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The 15 Best Palme d'Or Winners From The Cannes Film Festival

  • By The Playlist Staff
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  • May 14, 2014 1:34 PM
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  • 16 Comments
The 15 Best Palme d'Or Winners
Right about now, taking the time difference into consideration, a bevy of beautiful celebrities will be spritzing and primping their last in preparation to walk the red carpet at the Opening Ceremony of the 67th Cannes Film Festival. But while the festival is a byword for glamour in the wider media, underneath the glossy surface is where its real heart beats, in the long queues in pouring rain, in the panic of swimming against the tide in the mercurially mutable traffic flow system on the Croisette, in the flocks of deskless journos sitting cross-legged on the floor riding out caffeine highs and blood sugar crashes in an effort to file on time. This side of Cannes may not be its prettiest but it is where the action is at, and it is all made worthwhile by the quality of the films we’re privileged to enjoy, across all the sections of the festival for the ten days of its duration before the Palme d’Or is announced and we all pack up and go home.

5 Things You May Not Know About Fellini's 'La Dolce Vita'

  • By Oliver Lyttelton
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  • April 18, 2012 11:00 AM
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  • 2 Comments
51 years ago today, on April 19th 1961, Federico Fellini's masterpiece "La Dolce Vita" arrived in U.S. theaters. The film was already a phenomenon; it had premiered in Italy the previous February, was instantly condemned by the Catholic Church (it was even banned entirely in Spain until 1975), and won the Palme D'Or at the Cannes Film Festival in 1960. On its U.S. release, it was widely acclaimed by critics, became a huge box office hit, and picked up four Oscar nominations the following year, including director and screenplay, and won for costume design.

Martin Scorsese Unveils Restored 'La Dolce Vita' In Rome

  • By Edward Davis
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  • November 2, 2010 2:25 AM
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  • 1 Comment
Is there anything Martin Scorsese can't do? Filmmaker, producer, documentarian, encylopediac cinephile and more recent film preservationist, the Italian American director's passion for cinema knows no bounds and audiences are always on the winning receiving end.

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