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Watch: Dakota Fanning & Jesse Eisenberg Plan A Bombing In New Trailer For Kelly Reichardt's 'Night Moves'

  • By Kevin Jagernauth
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  • March 27, 2014 1:34 PM
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  • 1 Comment
Night Moves
Last week we got the international trailer, and now it all comes home today with a new domestic trailer for Kelly Reichardt's "Night Moves." And it dives into a world where trust is earned, and forever fragile, and where conviction is the biggest weapon of all.

Exclusive: Beautiful Trailer For Documentary 'What Is Cinema?' Featuring David Lynch, Kelly Reichardt, Mike Leigh & More

  • By Kevin Jagernauth
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  • November 14, 2013 12:12 PM
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  • 2 Comments
Among the daily noise about casting, box office, special effects, trends, awards and whatever else is dominating the conversation, the reason we go to the movies is often left undiscussed. But this exclusive trailer for the forthcoming documentary "What Is Cinema?" is sure to get you thinking about the moments that make you keep returning to the theater, eager for the lights to go down and the projector to turn on.

Kelly Reichardt Talks Her Eco-Thriller ‘Night Moves,’ The Mysteries Of Co-Star Dakota Fanning & More

  • By Kristin McCracken
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  • September 11, 2013 3:38 PM
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  • 2 Comments
Night Moves, Kelly Reichardt
Director Kelly Reichardt (“Wendy and Lucy,” “Meek’s Cutoff’) has an eye for vast American landscapes, in which she deliberately places lonesome, trudging souls who are continuously searching—for connections, for new lives, for meaning.

Watch: First Clip From Kelly Reichardt's 'Night Moves' Starring Jesse Eisenberg, Dakota Fanning & Peter Sarsgaard

  • By Kevin Jagernauth
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  • September 3, 2013 10:18 AM
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  • 2 Comments
Night Moves
With a trio of measured dramas under her belt — “Old Joy,” “Wendy & Lucy” and “Meek’s Cutoff” — Kelly Reichardt has established herself as a filmmaker whose storytelling is patient and considered. But when news arrived that her latest "Night Moves" would take on eco-terrorism and feature a Hollywood-ish cast with Jesse Eisenberg, Dakota Fanning and Petes Sarsgaard, it certainly grabbed our attention. The result? As our review out of Venice notes, a "perfect reminder that Reichardt is one of the most exciting directorial talents we have right now."

Venice Review: Kelly Reichardt's 'Night Moves' With Jesse Eisenberg & Dakota Fanning

  • By Oliver Lyttelton
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  • August 30, 2013 5:00 PM
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  • 12 Comments
Night Moves, Jesse Eisenberg
After the acclaimed trio of “Old Joy,” “Wendy & Lucy” and “Meek’s Cutoff,” Kelly Reichardt was already proving hard to pin down. The three films that made her name (plus her lesser-known earlier works “ Ode” and “River Of Grass”) are immediately recognizable as the work of the director, but very different from each other thematically, if perhaps not formally. Whatever her next move was going to be, it was going to be interesting, but few would have predicted that it would be “Night Moves” – a crackling little suspense thriller/morality play indebted to Dostoyevsky and Hitchcock. But while it’s a left turn, it’s at least as good as the films that came before it, and still with the same recognizable DNA intact.

Kelly Reichardt's 'Night Moves' Faces Lawsuit Alleging It Ripped Off 'Monkey Wrench Gang'

  • By Kevin Jagernauth
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  • September 17, 2012 12:37 PM
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  • 4 Comments
So is this a case of inspiration being a bit too strong on a screenplay or a producer looking to slow down the steam engine of a rival project? We'll soon find out as Kelly Reichardt's upcoming "Night Moves" is facing a lawsuit from Edward R. Pressman Film who are seeking damages and a halt to production and sales claiming the movie rips off novel "The Monkey Wrench Gang" which they are turning into a movie from "Catfish" directors Henry Joost and Ariel Schulman.

Jesse Eisenberg Replacing Paul Dano In Kelly Reichardt's 'Night Moves,' Dakota Fanning Also In Talks

  • By Oliver Lyttelton
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  • August 11, 2012 9:00 AM
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  • 4 Comments
Even after the back-to-back successes of "Zombieland" and "The Social Network," it was never quite clear if Jesse Eisenberg would be able to maintain a lasting stardom. He's an immensely talented actor, but also one who's been strongly associated with a certain kind of role, one that, like Michael Cera, risked the general public tiring of him quite quickly. But while his immediate follow-up to "The Social Network," "30 Minutes Or Less," was something of a disappointment, he's made several smart choices of late, from star-laden heist blockbuster "Now You See Me" to a dual role in "The Double," Richard Ayoade's follow-up to the acclaimed "Submarine."

Paul Dano Reteams With Kelly Reichardt For Eco-Terrorist Film 'Night Moves'

  • By Kevin Jagernauth
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  • September 1, 2011 1:08 AM
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  • 1 Comment
For her last effort, the uncompromising western "Meek's Cutoff," the growing cachet of indie filmmaker Kelly Reichardt allowed the director to cast some bigger names than she had worked with in the past, nabbing Bruce Greenwood, Zoe Kazan and Paul Dano to pad out the ensemble. And the experience seems to have been a positive one for Paul Dano, as reps for the actor have confirmed with The Playlist that he is reteaming with Reichardt for the director's next effort, the eco-terrorist film "Night Moves."

Peter Sarsgaard Eyes Kelly Reichardt's Eco-Terrorist Pic 'Night Moves'

  • By Kevin Jagernauth
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  • August 25, 2011 11:21 AM
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  • 2 Comments
Draws Parallels Between His Character And The Documentary 'If A Tree Falls'It's no secret that Kelly Reichardt is one of our favorite filmmakers, a unique voice in cinema whose films to date, such as "Old Joy," "Wendy & Lucy" and "Meek's Cutoff," have arrived in deceptively low key packages, and upon viewing, open up a rich interior world. Word has been quiet since the director dropped her 'Cutoff' but it appears that after delivering that hard scrabble western, she is looking to make a distinct swing into a new direction.

Review: 'Meek's Cutoff' Shows The Foibles Of Man & Helplessness Of Women On The Forgotten Frontier

  • By Gabe Toro
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  • April 8, 2011 2:42 AM
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  • 3 Comments
"Meek's Cutoff" takes place in the open fields of the midwest, the year 1845, the land untouched, civilization slowly being built, but where the film feels contemporary, with its period-specific detail, all thick bonnets and dirt-stained wagons, is in its intimacy. Director Kelly Reichardt has made a film where a deadly showdown between "Cowboy" and "Indian" has the same weight as a close-up shot of the strained knuckles of a traveler who has tied down too many ropes nightly.

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