The Playlist

Dane DeHaan Talks Building A BMX Bike For ‘The Place Beyond The Pines,’ Impending ‘Spider-Man’ Fame & More

  • By Diana Drumm
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  • April 12, 2013 3:53 PM
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  • 3 Comments
You may know him from HBO’s critically acclaimed “In Treatment” or as Cricket in “Lawless,” or as the “monster” in “Chronicle.” Or you may not be able to place him yet, but that will soon change. Actor Dane DeHaan is not one to shy from a challenge and continues to impress filmmakers with that aspiration.

Olga Kurylenko Discusses Her Real-Life Parallels In 'To The Wonder,' Her Cut Footage With Rachel Weisz & More

  • By Charlie Schmidlin
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  • April 12, 2013 3:02 PM
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  • 0 Comments
To The Wonder, Ben Affleck, Olga Kurylenko
From Bond girl in “Quantum of Solace” to comedic presence in “Seven Psychopaths,” actress Olga Kurylenko has run quite a range of diverse, solid supporting roles thus far, but the two films she has landing in theatres this month -- Terrence Malick's “To The Wonder” and sci-fi thriller “Oblivion” with Tom Cruise -- declare a shift toward strong central roles in her future. We recently got a chance to talk to Kurylenko about “Oblivion” and her career (more from that coming soon), but first, we chatted about her experience as Malick's leading lady in “To The Wonder” as it hits screens this weekend.

From 'Trainspotting' To 'Trance': Underworld's Rick Smith Discusses His Extensive Film Music Work With Danny Boyle

  • By Drew Taylor
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  • April 10, 2013 7:01 PM
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British filmmaker Danny Boyle, whose new film, a mind-melting hypnotism thriller called "Trance" is showing nationwide, is known for his intense creative collaborations between writers like Alex Garland and John Hodge and (for a while at least) actors like Ewan McGregor. But one of his most important and frequently overlooked collaborative relationships is with the British dance duo Underworld (nee Karl Hyde and Rick Smith), who have provided music for a number of Boyle projects, both film and otherwise, including last summer's Olympics Opening Ceremony. We got to chat with one half of Underworld, Rick Smith about his various collaborations with Boyle, including the dizzying score for "Trance," which he completed without his frequent partner Hyde.

Danny Boyle Talks The Unorthodox Construction Of 'Trance,' Going Back To The Dark Side & His Relationship With Writers

  • By Drew Taylor
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  • April 9, 2013 3:05 PM
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  • 2 Comments
Trance feature
When we attended a Danny Boyle panel at the South by Southwest Film Festival last month, they played a kind of highlight reel before the it began, with clips covering his film career to date. As they flickered by, it was hard not to be impressed – this is a man who has won an Oscar for Best Director and one for Best Picture and yet, when you see images from "Trainspotting" or "Sunshine" or "127 Hours," you can't help but feel like he's still underrated. His newest movie, a twisty, turny, deliciously sexy thriller called "Trance," just opened in New York and Los Angeles, and will be expanding in the coming weeks across the country.

Steven Soderbergh & Shane Carruth Talk ‘Upstream Color,’ Its Lack Of Cats & Suspicious Marketing In China

  • By Rodrigo Perez
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  • April 9, 2013 1:18 PM
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UPSTREAM COLOR - Q&A with Shane Carruth & Steven Soderbergh - IFC Center
Now "retired" filmmaker Steven Soderbergh has Oscars, a Palme d'Or and other accolades to his name. At a whirlwind pace, he directed 26 feature-length films in 24 years (not counting shorts and TV projects) mostly free of any signature filmmaking brand, omnivorously moving from style and genre to style and genre to keep things fresh. And while Soderbergh is well-celebrated for his contributions to cinema, one thing audiences tend to forget is his mentorship and how the "Side Effects" helmer got behind several filmmakers.

