1 to 15.24 in the U.S. according to a Sundance Institute report) to a number that isn’t so outrageously out of whack that you have to keep double checking it. Yep, it’s 1:15.24.

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