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Martin Scorsese's 'The Wolf of Wall Street' Script Calls For Gene Hackman Voice-Over, Dwarf Tossing & More

  • By Charlie Schmidlin
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  • August 24, 2012 11:19 AM
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  • 4 Comments
With a star-studded cast including Leonardo DiCaprio, Matthew McConaughey, and Jonah Hill along with source material delving into Wall Street greed and betrayal, Martin Scorsese's latest film, “The Wolf of Wall Street,” seems to be his return to recognizable territory of horrible deeds done by extravagant individuals. However, as glimpsed from a recent peek at the script written by Terence Winter (“Boardwalk Empire”), those familiar elements do feature some intriguing twists to the formula that Scorsese has made classic, in addition to news of another veteran actor who may be lending solely his voice talents to the project. Minor spoilers below.

Martin Scorsese Sued By Producers For Not Making 'Silence'

  • By Ryan Gowland
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  • August 23, 2012 10:38 AM
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  • 3 Comments
Martin Scorsese is one of cinema's most prolific directors, but it's the film he isn't making that's getting him into trouble. Cecchi Gori Pictures, the production company headed by Vittorio Cecchi Gori, has filed a lawsuit against Scorsese for not making his dream project "Silence," which the director has been trying to get mounted for the past two decades.

Todd Phillips Replaces Martin Scorsese As Director Of 'The Gambler'

  • By Edward Davis
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  • August 20, 2012 6:59 PM
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  • 4 Comments
It appears director Todd Phillips is about to get serious for the first time after he's done with his upcoming comedy trilogy. In a surprise announcement, and what will be the first dramatic feature-length effort of his career, THR is reporting that Phillips is taking over "The Gambler" from Martin Scorsese and will make it his first post-"The Hangover Part III" project.

Billy Ray The Latest Writer To Tackle Martin Scorsese's Developing 'Sinatra'

  • By Kevin Jagernauth
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  • August 13, 2012 5:06 PM
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  • 2 Comments
Even as he gears up "The Wolf of Wall Street," the ever-busy Martin Scorese is keeping the fires burning on a handful of projects, including his long-developing biopic "Sinatra." In the spring of 2011, powerhouse producer Scott Rudin ("The Social Network," "The Girl with the Dragon Tattoo") decided to throw his weight behind the endeavor, with plans to find a new writer to draft a script after Phil Alden Robinson's (”Field of Dreams,” “Sneakers”) take got the ball rolling. And back in April, Scorsese revealed he was taking some meetings, and now it seems he's found his man.

Watch: Martin Scorsese, Steven Soderbergh & Wally Pfister Talk Filmmaking In 'Side By Side' Outtakes

  • By Kevin Jagernauth
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  • August 7, 2012 9:59 AM
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  • 4 Comments
The ongoing debate concerning digital vs. film isn't just about which format is preferred. The decision about which method to use depends on a variety of other factors including budgets, the size of the production, how the movie will be shot and so much more. And all of those issues are explored in the Keanu Reeves-produced documentary "Side By Side," a fascinating look at what is becoming one of the most important technological turning points that cinema has faced in quite some time.

Read New All-Time Top 10 Lists From Martin Scorsese, Woody Allen, Francis Ford Coppola, Quentin Tarantino & More

  • By Oliver Lyttelton
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  • August 3, 2012 8:53 AM
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  • 87 Comments
The big talk of the week has been Sight & Sound's once-every-decade greatest films of all time list as determined by critics from around the world. However, the publication also take the temperature from film directors, asking for greatest lists from 358 filmmakers around the world, and collating the votes into a separate top 10. As we reported previously, "Tokyo Story" topped the list, with "2001: A Space Odyssey" and "Citizen Kane" just behind (read the full top 10 here).

Jake Hoffman Will Play Shoe Designer Steve Madden In Martin Scorsese's 'The Wolf Of Wall Street'

  • By Benjamin Wright
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  • July 27, 2012 2:19 PM
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  • 0 Comments
With the wondrous “Hugo” behind him now, director Martin Scorsese is looking to head back to chronicling the sort of seedier pastimes that helped make his name, with the upcoming “The Wolf Of Wall Street” now in the works. Based on a true story, the film follows a New York stockbroker who goes on a downward spiral of sex and drugs, and refuses to take part in a large securities fraud case. Scorsese has already lined up top talent like frequent collaborator Leonardo DiCaprio, Jonah Hill, Jean Dujardin (“The Artist”), Jon Bernthal (“The Walking Dead”) and Kyle Chandler (“Friday Night Lights”), and the film continues to bring out names the way only a new Scorsese project can.

Watch: Martin Scorsese Whips Out His iPhone For A New Siri Ad

  • By Kevin Jagernauth
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  • July 24, 2012 9:23 AM
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  • 0 Comments
Well, we've already seen Zooey Deschanel, Samuel L. Jackson and John Malkovich use iPhone's Siri to help with a rainy day, cook a meal and investigate the meaning of life, and now, another famous face will find some help from a disembodied voice.

Martin Scorsese Abandons Celluloid In Favor Of Digital For 'Wolf Of Wall Street,' But It Won't Shoot In 3D

  • By Edward Davis
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  • June 27, 2012 4:00 PM
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  • 54 Comments
The egress from celluloid to digital is becoming a mass exodus in Hollywood. Theaters that still project film are becoming an endangered species, with film houses like the New Beverly Cinema in Los Angeles going as far as to launch their own "Save 35MM" campaign and petition in order to keep screening movies from film prints (they've won their battle for now). And right in step with theaters moving towards the inevitable future are the filmmakers themselves.

How Personal Rivalries Shelved Martin Scorsese's Cut Of Kenneth Lonergan's 'Margaret' & More From NY Times Profile

  • By Kevin Jagernauth
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  • June 19, 2012 1:36 PM
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  • 1 Comment
One of the stories of last year's award season was the small, but vocal campaign to give Kenneth Lonergan's "Margaret" more recognition that its studio Fox Searchlight was willing to give it. Already delayed thanks to a protracted and ugly legal and creative battle, that the movie hit theaters at all was something of a minor miracle. But as most who had followed tortured production knew, the cut released in theaters was a compromised version of what Lonergan set out to achieve. Nonetheless, whether you thought the film was a masterpiece or not, there was no doubt he had created something that was special: a post 9/11 drama that used one teenage girl's coming-of-age as a metaphor for a city dealing with the emotional fallout of a national tragedy.

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