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Venice Review: 'Fill The Void' An Orthodox Jewish Romance Caught Awkwardly Between Comedy & Melodrama
- By Oliver Lyttelton
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- September 2, 2012 2:10 PM
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- 2 Comments
After a Cannes Film Festival which attracted criticism for including no female directors whatsoever, new Venice Film Festival head Alberto Barbera seems to be having bit of a dig at his Gallic rivals with his first year in charge. In the official selection alone, there are four female directors or co-directors, and plenty more in the various sidebars. Perhaps most notably are some from the Middle East. “Wadjda” is the first film ever made in Saudi Arabia, and that it’s made by a female director, Haifaa Al Mansour, in a country not known for its love of women in positions of power is rather extraordinary (word is the film’s pretty good too: unfortunately, other commitments kept us from seeing it here, but we plan to catch up elsewhere).
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Recent Comments
I hope she gets someone good to play the Jewish parking attendant. There are a lot of good young
Seduced and Abandoned sounds like a compelling documentary about the deals made at film festivals.
Right, because all characters are exactly the same and should be played in exactly the same way.
I think they waited too long to release the sequel to ST 2009. 4 years is a long time between
Agreed Charlize is Gone Girl material. Don't really have a clear image of actress for Libby
slight OT but did any of the playlist team at cannes catch the Film4 presentation ? Guardian and
If he'll be in the movie, I will wacht him a thousand times **
Yeah, makes you wander who paid for that ranking. I would think Time would be over the today's
What about Charlize?
Why this film is taken seriously is beyond me. It's a hyper-stylized piece of commercialized