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Interview: Steven Soderbergh Talks 'Side Effects'; 'Behind The Candelabra' & Comparing 'Dragon Tattoo' Notes With David Fincher

  • By Rodrigo Perez
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  • February 7, 2013 12:04 PM
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  • 0 Comments
Steven Soderbergh is almost out the door. Last week we rolled out part one of our interview with the filmmaker about his impending retirement from cinema, his process of filmmaking, the "tyranny of narrative," and his upcoming directorial efforts on the stage (including reviving an old film project, "Cleopatra"). Today, we deliver our final part of our lengthy chat with the director focusing on his Scott Z. Burns-penned pharma-thriller-caper, "Side Effects."

Retrospective: The Films Of Steven Soderbergh

  • By The Playlist Staff
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  • February 5, 2013 1:03 PM
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  • 8 Comments
If there are two things that mark out the career of director Steven Soderbergh, they arguably could be described as a willingness to fail and a constant routine of creative calisthenics. A process-rather-than-results person, he has, over the last 24 years, been one of the most daring, unpredictable and restless filmmakers around. His output has run the gamut of everything from indie relationship drama to star-packed heist movies, from experimental, micro-budget thrillers to philosophical sci-fi, and from melancholy coming-of-age to kick-ass action.

Steven Soderbergh Teases 'The Canyons' Contains A “Spectacular Sex Scene,” Paul Schrader Says It's “Cinema For The Post-Theatrical Era”

  • By Charlie Schmidlin
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  • February 5, 2013 10:00 AM
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  • 1 Comment
A tumultuous shoot, a volatile leading lady, and a veteran director collaborating with one of the most visible Twitter presences around; Kenneth Anger might just need to devote the entirety of “Hollywood Babylon IV” to Paul Schrader's “The Canyons” alone. But before that volume comes out, we've got the filmmaker's latest rebuttal against early criticisms of the film, as well as Steven Soderbergh hinting at what's in store when it's finally released.

Steven Soderbergh Says 'Side Effects' Isn't A "Big Pharma" Movie & Explains Why Every Shot Matters

  • By Gabe Toro
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  • February 1, 2013 11:24 AM
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  • 2 Comments
With “Side Effects,” director Steven Soderbergh is about to see the release of his final theatrical film (read our review here). The picture, dealing with the rabbit hole that one doctor (Jude Law) falls into when treating a depressed patient (Rooney Mara) has elements of an "issue film," but at a Lincoln Center screening earlier this week, Soderbergh and writer Scott Z. Burns claim that’s just a bit of misdirection.

Megan Ellison Hates Harvey Weinstein & More: 7 Highlights From The Juicy Vanity Fair Profile On The Annapurna Scion

  • By Edward Davis
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  • February 1, 2013 10:00 AM
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  • 33 Comments
Vanity Fair’s 2013 Hollywood issue is kind of the gift that keeps on giving. It not only has an awesome oral history of “Pulp Fiction” (highlights of which you can read here), but it also has some pretty in-depth and juicy profiles. But, the most tantalizing is about Megan Ellison, the 27-year old daughter of the third richest man in the U.S. She’s rumored to have been given a bankroll as large as $2 billion from her Dad on her 25th birthday (though her reps deny the figure), with the movie buff using the amount to help bankroll her slate of films.

Review: 'Side Effects' A Satisfying, Twisty Psychodramatic Thriller From Steven Soderbergh

  • By Drew Taylor
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  • February 1, 2013 9:00 AM
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  • 4 Comments
"Side Effects," a twisty-turny psychodrama and thriller, will occupy a special place in the Steven Soderbergh oeuvre. Since his highly influential debut "sex, lies, and videotape" single-handedly launched the American independent film revival, his body of work has included 26 films that have covered an absurd amount of topical ground, nevermind all the genres he's dipped into. If all goes according to plan, "Side Effects," will be the last Steven Soderbergh movie ever released theatrically. In some ways this puts an almost unfair amount of pressure on the complex little thriller, especially considering that the film may be better suited for premium cable than his upcoming HBO Liberace biopic "Behind the Candelabra." The picture's conspiratorial late-night tone and fleshy after hours luridness was practically built for watching at night, when our parents think we've gone off to bed (think '80s films directed by folks like Adrian Lyne). Like much of his recent output, "Side Effects" is a somewhat slight genre exercise, but given that it's Soderbergh, it's stylistically unparalleled, totally gripping and occasionally devastating in its emotional presentation thanks to its two leads Rooney Mara and Jude Law.

Watch: Take Another Dose With The New Trailer For Steven Soderbergh's 'Side Effects'

  • By Kevin Jagernauth
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  • January 31, 2013 2:47 PM
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  • 1 Comment
So, we may have had four weeks of movies already in the new year, but frankly, 2013 doesn't start for us cinematically until next week, when Steven Soderbergh's "Side Effects" arrives. It seems to be the first movie of the year that wasn't dumped or forgotten about by the studios, and made with some real intent and purpose. And now another whole new look at the picture has arrived.

Watch: 'Side Effects' Goes Over The Counter With 3 More Clips

  • By Ken Guidry
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  • January 31, 2013 10:25 AM
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  • 0 Comments
Steven Soderbergh’s penultimate film “Side Effects” is, for many people, the first film of 2013 that’s worth seeing. Starring Jude Law, Rooney Mara, Channing Tatum and Catherine Zeta-Jones, the psychological thriller already unveiled a couple of clips, and now three more have arrived for people to take a gander at before the movie comes out a week from now.

Scott Z. Burns Says Steven Soderbergh's 'The Man From U.N.C.L.E.' Would've Centered On 1966 Palomares B-52 Crash

  • By Charlie Schmidlin
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  • January 31, 2013 9:18 AM
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  • 2 Comments
Now that Steven Soderbergh's hiatus from film has finally arrived (read our discussion with him here), alongside speculation on the director's next professional move comes reflection on his career thus far. One of his most involved projects -- an adaptation of '60s spy show “The Man From U.N.C.L.E.” -- was scrapped in late 2011 after years of development, but now Soderbergh's longtime collaborator has finally revealed what could've been.

Interview: Steven Soderbergh Talks The “Eye Candy” Of ‘Candelabra’ & What His Retirement From Filmmaking Actually Means

  • By Rodrigo Perez
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  • January 30, 2013 2:26 PM
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  • 7 Comments
Filmmaker Steven Soderbergh is winding down and this has been the case for a while now. His five-year plan meant retiring from filmmaking at the age of 50. Having just reached this touchstone earlier this month, Soderbergh is essentially done with the business of moviemaking. His final theatrical film, “Side Effects” starring Rooney Mara, Jude Law and Catherine Zeta-Jones, is complete and his final, final film, “Behind The Candelabra,” is also complete and will air on HBO later this year following a likely premiere at the Cannes Film Festival. So what’s left? Aside from promoting these last two movies, he’s done… for now.

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