Click to Skip Ad
Closing in...
'Thor: The Dark World' Director Alan Taylor Says His Marvel Experience Was "Particularly Wrenching" 'Thor: The Dark World' Director Alan Taylor Says His Marvel Experience Was "Particularly Wrenching" Watch: Anna Paquin Is Rescued In Clip From 'X-Men: Days of Future Past - The Rogue Cut' Watch: Anna Paquin Is Rescued In Clip From 'X-Men: Days of Future Past - The Rogue Cut' Kevin Feige Says 'Spider-Man 2' Is "One Of The Best Superhero Movies Ever," Talks John Hughes Influence On New Spidey Kevin Feige Says 'Spider-Man 2' Is "One Of The Best Superhero Movies Ever," Talks John Hughes Influence On New Spidey Watch: Live Your Ultimate Fantasy With The First NSFW Trailer For Gaspar Noe's 'Love' Watch: Live Your Ultimate Fantasy With The First NSFW Trailer For Gaspar Noe's 'Love' Review & Recap: ‘True Detective’ Season 2, Episode 2, ‘Night Finds You’ Review & Recap: ‘True Detective’ Season 2, Episode 2, ‘Night Finds You’ Terrence Malick’s ‘Knight Of Cups’ Won’t Arrive Until 2016, Austin Music Scene Drama Not Titled ‘Weightless’ Terrence Malick’s ‘Knight Of Cups’ Won’t Arrive Until 2016, Austin Music Scene Drama Not Titled ‘Weightless’ The Punisher Will Reportedly Appear As The Villain In ‘Daredevil’ Season 2 The Punisher Will Reportedly Appear As The Villain In ‘Daredevil’ Season 2 'Lucy 2' And 'Colombiana 2' Are In Development 'Lucy 2' And 'Colombiana 2' Are In Development Mixed Reactions For Marvel's 'Ant-Man' After First Press Screening Plus New Promos And Pics Mixed Reactions For Marvel's 'Ant-Man' After First Press Screening Plus New Promos And Pics The Essentials: The 5 Best Rachel McAdams Performances The Essentials: The 5 Best Rachel McAdams Performances Kevin Feige Says 'Spider-Man' Is "Definitely A Sony Picture," Talks Role Of 'Ant-Man' In Phase 3, More Kevin Feige Says 'Spider-Man' Is "Definitely A Sony Picture," Talks Role Of 'Ant-Man' In Phase 3, More First Reviews For 'Terminator Genisys' Suggest Franchise Didn't Need To Say "I'll Be Back" First Reviews For 'Terminator Genisys' Suggest Franchise Didn't Need To Say "I'll Be Back" Kit Harington & Dakota Fanning Replace Robert Pattinson & Mia Wasikowska In 'Brimstone' Kit Harington & Dakota Fanning Replace Robert Pattinson & Mia Wasikowska In 'Brimstone' The Essentials: The 5 Best Colin Farrell Perfomances The Essentials: The 5 Best Colin Farrell Perfomances The 25 Best Animated Films Of The 21st Century So Far The 25 Best Animated Films Of The 21st Century So Far The 50 Best Films Of The Decade So Far The 50 Best Films Of The Decade So Far The 10 All-Time Best Episodes Of 'Parks And Recreation' The 10 All-Time Best Episodes Of 'Parks And Recreation' The 25 Best Horror Films Of The 21st Century So Far The 25 Best Horror Films Of The 21st Century So Far The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season All The Songs In 'Pitch Perfect' Including La Roux, David Guetta, Azealia Banks, Nicki Minaj & More All The Songs In 'Pitch Perfect' Including La Roux, David Guetta, Azealia Banks, Nicki Minaj & More

Mark Cousins On ‘What Is This Film Called Love,’ PJ Harvey, 'Prometheus' & “The Sadness Of Time Passing”

