5 Doomed Romance Leonardo DiCaprio Movi ...
Wes Anderson's 5 Best Commercials
Can 'World War Z' Break Even?
Steve Soderbergh On Cinema, Studios, Mor ...
Recap: 'The King Of Comedy' 30th Anniversary ...
Excl: Lake Bell Joins 'Million Dollar Ar ...
10 Essential Cinematic AntiheroesAnd the network is backing another project that would likely make suits elsewhere uneasy. HBO has been playing something of a pre-production long-game with an adaptation of the Tony Award-winning play “The Normal Heart,” as various stars have become affixed to the project in dribs and drabs. We first reported on it in early 2012, when Julia Roberts, Jim Parsons, Mark Ruffalo and Matt Bomer signed up to adapt Larry Kramer's much-admired account of the HIV/AIDS epidemic in 1980s New York. Alec Baldwin was allegedly on board at one stage but has since been MIA (perhaps off-radar in some post-Jack Donaghy crisis).
The latest from Deadline is that Taylor Kitsch (Texan football’s most smoldering fullback from the luminous NBC series “Friday Night Lights”) will complete the main line-up as a closeted banker who later turns to gay-rights activism. Directed by Ryan Murphy, creator of “Glee” and “The New Normal” (not a champion of good taste but undoubtedly a pro when it comes to primetime ratings) filming is set to begin, at last, in New York later this year, with a release anticipated for 2014. It looks as though the civil rights picture is indeed becoming the new normal.
Why 'Star Trek Into Darkness' Suggests J.J. Abrams Needs To Leave His Mystery Box Alone For A While
1 Comment
Alan B | March 5, 2013 1:58 AM
After the poor-to-mediocre showings of his three 2012 films, Kitsch has made a smart choice to go for a story that's far more intimate (and playing a supporting role). I don't think he'll ever come close to being the star that Universal and Disney wanted him to be, but - if he doesn't screw up this role - critics will be talking about why they liked him in the first place (i.e. his performance in 'Friday Night Lights') and he'll be offered good films by good directors (think Colin Farrell in his post-'In Brudges' period), even if the budgets aren't tenpole, anymore.