Yeah, I play Tubal-Cain, and we shot it in Long Island and I think we made a really good film. Russell Crowe was a pleasure to work with and Aronofsky was great to work with as well. I was lucky enough to be on that little film. I enjoyed every moment of it.
No. It’s going to take about a year to edit and put everything in. I’m sure by the time I’ve forgotten all about it, I’ll be called in to do some ADR work on it.
Are you still attached to “The Death of Bunny Munro?” I know it’s kind of moved from film to television.
Yeah I’m still talking to John Hillcoat and Nick Cave. It’s something I’ve been looking at for about five years. It’s a really dark piece and I’m not getting any younger and I think it’s just about fine-tuning. Johnny ain’t got time to direct it at the moment and he’s off doing other things so we’ve got to find another director. I think it’s a great piece of work. When I worked with Nick Cave on “The Proposition,” I thought, "Well this is good but let’s see what the next one looks like." And he’s one of these guys who keeps getting better and better and better. This guy can really write. So that’s something I’d like to do in the next couple of years.
You were one of the first actors to do motion capture with “Beowulf.” What was that experience like and would you ever do it again?
It was one of the best experiences of my life. When you are doing a scene with Anthony Hopkins and John Malkovich, it’s much more like theater than film. It’s not like a typical animated film – physically, every move is captured with something like twenty cameras. Your mid-shot, your close up and wide shots are all in one. It took six weeks to shoot and about two years to put it together. It was a great experience – it’s just playing it out.
Yeah, we played it out. I just had a little bit in that one. You know – you do your bit and away you go. But I loved working with Johnny Depp. He’s a good boy. He’s a great fucking talent. Whatever you watch him in, it doesn’t matter, you just love watching him.
And just before we go – what was working on 'Indiana Jones' like?
'Indiana Jones' was a great experience. Working with Spielberg was great – he does each film differently and when he does 'Indiana Jones,' the camera moves a certain way to take you into the next scene and all that. And working with Harrison Ford was great. He’s a cowboy. He’s from Montana. He’s got a human way about him – and he’s one of the best fucking actors around. You see him with a whip and he really does it. It was great to sit in his Winnebago and chew the fat and have a nice proper whisky. It was lovely.
So you had a great time on it?
Listen, you’re doing what you love and having a great time doing it. There are moments on films where you go, “Oh fuck this I can’t do this no more.” But I’ve got to be honest with you – we do it because we love it.
"The Sweeney" is in theaters now.