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Tribeca Review: 'Richard Pryor: Omit The Logic' Obscures The Genius Of A Comedic Titan

  • By Gabe Toro
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  • April 26, 2013 5:16 PM
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Richard Pryor: Omit The Logic
It's an unenviable task, putting together a documentary about a stand-up comedian. The best ones transcend the form and become storytellers; in the case of "Richard Pryor: Omit The Logic," offering only brief snippets of Pryor's bits is like doing a Michael Jackson doc and only playing a few bars of "Thriller" and "Billie Jean." Maybe a better example would be a documentary that only showed Babe Ruth hitting home runs: what defined Pryor has been lost to the years due to a late-career tumble that reduced him to content trailblazer, dropping "f" bombs in polite company as if he was just a vulgarian, not a cultural troubadour.

NYFF Review: 'Roman Polanski: Odd Man Out' Depicts A Filmmaker In Crisis Mode Overshadowing Her Subject

  • By Gabe Toro
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  • September 28, 2012 9:57 AM
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  • 1 Comment
In “Roman Polanski: Wanted and Desired,” filmmaker Marina Zenovich attempted to shine a light on the darker corners of the Polanski rape case that forced him to flee the country. Its affect was considerable in the public perception of his case, to the point where it was soon reopened by investigators. Unfortunately, that led to a legal reconsideration as well, bringing heat to a longstanding desire from law enforcement officials to bring Polanski to justice. There’s no room for compassionate reconsideration in the world of law enforcement, but Zenovich’s follow-up, “Roman Polanski: Odd Man Out,” suggests that there’s possibly room for deception and corruption.

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