Review: 'This Is The End'
Interview: Nicolas Winding Refn
James Gray Talks Sci-Fi Project
Recap: 'Arrested Development'
Review: 'The Immigrant'When we asked Desplat what it was like creating such a minimal, stripped-down score (there are moments when, with its rhythmic backbone and pronounced bass, it recalls compositions by John Carpenter), he was quick to point out that it was put together on a large scale. "It is actually an orchestral score," Desplat clarified. "There are twelve cellos, nine basses… It's a huge orchestra."
The key, Desplat said, is the sublety of how the music is presented. "It doesn't play loud," Desplat said. "It creates a very deep and dark type of sound without being in your face. Of course, if we played it very loud it would have been showing off. But that's not the point of that film." It was this approach that allowed Desplat to channel the cunning CIA operative named Maya (played with fierce intensity and grace by Jessica Chastain).
"In the film you have to be inside the battle and inside the warriors' heads and the head of the warrior played by Jessica Chastain," he explained. "She is very restrained and doesn't talk much and the one who is in charge. She really conveys through her eyes and body language this war." Desplat then summed up the score thusly: "That is what my score is following – her character, her chase, her personality."
Now you can hear all of it, by clicking below. "Zero Dark Thirty" opens on December 19th in New York and Los Angeles and the soundtrack will be available on the same day via Madison Gate Records. The picture goes wide on January 11th.

1. Flight To Compound
2. Drive To Embassy
3. Bombings
4. Ammar
5. Monkeys
6. Northern Territories
7. Seals Take Off
8. 21 Days
9. Prepartion For Attack
10. Balawi
11. Dead End
12. Maya On Plane
13. Area 51
14. Tracking Calls
15. Picket Lines
16. Towers
17. Chopper
18. Back To Base
0 Comments