Photo of Jessica Kiang By Jessica Kiang | The Playlist July 14, 2012 at 12:33PM

Having seen and loved Mark Cousins’ almost unreviewably subjective “What Is This Film Called Love” on its international premiere at the Karlovy Vary International Film Festival last week (read about that experience here), we got to sit down with Cousins in person pretty much immediately afterwards. And it felt rather like walking straight back into the film we had just left: ‘What Is This Film’ is so unapologetically personal that it’s difficult to escape the feeling that, like him or not, you kind of know Cousins by the end of it.
1

What Is This Film Called Love
Aside from Harvey, how did you approach the soundtrack?
“We had used some of the music of Simon Fisher-Turner’s as guide music -- he’s done music for silent films and Derek Jarman films -- and we sent it to him and he [also] wrote a lovely email back, and so I started become encouraged, particularly by the music. Music people understand, you can sit in your bedroom and write a song or you can make music in your computer about you, your personal life, your sense of joy. But we’re slightly more embarrassed about making really personal films. Music people get it -- so maybe music people will get my film down.”

Later we return to the subject in the context of the love theme from “Vertigo” by Bernard Hermann which Cousins also uses, in defiance of poor beleaguered Kim Novak. “We had cut that sequence and because that first shot is of travelling, it’s very like ‘Vertigo,’ so we tried the Hermann music and I loved it. I’m not afraid of a little cliché, and I think it’s gorgeous, so we put it in and… I sent it to PJ Harvey and Simon Fisher-Turner and Tom Luddy who runs the Telluride Film Festival and a bunch of others and said, ‘Look, I know I have to pull out the Bernard Hermann music because it’s too cliched’ and they all said ‘Don’t.’ So I left it in. I loved it and I loved combining it with the poetry from Norman MacCaig -- the simplest of techniques.”

Speaking of MacCaig, you allude to and sometimes quote from a lot of literary influences.
“I was reading a lot of Virginia Woolf -- she is brilliant at the personal, my favourite writer, the way she writes about her own thought processes, and going walking and daydreaming. I have to say I think Virginia Woolf was the first great documentary filmmaker even though she never made a documentary film.” At other times Cousins uses lines from Frank O’Hara and Joan Didion, while also frequently referencing, of course, Eisenstein's theories and ideas. But it’s not just the poetry and prose he directly refers to that exert their pull over the film’s direction. “I’m very very interested in Asian philosophy, that sense of the ‘ongoing moment’ -- I love that phrase -- and I love a phrase from Roland Barthes that ‘every photograph is light from a distant star.’ So there’s always a sense of having travelled, of moving.”

What Is This Film Called Love
As much of an "ongoing moment" as it describes, there is a melancholy, nostalgic aspect to the film too.
“Well, every mile forward is a mile lost...I realised as I was cutting it that I was making something quite sad about leaving youth behind. I’m 47 now, so youth is gone -- it was gone years ago. But there’s a sadness about that -- a sweet sorrow. I wanted to make a film about the sadness of time passing.” Later he relates this back to a formative film in any cinephile’s canon: “When I first saw ‘Citizen Kane’ I was a teenager and it just looked to me about technology and the brilliance of film. Now when I look at ‘Citizen Kane’ it’s an elegy for lost youth; it’s about that single moment in time that he’s trying to recover.”

With any personal essay, the issue of authenticity arises. How much of what we see is narrative overlaid after the fact, and how much of it reflects the experience you had at the time?
“Everything.“ replies Cousins immediately. “I was taking notes all the time, you see my notebook occasionally [in shot] and when I’m filming I’m often writing the commentary while the shot is running, so very little changes in commentary at all. Everything is true, even the feel of the dream sequences, like that song I heard 'Avenues and Alleyways,' so all of that is exactly what happened. The only time when the film starts to lie is when Eisenstein writes back to me, but up until that moment everything is pretty much what happened...and was exactly what I thought."

This article is related to: Mark Cousins, Karlovy Vary International Film Festival, What Is This Film Called Love, Interviews


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.


E-Mail Updates