The Playlist

"There's Freedom In Bondage": 12 Things Learned At Cannes About 'Moonrise Kingdom' & Wes Anderson's Hyper-Controlled Style

  • By Edward Davis
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  • May 24, 2012 3:21 PM
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Having received some of his best reviews in years, Wes Anderson's "Moonrise Kingdom" made a grand debut opening the Cannes Film Festival in style last week. By all accounts (including one very positive review of our own), Anderson's latest picture and first live-action film in five years, is a pleasant, charming and enchanting return to form that's both nostalgic for those early pre-teen years and emotional in its exploration of adolescent angst and early love. Starring newcomers Jared Gilman and Kara Hayward with an excellent supporting cast featuring Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton and Jason Schwartzman, Playlist contributor Aaron Hillis got a chance to sit down with some of the cast at the press conference in Cannes. 

Watch: Roman Polanski's Prada-Funded Short Film 'A Therapy' With Ben Kingsley & Helena Bonham Carter

  • By Oliver Lyttelton
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  • May 23, 2012 8:00 AM
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  • 2 Comments
Last year's "Carnage" might have been something of a disappointment, but it hasn't fazed Roman Polanski: the director's already gearing up for his next film "D," about the famous anti-semitic Dreyfus Affair in France in the 19th century, which will see the director reteam with his "The Ghost Writer" scribe Robert Harris. The plan is for the film to shoot at the end of the year, but Polanski's not been idle in the meantime: he's been in Cannes this week with a threefold purpose: the screening of the documentary "Roman Polanski: A Film Memoir" (read our review here), another screening, of his 1979 picture "Tess," and the unveiling of a new short film that he's directed.

Cannes Review: 'Roman Polanski: A Film Memoir' A Fascinating Look At The Director As Told By The Man Himself

  • By Kevin Jagernauth
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  • May 20, 2012 9:45 AM
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  • 2 Comments
Who is Roman Polanski? That's the question at the center of "Roman Polanski: A Film Memoir," a deeply fascinating look at the life and (sort of) career of the controversial filmmaker as told by the man himself. But this isn't a hagiography -- the documentary doesn't shy away from the more tabloid-worthy elements of his life (you know what we're talking about), and is more about the events that made Polanski into the man and director we know him as. 'A Film Memoir' doesn't dive into the making of his movies so much as contextualize them with where he was personally and professionally at the time. And this perspective, particularly with the participation of Polanski, offers a refreshing look at the filmmaker you thought you might have known.

Roman Polanski To Direct Dreyfus Affair Drama 'D'

  • By Kevin Jagernauth
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  • May 9, 2012 3:09 PM
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  • 5 Comments
While his personal/legal affairs unfortuantely continue to overshadow the late stage career of Roman Polanski, he continues to solider on, taking on challenging, intriguing fare. Last fall he delivered the drama/satire "Carnage," the big-screen version of the acclaimed play "God Of Carnage," and before that he helmed the underrated political potboiler "The Ghost Writer." And for his next effort, he's turning to a true-life tale.

5 April DVD Titles You Should Know About, Including 'Chinatown,' 'A Trip To The Moon' & 'Girl On A Motorcycle'

  • By Drew Taylor
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  • April 4, 2012 2:05 PM
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  • 8 Comments
While the future of home entertainment may be rapidly moving towards a digital streaming-led future, we can't be the only movie nerds who still love owning a physical copy of something. Sure, Blu-Ray and DVD might be scratchable, easily lost and adorned by terrible box art, but there's something about the feeling of finding an undiscovered gem in the depths of a store, or getting a rarity in the post, that doesn't quite compare to clicking and watching something on Netflix.

The God Of Carnage: The Complete Films Of Roman Polanski

  • By Oliver Lyttelton
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  • December 16, 2011 2:54 PM
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  • 12 Comments
With a career marked by controversy and tragedy, triumphs and disasters, that Roman Polanski has shaken off personal obstacles and professional setbacks is a feat in itself.

Christoph Waltz Talks Working With Roman Polanski & Playing The "Smuggest Character Ever" In 'Carnage'

  • By Jeff Otto
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  • December 12, 2011 2:35 PM
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Although Christoph Waltz has been working as an actor since the early 1980’s, he was relatively unknown to American audiences before his Academy Award-winning performance as Hans Landa in Quentin Tarantino’s “Inglorious Basterds.” Waltz’s elevated status catapulted him into a string of Hollywood releases in 2011 that including “The Green Hornet,” “Water for Elephants” and “The Three Musketeers.” But it is Waltz’s smallest role, as Alan Cowan in Roman Polanski’s “Carnage,” for which the actor is drawing his greatest acclaim since ‘Basterds.’

Roman Polanski Says Steven Spielberg Is Perfect For 'Tintin,' Plots Period Film About Aging

  • By Ryan Sartor
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  • December 5, 2011 12:42 PM
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Roman Polanski Apologizes To His Sexual Assault Victim In New Secret Doc Premiered In Zurich

  • By Oliver Lyttelton
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  • September 28, 2011 1:46 AM
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  • 6 Comments
For all the films that he's made in the last 33 years, from the great to the dreadful, everything that Roman Polanski's done has been overshadowed by his 1978 sexual assault of a thirteen-year-old girl. The director was arrested and charged with six counts, including rape, but in a bargain with the courts, plead guilty only to "Unlawful Sexual Intercourse with a minor," and was sentenced to 90 days in prison. On his release, however, it was suggested by the judge that Polanski would face more prison time, and the helmer fled to France, where he's lived in exile ever since.

Venice '11 Review: 'Carnage' Is Fun While It Lasts, But Insubstantial & Anonymous

  • By Oliver Lyttelton
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  • September 1, 2011 12:22 PM
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  • 6 Comments
Compared to his last film, Roman Polanski's "Carnage" must have been a breeze. Not that the shoot for "The Ghost Writer" was "Fitzcarraldo" or anything, but, famously, the project hit a major speed bump in September 2009, while the film was in post-production, when the helmer was arrested in Zurich, and deportation proceedings were begun against him for the statutory rape case that has overshadowed the last thirty-odd years of his career. The Swiss authorities decided not to hand Polanski over, but he still spent months in prison, and was forced to complete post on his Robert Harris adaptation from there.

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  • SpaceLioncs

    @theplaylist Beautiful, beautiful review (loved the beginning setup)! Jessica Kiang has been knocking it out of the park with her writing!

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    RT @ThePlaylist: Best film of the Cannes festival? ‘Blue Is The Warmest Color’ Is The Sublime Story Of A Transformative Relationship http://t.co/BZyZCX3g66

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  • SpaceLioncs

    RT @ThePlaylist: Why wasn't Joaquin Phoenix in Cannes? Because he's already started shooting Paul Thomas Anderson's 'Inherent Vice.' https://t.co/ryb8h2KyyP

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    RT @ThePlaylist: Convenient Timing? J.J. Abrams Counters Alice Eve Underwear 'STID' Moment With Deleted Cumberbatch Shower Scene http://t.co/N7MJGiimqw

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