- By Christopher Bell
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- April 10, 2012 5:58 PM
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- 0 Comments
Where did the American Independent cinema of the '70s go, exactly? Did it fizzle and die, or did George Lucas scare it away with his mammoth sci-fi extravaganza? No one knows for sure, but there's something suspicious about the films of Chilean director Pablo Larrain. "Tony Manero," his debut feature, looked and felt like one of those movies, with a more brutal story. In fact, the main character even kind of looked like a young Al Pacino circa "Panic at Needle Park" or "Dog Day Afternoon." The story was political, focusing on Chile during the Pinochet regime, but the director was smart enough to let it play in the background while the main character did his own thing, that being a disco John Travolta impression. No preachy dialogue, no condescending messages. It wasn't a perfect film, but it was a new, skilled director slamming his arms on the table and ordering everyone to take notice. Unfortunately, the film was moderately embraced by critics and mostly wallowed in relative obscurity. A mere 2 years later, the director has decided to attack again with "Post Mortem," a refined and more understated piece, with the same style and code of ethics of his former film.
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