Click to Skip Ad
Closing in...
What Was I Watching Before? Bryan Singer Says 'X-Men: Apocalypse' Is "The True Birth Of The X-Men" What Was I Watching Before? Bryan Singer Says 'X-Men: Apocalypse' Is "The True Birth Of The X-Men" Review & Recap: 'True Detective' Season 2, Episode 3 'Maybe Tomorrow' Review & Recap: 'True Detective' Season 2, Episode 3 'Maybe Tomorrow' Zack Snyder Defends 'Man Of Steel' Finale, Ben Affleck Reveals Bruce Wayne Knew People Who Died In That Battle Zack Snyder Defends 'Man Of Steel' Finale, Ben Affleck Reveals Bruce Wayne Knew People Who Died In That Battle New Book Contends Eric Stoltz Was “Difficult” & The Cast Wasn’t Shocked He Was Replaced On ‘Back To The Future’ New Book Contends Eric Stoltz Was “Difficult” & The Cast Wasn’t Shocked He Was Replaced On ‘Back To The Future’ Watch: Scott Lang Wants To Call The Avengers In New International 'Ant-Man' Trailer Watch: Scott Lang Wants To Call The Avengers In New International 'Ant-Man' Trailer Watch: Epic New Trailer For Werner Herzog's 'Queen Of The Desert' With Nicole Kidman, Robert Pattinson, & More Watch: Epic New Trailer For Werner Herzog's 'Queen Of The Desert' With Nicole Kidman, Robert Pattinson, & More The 20 Worst Films Of 2015 So Far The 20 Worst Films Of 2015 So Far Zack Snyder Reveals The Easter Egg Idea He Pitched Christopher Nolan And David Goyer For 'Man Of Steel' Zack Snyder Reveals The Easter Egg Idea He Pitched Christopher Nolan And David Goyer For 'Man Of Steel' New Images Of Bruce Wayne, Lex Luthor, More In 'Batman v. Superman,' Ben Affleck Compares Batman To Hamlet New Images Of Bruce Wayne, Lex Luthor, More In 'Batman v. Superman,' Ben Affleck Compares Batman To Hamlet Mads Mikkelsen And Hugh Dancy Released From Their 'Hannibal' Contracts Mads Mikkelsen And Hugh Dancy Released From Their 'Hannibal' Contracts Paul Thomas Anderson To Write And Possibly Direct Warner Bros' ‘Pinocchio’ For Robert Downey Jr. Paul Thomas Anderson To Write And Possibly Direct Warner Bros' ‘Pinocchio’ For Robert Downey Jr. Watch: Michael Fassbender Plays ‘Steve Jobs’ In New Trailer For Oscar-Contender Co-Starring Kate Winslet & Seth Rogen Watch: Michael Fassbender Plays ‘Steve Jobs’ In New Trailer For Oscar-Contender Co-Starring Kate Winslet & Seth Rogen Tom Cruise Still Gearing Up For 'Top Gun 2,' Story Will Involve Drone Warfare Tom Cruise Still Gearing Up For 'Top Gun 2,' Story Will Involve Drone Warfare Watch: First Trailer For Oliver Stone’s ‘Snowden’ Starring Joseph Gordon-Levitt, Shailene Woodley & Nicolas Cage Watch: First Trailer For Oliver Stone’s ‘Snowden’ Starring Joseph Gordon-Levitt, Shailene Woodley & Nicolas Cage Review: ‘Terminator: Genisys’ Starring Arnold Schwarzenegger, Emilia Clarke, Jai Courtney & Jason Clarke Review: ‘Terminator: Genisys’ Starring Arnold Schwarzenegger, Emilia Clarke, Jai Courtney & Jason Clarke 'Thor: The Dark World' Director Alan Taylor Says His Marvel Experience Was "Particularly Wrenching" 'Thor: The Dark World' Director Alan Taylor Says His Marvel Experience Was "Particularly Wrenching" The 25 Best Animated Films Of The 21st Century So Far The 25 Best Animated Films Of The 21st Century So Far The 50 Best Films Of The Decade So Far The 50 Best Films Of The Decade So Far The 25 Best Horror Films Of The 21st Century So Far The 25 Best Horror Films Of The 21st Century So Far The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season

