- By Kevin Jagernauth
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- January 5, 2013 11:23 AM
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- 13 Comments
This holiday season we have movies about slavery, the hunt for Osama Bin Laden, the travails of a mid-life crisis, the crumbling of small-town life in America and more, so you might think that, despite Hollywood's turn toward the blockbuster, there's still hope that compelling stories can get out into the marketplace no matter what the budget. Well, you would be wrong. Executives still want that magical four quadrant hit, something that can be branded, bring them prestige, make an attractive product for ancillary markets and/or all of the above. And as Steven Soderbergh shares, not even having two big names as stars could get him the money he needed for "Behind The Candelabra."
Recent Comments
James Franco is a better movie critic than the more established ones out there. His reviews are very
James Franco should write a review analyzing the sequence in "This is The End" where him
shut up mark. you speak non sense.
yes leon the profesional should have won an oscar for best movie best actress natalie portman best
if he can manage a 3d projection with more light, let him bring it on. the fps thing makes me very
take out jeff bridges from crazy heart and the movie fall appart.
I swear, nobody has passed on as many projects as Darren Aronofsky. He spends more time not doing
"Snow Whit and the Seven Dwarfs" Whit? If you don't care about your writing, why
Wow, those are a lot of forced points. I would argue that most of your "worst" things
I would say it is much much more shameful that Ejiofor has not received a nomination yet. Fassbender