Click to Skip Ad
Closing in...
Tom Hardy Met Mel Gibson And Made Him A Bracelet, Says Michael Fassbender Was "The Sh*t" In School Tom Hardy Met Mel Gibson And Made Him A Bracelet, Says Michael Fassbender Was "The Sh*t" In School Native Actors Walk Off Set Of Adam Sandler's 'Ridiculous 6' Over Disrespectful, Insulting Script Native Actors Walk Off Set Of Adam Sandler's 'Ridiculous 6' Over Disrespectful, Insulting Script Watch: Johnny Depp Rages As Whitey Bulger In First Trailer For Gangster Tale 'Black Mass' Watch: Johnny Depp Rages As Whitey Bulger In First Trailer For Gangster Tale 'Black Mass' Gaspar Noe's 3D 'Love' And More Added To Cannes Film Festival Lineup Gaspar Noe's 3D 'Love' And More Added To Cannes Film Festival Lineup First Look: Johnny Depp Goes Gangster In As Whitey Bulger In 'Black Mass' First Look: Johnny Depp Goes Gangster In As Whitey Bulger In 'Black Mass' Watch: Tom Hanks, Leonardo DiCaprio, Anne Hathaway, Michael Fassbender And More Talk The Art Of Acting Watch: Tom Hanks, Leonardo DiCaprio, Anne Hathaway, Michael Fassbender And More Talk The Art Of Acting Review: Marvel’s ‘Avengers: Age Of Ultron’ Starring Robert Downey Jr. Chris Evans, Scarlett Johansson & More Review: Marvel’s ‘Avengers: Age Of Ultron’ Starring Robert Downey Jr. Chris Evans, Scarlett Johansson & More Watch: Quentin Tarantino, David Fincher, Christopher Nolan, And More Talk The Art Of Filmmaking Watch: Quentin Tarantino, David Fincher, Christopher Nolan, And More Talk The Art Of Filmmaking Christopher Nolan's Favorite Sequence From His Movies Is The Airplane Kidnapping Scene From 'The Dark Knight Rises' Christopher Nolan's Favorite Sequence From His Movies Is The Airplane Kidnapping Scene From 'The Dark Knight Rises' Joss Whedon Calls Edgar Wright's 'Ant-Man' "The Best Script Marvel Ever Had," Warns Of Serialized Moviemaking Joss Whedon Calls Edgar Wright's 'Ant-Man' "The Best Script Marvel Ever Had," Warns Of Serialized Moviemaking The 41 Most Anticipated Movies Of Summer 2015 The 41 Most Anticipated Movies Of Summer 2015 Watch: First Teaser For 'Star Wars: Rogue One,' Plot Details Confirmed Watch: First Teaser For 'Star Wars: Rogue One,' Plot Details Confirmed Watch: First Trailer For 'Batman V. Superman: Dawn Of Justice' Brings Two Comic Book Legends Together Watch: First Trailer For 'Batman V. Superman: Dawn Of Justice' Brings Two Comic Book Legends Together Martin Scorsese's List Of 85 Must-See Films Martin Scorsese's List Of 85 Must-See Films The 10 Best & 5 Worst Cannes Film Festival Openers Ever The 10 Best & 5 Worst Cannes Film Festival Openers Ever The 25 Best Films Of 2015 We've Already Seen The 25 Best Films Of 2015 We've Already Seen Best Of 2014: The 15 Best Movie Soundtracks Of 2014 Best Of 2014: The 15 Best Movie Soundtracks Of 2014 The 25 Best Horror Films Of The 21st Century So Far The 25 Best Horror Films Of The 21st Century So Far The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season From Worst To Best: Ranking The Films Of Hayao Miyazaki From Worst To Best: Ranking The Films Of Hayao Miyazaki

Kim Novak Upset About Use Of 'Vertigo' Score In 'The Artist,' Dramatically Calling It "Rape"