25 Iconic Dance Sequences In Film

The Playlist By The Playlist Staff | The Playlist December 3, 2010 at 6:05AM

Darren Aronofsky's "Black Swan" hits theaters today, and it's easily one of the very best films of the year, and seemingly a culmination of everything that the director's been working towards for years. It's also a rarity, in that it's a serious film about dance -- in this case ballet.
10

“Top Hat” (1935)
We’re gonna cheat this entry a bit, to stand in for all of Fred ’n’ Ginger’s filmic oeuvre, to which we could (and should, IMHO) probably dedicate an entire list of its own. And why this particular film and not, say, 1937’s “Shall We Dance” (which features a great rollerskating scene) or the 1936 double-bill of “Follow The Fleet” (notable for Rogers’ awe-inspiring sailor bell-bottoms) or “Swing Time” (Ginger’s personal favorite) to name just a few? Well, “Top Hat,” aside from being the duo’s most successful film, is perhaps the perfect distillation of their charm and chemistry, liberally peppered with some of the most hummable of Irving Berlin’s tunes. Of the bigger numbers “Top Hat, White Tie and Tails” is Astaire’s solo outing, and if you’re slightly unconvinced of the star quality of this gnomish man, the second he does that pretend assassination thing with his cane, you’re hooked. “Cheek to Cheek” and “Isn’t This a Lovely Day ...” are two-handers (and was ever a woman better at the difficult task of being sung-at than Ginger Rogers?), numbers that never outstay their welcome and never lose their frothy, fizzy-lifting-drink joyousness. This is not dance as social commentary or even personal expression: it is dance as visual confection by two past masters who make it look as easy as falling off a log and a lot more graceful. And yes, every time you see them together Rogers does prove the truth of the Ginger Rogers feminist paradox - that while she never got as famous as Astaire, she can clearly do everything he can, backwards, and in heels.

"Chicago" (2002)
Rob Marshall's Oscar-winning adaptation of the Kander & Ebb musical remains divisive to this day, but this writer firmly believes that it's aged well in the last decade or so. It's arguably overly indebted to the theater version, but Rob Marshall's stage bound take to the musical numbers works infinitely better here than in last year's "Nine," and some of the sequences really crackle, none more so than "Cell Block Tango." Performed by Catherine Zeta Jones, along with Susan Misner, Denise Faye, Deidre Goodwin, Ekaterina Chtchelkanova and pop star Mya, it has an oddly rhythmic nature to it that works terrifically on film, and the sexually charged, murderous dances at the heart of it are probably the best expression of the film's fantasy conceit (even if the use of red handkerchiefs are a bit drama school). Considering Marshall's background as a choreographer, it's not surprising that the dancers are unbelievable, but he shoots the hell out of the scene as well, messing around with shutter speeds in a way that's over-done in action sequences, but works like gangbusters here.

“The Fisher King” (1991)
Mad genius Terry Gilliam has always been more about satire than sighs, but his (inevitably) quirky dramedy “The Fisher King” has a few moments that will make even cynics swoon. Robin Williams is damaged, homeless hero Parry (as in “Parsifal” the knight of the grail legend, the inspiration for the film), who has a broken heart and an equally fractured mind. However, he thinks he’s found his soul mate in painfully shy Lydia (Amanda Plummer), and he waits for her in the middle of rush hour at New York City’s Grand Central. When he catches sight of her, Parry follows Lydia, only to have things slow down as commuters (and a group of nuns) break into a spontaneous waltz through the glittering lights of the main hall. The mass dance is only Parry’s dream--and it only lasts for a few minutes--but it’s as much an ode to the transformative power of love as it is to the city itself.

"Oasis" (2002)
In Lee Chang-dong's Korean masterpiece, a man shy of a few bricks (Sol Kyung-gu) and a woman with cerebral palsy (Moon So-ri) share an unlikely (and beautiful) romance, finding a comfort with each other that their families have failed to provide. So what is a perfect couple in a movie without their own dance scene? In one of the few times Moon breaks character and physically illustrates her liberating happiness, the pair create their own oasis and bust a move in her empty apartment. Joining them are an elephant, an Indian woman with confetti, and a young boy in a white turban and shorts… not to mention teary eyes and sniffly noses for one of the most affecting scenes committed to celluloid. Be warned, the clip below does include the scene near the end, but is otherwise a selection of scenes from the film edited to "True Colors" by Phil Collins, and should therefore probably be watched with the sound down.

This article is related to: Films, Feature, Black Swan


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.


E-Mail Updates