Derek Cianfrance Talks Cinematic Violence, Face Tattoos, Falling In Love With Eva Mendes & More From ‘Place Beyond The Pines’

  • By Diana Drumm
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  • April 6, 2013 12:17 PM
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  • 1 Comment
After “Blue Valentine” tackled the issues of marriage and gender relations, it seemed like a natural progression that filmmaker Derek Cianfrance decided to take on parenthood and legacy in his next film. Taking six years to make, "The Place Beyond The Pines” deals with the issue of legacy in America. Set in working class Schenectady, New York, it tells the story of families on both sides of the law and deals with what fathers intentionally and unintentionally leave their sons (inspiring our list of 22 Great Father & Son Movies). A hit at this year’s TIFF (read our review here), the film stars Ryan Gosling as a motorcycle stunt rider who turns to bank robbery to provide for his young son, and Bradley Cooper as a police officer caught in the crosshairs, a role the actor nearly gave up on. The stellar cast also includes Eva Mendes, Dane DeHaan, Ray Liotta, Emory Cohen, Ben Mendelsohn and Rose Byrne.

Interview: Shane Carruth Talks Trying To Make The Perfect "Album Film" With 'Upstream Color'

  • By Jessica Kiang
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  • April 3, 2013 2:35 PM
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  • 2 Comments
Shane Carruth, Upstream Color
In Part One of our Shane Carruth interview, we brought you news of the "Primer" director's other projects -- the abortive "A Topiary," his work on Rian Johnson's "Looper" and the gestating "The Modern Ocean." But, of course, the real excitement is for "Upstream Color," which hits theaters this Friday, and it's a film that those Playlisters who've seen it have been profoundly impressed by. We can't wait for what will no doubt become a lively discourse because, much as we loved it, the film's willful impressionism has seen more than a few viewers, perhaps initially attracted by the genre trappings, leave the cinema (early) and frustrated. But as Carruth himself says, "People who are getting it are really getting it," and we humbly count ourselves among the latter group. During our extensive interview with the filmmaker at the Berlin International Film Festival, we got to talk in depth about his inspirations, his process and his hopes for the film's reception.

Ryan Gosling Talks Bank Robbing In 'Place Beyond The Pines,' Working With Terrence Malick, Nicolas Winding Refn & More

  • By Rodrigo Perez
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  • April 3, 2013 12:19 PM
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  • 14 Comments
Fate, sin, consequences, redemption... are a few of the words that have been used in the run-up to "The Place Beyond The Pines" to capture the thematic undercurrents of the generation spanning saga. These are touchstones in the film and Ryan Gosling sets it all in motion. He co-stars alongside the excellent ensemble Derek Cianfrance has pulled together -- Bradley Cooper, Eva Mendes, Rose Byrne, Mahershala Ali, Dane DeHaan, Emory Cohen, Ben Mendelsohn and Ray Liotta -- in the film that follows two men and their sons, and how they collide and come together across decades.

Rosario Dawson On Danny Boyle’s ‘Trance,’ Hypnotherapy, Shaving Her Head For 'Sin City: A Dame To Kill For' & More

  • By Charlie Schmidlin
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  • April 2, 2013 2:00 PM
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  • 0 Comments
In Danny Boyle’s latest genre-bending effort, “Trance,” film noir is fractured into a multi-layered crime narrative with lush, angular cinematography, and -- of course -- an allegiance-shifting femme fatale. As American hypnotherapist Elizabeth Lamb, who guides art auctioneer Simon (James McAvoy) toward the repressed location of a stolen painting pursued by gangster Franck (Vincent Cassel), actress Rosario Dawson impeccably holds the last of those aspects.

Derek Cianfrance Talks About His Epic Drama 'The Place Beyond The Pines' & Almost Making Two Movies Out Of 'Blue Valentine'

  • By Edward Davis
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  • April 1, 2013 3:20 PM
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  • 3 Comments
Place Beyond The Pines, Derek Cianfrance, Ryan Gosling, Bradley Cooper
Filmmaker Derek Cianfrance took twelve years to make his sophomore effort, "Blue Valentine." A searing relationship drama about husbands and wives starring Ryan Gosling and Michelle Williams, it quickly put the almost-forgotten director – who made his feature debut with 1998's still unreleased "Brother Tied" and had turned to documentaries in that time – firmly back on the cinematic map. His follow-up, "The Place Beyond The Pines" arrived a relatively quick two years later, but was six years in the making and Cianfrance actually had Gosling on board before 'Valentine' had even begun shooting.

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