Photo of Drew Taylor By Drew Taylor | The Playlist January 9, 2012 at 4:18PM

Well, we guess not everyone is going to love "The Artist," the black-and-white Oscar contender that has been rapturously received, but this is a little ridiculous. There is a sequence when "The Artist" borrows some of Bernard Herrmann's immortal "Vertigo" score. Back when we saw it at the New York Film Festival, it made us smile, but one of the stars of the Alfred Hitchcock film, Kim Novak, is incensed. "I want to report a rape," Novak dramatically said in a press release. "My body of work has been violated by 'The Artist.'" While we really can't get behind her use of the word "rape," what makes this whole thing funnier is that "American Horror Story," FX's outre genre show from this fall, also appropriated some "Vertigo" cues but in much, much trashier scenarios. Stand back from Novak on the day she finds that out.
8
The Artist Kim Novak

Well, we guess not everyone is going to love "The Artist," the black-and-white Oscar contender that has been rapturously received, but this is a little ridiculous. There is a sequence when "The Artist" borrows some of Bernard Herrmann's immortal "Vertigo" score. Back when we saw it at the New York Film Festival, it made us smile, but one of the stars of the Alfred Hitchcock film, Kim Novak, is incensed. "I want to report a rape," Novak dramatically said in a press release. "My body of work has been violated by 'The Artist.'" While we really can't get behind her use of the word "rape," what makes this whole thing funnier is that "American Horror Story," FX's outre genre show from this fall, also appropriated some "Vertigo" cues but in much, much trashier scenarios. Stand back from Novak on the day she finds that out.

Deadline spoke with Sue Cameron, Novak's longtime manager, who said that the star was appalled when watching her "The Artist" Oscar screener. "She was sitting in her living room, she put the DVD in, and then went into an absolute state of shock and devastation," Cameron told Deadline. "When you sit in a theater and familiar music comes on that engenders ready-made emotions, it's quite hurtful... She is very, very upset."

While it certainly must have come as a surprise to Novak, we can't quite figure out what all the ire is about. Yes, it is sort of cheap, linking "The Artist" to a brilliant work of the past, but the whole movie is a put-on, a pastiche, an homage. Evoking "Vertigo" is sort of the point. And we're not sure how using a cue from "Vertigo" is all that different from, say, using a well-known pop song. They both serve as emotional shortcuts, both playing on well known elements from popular culture to create a connection with the viewer.

Novak thinks differently. "There was no reason for them to depend on Bernard Herrmann's score from 'Vertigo' to provide more drama," Novak said in the press release. "Even though they did given [sp] Bernard Herrmann a small credit at the end, I believe this kind of filmmaking trick to be cheating. Shame on them!" We're pretty sure Novak just outed herself as never having seen a single Brian De Palma movie.

She gets even more histrionic towards the end of the press release, stating, "It is morally wrong of people in our industry to use and abuse famous pieces of work to gain attention and applause for other than what the original work was intended. Novak went on: "It is essential that all artists safeguard our special bodies of work for posterity, with their individual identities intact and protected."

Right, Kim. This kind of musical sampling has been going on for decades, most recently (and memorably) with Quentin Tarantino borrowing from a number of influential scores for his movies. Just because he borrowed a bit of Pino Donaggio's score from De Palma's "Blow Out" for his own "Death Proof" (or the number of Morricone cues for "Kill Bill" and "Inglourious Basterds"), doesn't desecrate the original film. If anything it makes it live longer and more fully, prompting unsuspecting film fans to go out and find the original source of the music.

Update: Michel Hazanavicius has responded, by taking the high road. Here's his statement: "The Artist was made as a love letter to cinema, and grew out of my (and all of my cast and crew’s) admiration and respect for movies throughout history.  It was inspired by the work of Hitchcock, Lang, Ford, Lubitsch, Murnau and Wilder. I love Bernard Hermann and his music has been used in many different films and I’m very pleased to have it in mine. I respect Kim Novak greatly and I’m sorry to hear she disagrees."

We suppose the "Artist" backlash has begun in earnest (and quite loudly), although we find the timing of this suspicious - just as the film is poised to be a Best Picture Oscar frontrunner (and on the day director Michel Hazanavicius received his first DGA nomination). We'll sit quietly and wait for this to blow over, and while we do, could someone play Novak some scenes from "American Horror Story," where the music is used to frame tales of school shootings, a pieced-together baby monster called The Infantata, the Black Dahlia murder, and a masked sex killer called the Rubber Man? Yes, that shit crazy.

This article is related to: The Artist, Kim Novak


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.


E-Mail Updates